This volume offers literary histories and analyses of a wide range of genres in African literature and verbal arts. It provides a holistic and accessible presentation of African literary history that incorporates different types of texts, different regions of the continent, and different languages (English, French, Swahili, Hausa). Both genres with a longer history and those with more recent histories in Africa receive attention. The genres covered include memoirs, travelogues, Shairi, protest poetry, activist theatre, dictator novels, child soldier narratives, prison writing, speculative fiction, market literature, environmental literature, graphic narrative, and queer writing. The volume furnishes overviews of other genres such as campus narrative, crime fiction, and romance. Genres belonging to popular culture as well as those associated with high literary forms are discussed. This collection of literary histories also shows how popular and high literary cultures have intersected and diverged in different locations across Africa since the early 1900s.
Loading metrics...
* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.
Usage data cannot currently be displayed.
This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.
The HTML of this book conforms to version 2.0 of the Web Content Accessibility Guidelines (WCAG), ensuring core accessibility principles are addressed and meets the basic (A) level of WCAG compliance, addressing essential accessibility barriers.
Allows you to navigate directly to chapters, sections, or non‐text items through a linked table of contents, reducing the need for extensive scrolling.
Provides an interactive index, letting you go straight to where a term or subject appears in the text without manual searching.
You will encounter all content (including footnotes, captions, etc.) in a clear, sequential flow, making it easier to follow with assistive tools like screen readers.
You get concise descriptions (for images, charts, or media clips), ensuring you do not miss crucial information when visual or audio elements are not accessible.
You get more than just short alt text: you have comprehensive text equivalents, transcripts, captions, or audio descriptions for substantial non‐text content, which is especially helpful for complex visuals or multimedia.
You gain clarity from ARIA (Accessible Rich Internet Applications) roles and attributes, as they help assistive technologies interpret how each part of the content functions.