Skip to main content Accessibility help
×
    Show more authors
  • You may already have access via personal or institutional login
  • Select format
  • Publisher:
    Cambridge University Press
    Publication date:
    11 December 2017
    28 December 2017
    ISBN:
    9781316534397
    9781107143302
    Dimensions:
    (228 x 152 mm)
    Weight & Pages:
    0.84kg, 438 Pages
    Dimensions:
    Weight & Pages:
You may already have access via personal or institutional login
  • Selected: Digital
    Add to cart View cart Buy from Cambridge.org

    Book description

    American Literature in Transition, 1910–1920 offers provocative new readings of authors whose innovations are recognized as inaugurating Modernism in US letters, including Robert Frost, Willa Cather, T. S. Eliot, Ezra Pound, Gertrude Stein, H. D., and Marianne Moore. Gathering the voices of both new and established scholars, the volume also reflects the diversity and contradictions of US literature of the 1910s. 'Literature' itself is construed variously, leading to explorations of jazz, the movies, and political writing as well as little magazines, lantern slides, and sports reportage. One section of thematic essays cuts across genre boundaries. Another section oriented to formats drills deeply into the workings of specific media, genres, or forms. Essays on institutions conclude the collection, although a critical mass of contributors throughout explore long-term literary and cultural trends - where political repression, race prejudice, war, and counterrevolution are no less prominent than experimentation, progress, and egalitarianism.

    Refine List

    Actions for selected content:

    Select all | Deselect all
    • View selected items
    • Export citations
    • Download PDF (zip)
    • Save to Kindle
    • Save to Dropbox
    • Save to Google Drive

    Save Search

    You can save your searches here and later view and run them again in "My saved searches".

