The chapter focuses on the experiences and representations of the shipboard community in the late nineteenth and early twentieth centuries, to explore the changes in the imagining of ‘people’ and questions of individual and collective identity. By closely reading the novels by Joseph Conrad, James Hanley, and B. Traven, alongside the theoretical works of Sigmund Freud, Gustave Le Bon, and Hannah Arendt, it argues how fictional form diagnoses and dramatises with singular power the gradual move from Victorian ideas of the ‘crowd’ to an interwar imagining of peoples’ history and the language of rights. In the process, the chapter addresses a range of issues, from questions of race, class, and the body to the condition of statelessness and the growth of proletarian consciousness, which push the maritime novel in new directions.