Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- “Hair Cut Short like a Mediæval Page”: Queer Medievalisms in Gwen Lally’s Historical Pageants and Radclyffe Hall’s The Well of Loneliness (1928)
- “I thought I would be a Chaucerian”: Robert Glück, the Medievalism of New Narrative, and Margery Kempe
- “I Will Send to Them Women”: Josephine Butler’s Catharine of Siena: A Biography (1878), Female Food Abstinence, and Victorian Feminist Medievalism
- “Noble Maiden Fair”: Music and the Construction of Gender in Disney/Pixar’s Brave and Disney’s Sleeping Beauty
- Becoming a Man in Narnia: Adaptation, Medievalism, and Masculinity in Prince Caspian
- “Where Men Lived After the Manner of Beasts”: Bandits in Medieval Worlds
- The Musical Camelot and Colonial Medieval Tribalism in Richard E. Grant’s 2005 Film Wah-Wah
- Narratives of Belonging: Arminius and Autochthony between the Minnesota Prairie and German Forests
- King Arthur and Imagined Indians: The Entanglement of Medievalist and Indigenous Elements in Guy Gavriel Kay’s Fionavar Tapestry
- Arthurian Legend and the Death of Optimus Prime in Transformers: The Movie (1986)
- Laughing at a Carolingian Legacy: Medievalism and Charlemagne Legends in Twentieth-Century America
- Contributors
- Previously Published Volumes
Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- “Hair Cut Short like a Mediæval Page”: Queer Medievalisms in Gwen Lally’s Historical Pageants and Radclyffe Hall’s The Well of Loneliness (1928)
- “I thought I would be a Chaucerian”: Robert Glück, the Medievalism of New Narrative, and Margery Kempe
- “I Will Send to Them Women”: Josephine Butler’s Catharine of Siena: A Biography (1878), Female Food Abstinence, and Victorian Feminist Medievalism
- “Noble Maiden Fair”: Music and the Construction of Gender in Disney/Pixar’s Brave and Disney’s Sleeping Beauty
- Becoming a Man in Narnia: Adaptation, Medievalism, and Masculinity in Prince Caspian
- “Where Men Lived After the Manner of Beasts”: Bandits in Medieval Worlds
- The Musical Camelot and Colonial Medieval Tribalism in Richard E. Grant’s 2005 Film Wah-Wah
- Narratives of Belonging: Arminius and Autochthony between the Minnesota Prairie and German Forests
- King Arthur and Imagined Indians: The Entanglement of Medievalist and Indigenous Elements in Guy Gavriel Kay’s Fionavar Tapestry
- Arthurian Legend and the Death of Optimus Prime in Transformers: The Movie (1986)
- Laughing at a Carolingian Legacy: Medievalism and Charlemagne Legends in Twentieth-Century America
- Contributors
- Previously Published Volumes
Summary
In this volume's call for papers (cfp), applicants were invited to submit “feature articles of 6,000–12,000 words (including notes) on any postmedieval responses to the Middle Ages” or 3,000-word essays that respond to one or more of the following questions:
[W]hat relevance does [tribalism] have for medievalism? For medievalism studies? Does it accurately capture the way one or more communities within those fields are perceived by their own members and/or others? How, if at all, do these newer applications apply to the traditional uses of the term? How does the word relate to practices among medievalists, by medievalists with regard to their medieval sources, by scholars of medievalism with regard to their subjects, and among scholars of medievalism?
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- Studies in Medievalism XXXIVTribal Medievalisms, pp. xiii - xviiiPublisher: Boydell & BrewerFirst published in: 2026
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