    Please provide a title, maximum of 40 characters.
    ×

    Contents


    Page 1 of 2



    Page 1 of 2


    Works Cited

    “150 Strike Waifs Find Homes Here.” The New York Times 11 Feb. 1912: 1–2. Print.
    “The 1912 Bread and Roses Strike, Flashback Photo.” New England Historical Society. Web. 30 Jun. 2016. www.newenglandhistoricalsociety.com/flashback-photo-the-1912-bread-and-roses-strike/.
    “1914–1918. A BBC History of the Great War.” British Broadcasting Corporation, London. 1996. Television.
    Aaron, Daniel. Writers on the Left: Episodes in American Literary Communism. Orig. 1961. New York: Columbia University Press, 1992. Print.
    Abbott, Lynn, and Seroff, Doug. Ragged but Right: Black Traveling Shows, “Coon Songs,” and the Dark Pathway to Blues and Jazz. Jackson: University Press of Mississippi, 2007. Print.
    Abbott, Lynn, and Seroff, Doug “‘They Cert'ly Sound Good to Me.’ Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues.” American Music 14.4 (1996): 402–54. Print.
    Ackley, Kristina, and Stanciu, Cristina, eds. Laura Cornelius Kellogg: Our Democracy and the American Indian and Other Works. Syracuse, NY: Syracuse University Press, 2015. Print.
    Adams, Caswell, ed. Great American Sports Stories. New York: Stamford House, 1947. Print.
    Adams, David Wallace. Education for Extinction: American Indians and the Boarding School Experience, 1875–1928. Lawrence: University of Kansas Press, 1995. Print.
    Adams, Henry. Democracy: An American Novel. Orig. 1880. New York: Penguin, 1994. Print.
    Adickes, Sandra. To Be Young Was Very Heaven: Women in New York Before the First World War. New York: St. Martin's Press, 1997. Print.
    Adler, William M. The Man Who Never Died: The Life, Times, and Legacy of Joe Hill, American Labor Icon. New York: Bloomsbury, 2001. Print.
    Alexander, Scott. “The First Jazz Records.” The Red Hot Jazz Archive. Web. 3 Nov. 2015. www.redhotjazz.com/jazz1917.html.
    “The Alleged Decline in American Poetry.” Current Opinion 39.3 (September 1905): 281. American Periodicals Series. Web. 2 April 2016. search.proquest.com/docview/124794788?accountid=12846.
    Allen, Chadwick, and Piatote, Beth H., eds. “The Society of American Indians and Its Legacies.” Special double issue of SAIL: Studies in American Indian Literatures 37.3 and American Indian Quarterly 25.2 (2013). Print.
    American Association of University Professors. “Declaration of Principles on Academic Freedom and Tenure.” Policy Documents and Reports. 11th ed. Baltimore, MD: Johns Hopkins University Press, 2015. Print.
    “An American Holiday.” The Masses Sept. 1916: 12. Print.
    “Americanism, n.” OED Online. Oxford University Press, 2015. Web. 14 July 2017. en.oxforddictionaries.com/definition/Americanism.
    Ammons, Elizabeth. “The Business of Marriage in Edith Wharton's The Custom of Country.” Criticism 16 (1974): 326–38. Print.
    Ammons, Elizabeth “Expanding the Canon of American Realism.” The Cambridge Companion to American Realism and Naturalism. Ed. Pizer, Donald. Cambridge: Cambridge University Press, 1995. 95–116. Print.
    Ammons, Elizabeth “My Ántonia and African American Art.” New Essays on My Ántonia. Ed. O'Brien, Shannon. Cambridge: Cambridge University Press, 1999. 57–83. Print.
    Anderson, Mark Lynn. “The Star System.” The Wiley-Blackwell History of American Film. Ed. Lucia, Cynthia, Grundmann, Roy, and Simon, Art, Malden, MA: Blackwell, 2012. n.pag. Web. 22 Jun. 2016. doi: 10.1002/9780470671153.
    Anderson, Sherwood. Winesburg, Ohio. 1919. London: W. W. Norton, 1995. Print.
    Apotheker, Nan. “Bohemia – From Another Angle.” The Masses Feb. 1917: 39. Print.
    “Are We Indecent?” The Masses Sep. 1916: 21. Print.
    Askari, Kaveh. Making Movies into Art: Picture Craft from the Magic Lantern to Early Hollywood. London: Palgrave, 2014. Print.
    Auerbach, Jonathan. Weapons of Democracy: Propaganda, Progressivism, and American Public Opinion. Baltimore, MD: Johns Hopkins University Press, 2015. Print.
    Austin, Alfred. “The Growing Distaste for the Higher Forms of Poetry.” The Critic 45.5 (1904): 438–43. American Periodicals Series. ProQuest. Web. 2 Apr. 2016. search.proquest.com/docview/124876244?accountid=12846.
