Book contents
- Shakespeare Survey 78
- Shakespeare Survey
- Shakespeare Survey 78
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- (Grass)Root and (Tree)Branch: Building Community in the Early Modern Ensemble Training Model
- Fat Ham and the Problem of Community
- Shakespeare under the Hood: Teaching, Researching and Learning Shakespeare from Within
- Mind’s Eye: Audio-described Shakespeare
- ‘The New Map with the Augmentation of the Indies’: Geographical Knowledge Communities at the Inns of Court and Shakespeare’s Twelfth Night
- Music and Drama at the Early Modern Inns of Court: Twelfth Night and Hyde Park
- Reimagining the Community: A Transatlantic Tale of Two Scholars
- ‘To Be or Not to Be in Ukraine’: Ruining Shakespeare and Rebuilding Communities in H-Effect and The Hamlet Syndrome
- Red Kabuki Actors Perform Shakespeare in Occupied Japan (1945–1952): Zenshinza’s ‘Theatre for Young People’
- ‘Unrespective Boys’: The Formation and Betrayal of Child Peer Communities in Richard III
- ‘Here’s Company’: Fractured Englishness and Conflicted Communities in The Merry Wives of Windsor and Henry V
- ‘Necessity Has No Law’: Justice and Affective Communities in 2 Henry VI
- The BBC’s Television Adaptations of Henry VI and Britain’s National Identity Crises
- A Lion, an Ass, a Dog and a Wall: A Midsummer Night’s Dream’s Ecological Theatricality
- Hitchcock’s Hamlet
- German Hermeneutics of Racecraft in Thomas Ostermeier’s Othello (2010)
- ‘Bloody Creditor[s]’ and the Blood-Money Metaphor in The Merchant of Venice
- ‘And Now Let Me Alone to End the Tragedy’: Othello, Comedy and Candlelight in John Fletcher’s Women Pleased
- Power, Horology and Imperial Doubt: Reimagining Time in Shakespeare’s A Midsummer Night’s Dream
- ‘By the Book’: Source Study and the Plot of Romeo and Juliet
- War, Hunger and Gluttony in Shakespeare’s English Histories: Sir John Oldcastle and Jack Cade
- Some Deeper Thing: Visualizing Complexity in Hamlet through the Pyrrhus Speech
- Lucrece and Leonard Becket, 1614–1633
- Audio Shakespeare
- Shakespeare Performances in England, 2024 London Productions, 2024
- Productions Outside London, 2024
- Professional Shakespeare Productions in the UK, January–December 2023
- The Year’s Contribution to Shakespeare Studies
- 1.Critical Studies
- 2.Editions and Textual Studies
- 3.Shakespeare in Performance
- Abstracts of Articles in Shakespeare Survey 78
- Index
- References
2. - Editions and Textual Studies
from The Year’s Contribution to Shakespeare Studies
Published online by Cambridge University Press: 08 October 2025
Edited by
Book contents
- Shakespeare Survey 78
- Shakespeare Survey
- Shakespeare Survey 78
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- (Grass)Root and (Tree)Branch: Building Community in the Early Modern Ensemble Training Model
- Fat Ham and the Problem of Community
- Shakespeare under the Hood: Teaching, Researching and Learning Shakespeare from Within
- Mind’s Eye: Audio-described Shakespeare
- ‘The New Map with the Augmentation of the Indies’: Geographical Knowledge Communities at the Inns of Court and Shakespeare’s Twelfth Night
- Music and Drama at the Early Modern Inns of Court: Twelfth Night and Hyde Park
- Reimagining the Community: A Transatlantic Tale of Two Scholars
- ‘To Be or Not to Be in Ukraine’: Ruining Shakespeare and Rebuilding Communities in H-Effect and The Hamlet Syndrome
- Red Kabuki Actors Perform Shakespeare in Occupied Japan (1945–1952): Zenshinza’s ‘Theatre for Young People’
- ‘Unrespective Boys’: The Formation and Betrayal of Child Peer Communities in Richard III
- ‘Here’s Company’: Fractured Englishness and Conflicted Communities in The Merry Wives of Windsor and Henry V
- ‘Necessity Has No Law’: Justice and Affective Communities in 2 Henry VI
- The BBC’s Television Adaptations of Henry VI and Britain’s National Identity Crises
- A Lion, an Ass, a Dog and a Wall: A Midsummer Night’s Dream’s Ecological Theatricality
- Hitchcock’s Hamlet
- German Hermeneutics of Racecraft in Thomas Ostermeier’s Othello (2010)
- ‘Bloody Creditor[s]’ and the Blood-Money Metaphor in The Merchant of Venice
- ‘And Now Let Me Alone to End the Tragedy’: Othello, Comedy and Candlelight in John Fletcher’s Women Pleased
