Book contents
- Barbara Strozzi in Context
- Composers in Context
- Barbara Strozzi in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Acknowledgments
- Barbara Strozzi Chronology
- Abbreviations
- Introduction
- Part I The “Exceptional” Woman
- Part II Family, Sex, and the Problem of Women in Seicento Venice
- Chapter 6 Giulio Strozzi and Biography
- Chapter 7 Barbara Strozzi, Daughter and Mother
- Chapter 8 Sex, Trade, and the Sex Trade in Venice
- Chapter 9 Considering the Courtesan Question
- Chapter 10 Women and Wealth in Early Modern Venice
- Part III Gender Ideology and the Venetian Academies
- Part IV Contextualizing Strozzi’s Music
- Part V Poetry and Music
- Part VI Strozzi and Material Culture
- Part VII Performing Strozzi
- Afterword
- Further Reading
- Index
Chapter 6 - Giulio Strozzi and Biography
from Part II - Family, Sex, and the Problem of Women in Seicento Venice
Published online by Cambridge University Press: 19 March 2026
By
Book contents
- Barbara Strozzi in Context
- Composers in Context
- Barbara Strozzi in Context
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Acknowledgments
- Barbara Strozzi Chronology
- Abbreviations
- Introduction
- Part I The “Exceptional” Woman
- Part II Family, Sex, and the Problem of Women in Seicento Venice
- Chapter 6 Giulio Strozzi and Biography
- Chapter 7 Barbara Strozzi, Daughter and Mother
- Chapter 8 Sex, Trade, and the Sex Trade in Venice
- Chapter 9 Considering the Courtesan Question
- Chapter 10 Women and Wealth in Early Modern Venice
- Part III Gender Ideology and the Venetian Academies
- Part IV Contextualizing Strozzi’s Music
- Part V Poetry and Music
- Part VI Strozzi and Material Culture
- Part VII Performing Strozzi
- Afterword
- Further Reading
- Index
Summary
The musicological literature has tended to focus on Giulio Strozzi’s career as a librettist, and on his participation in three academies, Ordinati in Rome, and the Incogniti, and its musical offshoot, the Unisoni, in Venice. In this chapter I discuss two biographies published about Strozzi during his lifetime, one of them quite well known (present in the Le Glorie de gli Incogniti), the other one less so (from Gian Vittorio Rossi’s Pinacotheca Imaginum Illustrium). I will highlight the means by which these biographies nuance Strozzi’s time before he became one of Venice’s most noted librettists. I offer new insight into Strozzi’s time in Rome (circa 1601–1615), and suggest that, contrary to his published Incogniti biography, he most likely never earned a degree in law from the University of Pisa.
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- Barbara Strozzi in Context , pp. 59 - 66Publisher: Cambridge University PressPrint publication year: 2026
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