    Bailey, Liberty Hyde. The Country Life Movement in America. New York: Macmillan, 1911. Print.
    Bailey, Liberty Hyde The Holy Earth. New York: Scribner's Sons, 1915. Print.
    Baker, Ray Stannard. “The Revolutionary Strike,” American Magazine May 1912: 30. Print.
    Balay, Anne G. “’Hands Full of Living’: Birth Control, Nostalgia, and Kathleen Norris.” American Literary History 8.3 (1996): 471–95. Print.
    Barbas, Samantha. Movie Crazy: Fans, Stars, and the Cult of Celebrity. London: Palgrave, 2002. Print.
    Barlow, William. “Looking Up at Down”: The Emergence of Blues Culture. Philadelphia: Temple University Press, 1989. Print.
    Barnes, Julian. Keeping an Eye Open: Essays on Art. London: Cape, 2015. Print.
    Barnouw, Erik. A Tower in Babel: A History of Broadcasting in the United States to 1933. New York: Oxford University Press, 1966. Print.
    Barns, Cornelia. “Voters.” Drawing. The Masses Dec. 1915: 4. Modernist Journals Project. Web. 21 Jan. 2016. http://library.brown.edu/cds/repository2/repoman.php?verb=render&id=1380038325705889&view=pageturner&pageno=4.
    Barrish, Phillip. American Literary Realism, Critical Theory, and Intellectual Prestige 1880–1995. Cambridge: Cambridge University Press, 2001. Print.
    Barrish, Phillip The Cambridge Introduction to American Literary Realism. Cambridge: Cambridge University Press, 2011. Print.
    Basch, Francoise. “Introduction.” Diary of a Shirtwaist Striker. By Malkiel, Theresa Serber. Rpt. New York: Co-operative Press, 1910. Print.
    Baudelaire, Charles. “The Painter of Modern Life.” The Painter of Modern Life and Other Essays. Ed. and trans. Mayne, Jonathan. London: Phaidon, 1964. 1–40. Print.
    Bauer, Dale M. Edith Wharton's Brave New Politics. Madison: University of Wisconsin Press, 1994. Print.
    Baum, L. Frank. The Wonderful Wizard of Oz. Orig. 1900. Lawrence: University Press of Kansas, 1999. Print.
    Baury, Louis. “The Message of Bohemia.” Bookman Nov. 1911: 256–66. Print.
    Beach, Christopher. The Politics of Distinction: Whitman and the Discourses of Nineteenth-Century America. Athens: University of Georgia Press, 1996. Print.
    Bean, Jennifer M. “The Imagination of Early Hollywood: Movie-Land and the Magic Cities, 1914–1916.” Early Cinema and the “National.” Ed. Abel, Richard, Bertellini, Giorgio, and King, Rob. New Barnet, England: John Libbey, 2008. 332–42. Print.
    Becker, George J. Realism in Modern Literature. New York: Ungar, 1980. Print.
    Bederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917. Chicago: University of Chicago Press, 1995. Print.
    Bell, Ed. “Do You Know.” Burma Shavings Nov. 1933: 2. Print.
    Bell, Michael Davitt. The Problem of American Realism: Studies in the Cultural History of a Literary Idea. Chicago: University of Chicago Press, 1993. Print.
    Bell, Millicent, ed. The Cambridge Companion to Edith Wharton Cambridge: Cambridge University Press, 1995. Print.
    Bender, Bert. Evolution and “the Sex Problem”: American Narratives during the Eclipse of Darwinism. Kent, OH: Kent State University Press, 2004. Print.
    Ben-Zvi, Linda. “‘Murder She Wrote’: The Genesis of Susan Glaspell's Trifles.” Susan Glaspell: Essays on Her Theater and Fiction. Ed. Ben-Zvi, Linda. Ann Arbor: University of Michigan Press, 1995. 19–48. Print.
    Berg, A. Scott. Wilson. New York: Putnam, 2013. Print.
    Berg, Allison. Mothering the Race: Women's Narratives of Reproduction, 1890–1930. Urbana: University of Illinois Press, 2002. Print.
    Berlin, Edward A. Ragtime: A Musical and Cultural History. Berkeley: University of California Press, 1980. Print.
    Biers, Katherine. “Syncope Fever: James Weldon Johnson and the Black Phonographic Voice.” Representations 96.1 (2006): 99–125. Print.
    Biolsi, Thomas. Organizing the Lakota: The Political Economy of the New Deal on the Pine Ridge Indian Reservation. Tucson: University of Arizona Press, 1992. Print.
    Bird, Stewart, Georgakas, Dan, and Shaffer, Deborah. “The IWW Reconsidered.” Solidarity Forever: An Oral History of the IWW. Ed. Bird, Stewart, Georgakas, Dan, and Shaffer, Deborah. Chicago: Lakeview, 1985. 1–20. Print.