- Power, Horology and Imperial Doubt: Reimagining Time in Shakespeare’s A Midsummer Night’s Dream
- ‘By the Book’: Source Study and the Plot of Romeo and Juliet
- War, Hunger and Gluttony in Shakespeare’s English Histories: Sir John Oldcastle and Jack Cade
- Some Deeper Thing: Visualizing Complexity in Hamlet through the Pyrrhus Speech
- Lucrece and Leonard Becket, 1614–1633
- Audio Shakespeare
- Shakespeare Performances in England, 2024 London Productions, 2024
- Productions Outside London, 2024
- Professional Shakespeare Productions in the UK, January–December 2023
- The Year’s Contribution to Shakespeare Studies
- 1.Critical Studies
- 2.Editions and Textual Studies
- 3.Shakespeare in Performance
- Abstracts of Articles in Shakespeare Survey 78
- Index
- References
Summary
After a brief drought, 2024 saw the release of seven new single-play editions: As You like It; Henry IV, Part I; Macbeth; Measure for Measure; The Merry Wives of Windsor; Romeo and Juliet; and The Tempest – all published as part of the Oxford World’s Classics New Oxford Shakespeare series. The texts, which are taken from The New Oxford Shakespeare: The Complete Works, overseen by Gary Taylor, John Jowett, Terri Bourus and Gabriel Egan in 2016, have now been furnished with compelling new introductions by Todd Andrew Borlik, Indira Ghose, Emma Smith, Emma Whipday, Callan Davies, Hannah August and Lauren Working, respectively, with more of the editions (twenty-eight in total) set to be released at the start of 2025.
Information
- Type
- Chapter
- Information
- Shakespeare Survey 78Shakespeare and Communities, pp. 373 - 384Publisher: Cambridge University PressPrint publication year: 2025
References
Works Reviewed
August, Hannah, and Connor, Francis X., eds., Romeo and Juliet. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Borlik, Todd Andrew, and Connor, Francis X., eds., As You like It. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Bourne, Claire M. L., ‘The handmaids’ tale: book history, Shakespeare, and women’s textual labour’, in The Oxford Handbook of the History of the Book in Early Modern England, ed. Smyth, Adam (Oxford, 2024), 20–46Google Scholar
Davies, Callan, and Neville, Sarah, eds., The Merry Wives of Windsor. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Erne, Lukas, ‘Mediating Shakespeare: thirteen ways of looking at editorial agency’, in Liber amicorum H. R. Woudhuysen: A Bibliographical Tribute (Oxford, 2024), 145–65Google Scholar
Ghose, Indira, and Ann, Pruitt, eds., Henry IV, Part I. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Eric, Rasmussen, and Yarn, Molly G., ‘A newly discovered manuscript of Vincent of Lérins’s Commonitorium and Shakespeare’s Hand D in Sir Thomas More’, Papers of the Bibliographical Society 118 (2024), 452–61Google Scholar
Schott Syme, Holget, ed., ‘The Shakespeare First Folio as Source, Object, and Evidence’, Shakespeare Quarterly 74 (2023)Google Scholar
Smith, Emma, ‘“Now I am in Arden: the more fool I”: Love’s Labour’s Won and the Arden 3 series’, in Liber amicorum H. R. Woudhuysen: A Bibliographical Tribute (Oxford, 2024), 125–44CrossRefGoogle Scholar
Smith, Emma, and Jowitt, John, eds., Macbeth. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Smyth, Adam, ed., The Oxford Handbook of the History of the Book in Early Modern England (Oxford, 2023)CrossRefGoogle Scholar
Starza, Smith, Daniel, and Hazel, Wilkinson, eds., Liber amicorum H. R. Woudhuysen: A Bibliographical Tribute (Oxford, 2024)CrossRefGoogle Scholar
West, Anthony James, ‘Update of the Shakespeare First Folio Census’, The Library 24 (2023), 445–64Google Scholar
West, Anthony James, ‘Update of the history of the Shakespeare First Folio’, The Library 25 (2024), 29–40CrossRefGoogle Scholar
Warren, Christopher N., et al., ‘Who rpinted Shakespeare’s Fourth Folio?’, Shakespeare Quarterly 74 (2023), 139–46CrossRefGoogle Scholar
Whipday, Emma, and Bourus, Terri, eds., Measure for Measure. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
Working, Lauren, and Loughnane, Rory, eds., The Tempest. The New Oxford Shakespeare Oxford World’s Classics (Oxford, 2024)Google Scholar
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