Mayans, Shamans, Junkies
from Part II - Identities
Published online by Cambridge University Press: 02 July 2026
This chapter explores William Burroughs’ lifelong engagement with anthropology, from his early academic studies at Harvard and Columbia to his immersive depictions of indigenous and subcultural worlds. David Stephen Calonne charts Burroughs’ fascination with shamanism, Mayan hieroglyphics, animal totems, and visionary experience, arguing that his literary project is rooted in an outsider anthropological impulse that spans both ancient cultures and modern subcultures. Burroughs’ friendship with figures like Hal Chase and his involvement with institutions such as the Sahagún Anthropology Club informed works like The Soft Machine, Ah Pook Is Here, and Junky, which often merge ethnographic observation with mystical speculation. The chapter situates Burroughs alongside figures like Marcel Mauss, Georges Bataille, and Carlos Castaneda, and highlights the influence of his writings on contemporary anthropologists such as Michael Taussig. Ultimately, Burroughs emerges as an amateur but radical anthropologist, reimagining the potentials of cultural knowledge and visionary consciousness outside the confines of academic orthodoxy.
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