    The Birth of a Nation. Dir. Griffith, D. W.. Epoch, 1915. Film.
    Bledsoe, Thomas. “Introduction.” Main-Travelled Roads. By Garland, Hamlin. 1954. Rpt. in The Critical Reception of Hamlin Garland, 1891–1978. Ed. Silet, Charles L. P., Welsh, Robert E., and Boudreau, Richard. Troy, NY: Whitston, 1985. 182–208. Print.
    Bodenheim, Maxwell. “Garbage Heap.” Advice. New York: Knopf, 1920. 52. Print.
    Bodenheim, Maxwell “Review of ‘The Catholic Anthology – 1914–1915.’” Others 2.4 (1916) 210–12. Modernist Journals Project. Web. 18 Nov. 2015. www.modjourn.org/render.php?id=1309190239966752&view=mjp_object.
    Boeckmann, Cathy. A Question of Character: Scientific Racism and the Genres of American Fiction, 1892–1912. Tuscaloosa: University of Alabama Press, 2000. Print.
    Bogard, Travis. Contour in Time: The Plays of Eugene O'Neill. Rev. ed. New York: Oxford University Press, 1988. Print.
    Bohn, Michael K. Heroes and Ballyhoo: How the Golden Age of the 1920s Transformed American Sports. Washington, DC: Potomac Books, 2009. Print.
    Boomhower, Ray E. The Country Contributor: The Life and Times of Juliet Virginia Strauss. Indianapolis: Guild, 1998. Print.
    Boomhower, Ray E. “A Boom in Poetry.” Literary Digest 47.1 (1913): 19–20. Print.
    Boot, Max. The Savage Wars of Peace: Small Wars and the Rise of American Power. Rev. ed. New York: Basic Books, 2014. Print.
    Bordwell, David. On the History of Film Style. Cambridge, MA: Harvard University Press, 1997. Print.
    Bornstein, George. Material Modernism: The Politics of the Page. Cambridge: Cambridge University Press, 2006. Print.
    Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Nice, Richard. Cambridge, MA: Harvard University Press, 1984. Print.
    Bourne, Randolph. “Morals and Art from the West.” The Dial 65 (1918): 556–7. Print.
    Bourne, Randolph “Review of My Ántonia.” Critical Essays on Willa Cather. Ed. Murphy, John J.. Boston: Hall, 1984. 145–6. Print.
    Bourne, Randolph “Trans-National America.” The Atlantic 118 (July 1916): 86–97. Print.
    Bourne, Randolph War and the Intellectuals: Collected Essays, 1915–1919. Ed. Resek, Carl. New York: Harper, 1964. Print.
    Bourne, Randolph Youth and Life. Boston: Houghton Mifflin, 1913. Print.
    Bowers, William L. The Country Life Movement in America, 1900–1920. Port Washington, NY: Kennikat, 1974. Print.
    Bowser, Eileen. The Transformation of Cinema, 1907–1915. New York: Scribner's, 1990. Print.
    Boyd, Ernest. Ireland's Literary Renaissance. Rev. ed. Orig. 1916. New York: Knopf, 1922. Print.
    Boyle, Nicholas, and Swales, Martin. Realism in European Literature: Essays in Honour of J. P. Stern. Cambridge: Cambridge University Press, 1986. Print.
    Bradley, William Aspenwall. “Lyres and Laureates.” Bookman 37 (1913): 191–9. Print.
    Braithwaite, William Stanley. “The Negro in American Literature.” The New Negro. Ed. Locke, Alain. Orig. 1925. New York: Simon and Schuster, 1997. 29–44. Print.
    Brands, H. W. Woodrow Wilson. New York: Holt, 2003. Print.
    Brawley, Benjamin. The Negro in Literature and Art. New York: Duffield, 1918. Print.
    Brooker, Peter, and Thacker, Andrew, eds. The Oxford Critical and Cultural History of Modernist Magazines. 2 vols. Oxford: Oxford University Press, 2012. Print.
    Brooks, Tim. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919. Urbana: University of Illinois Press, 2004. Print.
    Brooks, Van Wyck. “The Splinter of Ice.” The Seven Arts 1.3 (1916): 271–80. Modernist Journals Project. Web. 15 Nov. 2015. www.modjourn.org/render.php?id=1349182502437502&view=mjp_object.
    Broun, Heywood. “The Fifty-first Dragon.” Seeing Things at Night. New York: Harcourt, 1921. 3–15. Print.
    Broun, Heywood “Southpaws.” Seeing Things at Night. New York: Harcourt, 1921. 123–9. Print.
    Brown, Marshall. “Periods and Resistances.” Modern Language Quarterly. 62.4 (2001): 309–16. Print.
    Brownell, Baker. “Irrational Verse.” Others 5.1 (1918) 22–5. Modernist Journals Project. Web. 18 Nov. 2015. www.modjourn.org/render.php?id=1309272999982377&view=mjp_object.
    Bruccoli, Matthew J., ed. Ring Around the Bases: The Complete Baseball Stories of Ring Lardner. Columbia: University of South Carolina Press, 1992. Print.
    Bruce, Dickson D. Black Writing from the Nadir: The Evolution of a Literary Tradition 1877–1915. Baton Rouge: Louisiana University Press, 1989. Print.
    Bryan, Mark Evans. “Yeoman and Barbarians: Popular Outland Caricature in American Identity.” Journal of Popular Culture 46.3 (2013): 463–80. Print.
    Bryant, William Cullen. “The Crowded Street.” Poetical Works. Ed. Godwin, Parke. New York: Appleton, 1883. 319–20. Print.
    Burke, Carolyn. Becoming Modern: The Life of Mina Loy. Berkeley: University of California Press, 1996. Print.
    Burroughs, Edgar Rice. Tarzan of the Apes. Orig. 1912. New York: Library of America, 2012. Print.
    “Business and War.” The Masses Feb. 1917: 9. Print.
    Butler, Judith. Bodies that Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1993. Print.
    Butsch, Richard. “The Imagined Audience in the Nickelodeon Era.” The Wiley-Blackwell History of American Film. Vol. 1: Origins to 1928. Ed. Lucia, Cynthia, Grundmann, Roy, and Simon, Art. Malden, MA: Blackwell, 2012. 109–29. Print.
    Cabanne, Pierre. Dialogues with Duchamp. Trans. Ron Padgett. London: Thames and Hudson 1971. Print.
    Cahan, Abraham. The Rise of David Levinsky. 1917. New York: Penguin, 1993. Print.
    Cahill, Cathleen. Federal Fathers and Mothers: A Social History of the United States Indian Service, 1869–1933. Chapel Hill: University of North Carolina Press, 2011. Print.
    Calt, Stephen, and Wardlow, Gayle Dean. King of the Delta Blues: The Life and Music of Charlie Patton. Newton, NJ: Rock Chapel, 1988. Print.
    Camerer, Dave. “Introduction.” The Best of Grantland Rice. New York: Watts, 1963. 1–6. Print.
    Capo, Beth Widmaier. Textual Contraception: Birth Control and Modern American Fiction. Columbus: Ohio State University Press, 2007. Print.
    Capozzola, Christopher. Uncle Sam Wants You: World War I and the Making of the Modern American Citizen. New York: Oxford University Press, 2008. Print.
    Carey, Craig. “Mr. Wilson's War: Peace, Neutrality, and Entangling Alliances in Hemingway's In Our Time.” The Hemingway Review 31.2 (2012): 6–26. Print.
    Carlson, David. Sovereign Selves: American Indian Autobiography and the Law. Urbana: University of Illinois Press, 2006. Print.
    Carman, Bliss. “A Reply to the Poet Laureate.” The Critic 45.5 (November 1904): 445–7. American Periodicals Series. ProQuest. Web. 2 April 2016. search.proquest.com/americanperiodicals/docview/124877632/109D41B8F2664641PQ/1?accountid=12846.
    Carpenter, Alice, et al. “To the Women Readers of the Masses.” Advertisement. The Masses Feb. 1916: 1. Print.
    Carr, Helen. “Poetry: A Magazine of Verse (1912–36), ‘Biggest of the Little Magazines.’” Brooker and Thacker 2: 40–60.
    Carr, Steven. “Frederic Remington's Little Dark Age.” Art Review. Executive Intelligence Review 30.23 (2003): 60–2. Web. 26 June 2016. www.larouchepub.com/eiw/public/2003/eirv30n23-20030613/eirv30n23-20030613_060-frederic_remingtons_little_dark.pdf.
    Casanova, Pascale. The World Republic of Letters. Trans. M. B. DeBevoise. Cambridge, MA: Harvard University Press, 2004. Print.
    Casey, Janet Galligani. A New Heartland: Women, Modernity, and the Agrarian Ideal in America. New York: Oxford University Press, 2009. Print.
    Casey, Janet Galligani “Realism and the Discursive Dynamics of the Popular Periodical, 1900–1929.” Mosaic 46.2 (2013): 123–45. Print.
    Casillo, Robert. “The Desert and the Swamp: Enlightenment, Orientalism, and the Jews in Ezra Pound.” Modern Language Quarterly 45.3 (1984): 263–86. Print.
    Cather, Willa. Alexander's Bridge. Lincoln: University of Nebraska Press, 2007. Print.
    Cather, Willa “Coming Aphrodite!” Youth and the Bright Medusa. Lincoln: University of Nebraska Press, 2009. 3–74. Print.
    Cather, Willa “From ‘The Novel Démeublé.’” The Norton Anthology of American Literature. Vol. D: 1914–45. Ed. Baym, Nina et al. 8th ed. New York: Norton, 2012. 344–6. Print.
    Cather, Willa My Ántonia. Lincoln: University of Nebraska Press, 1994. Print.
    Cather, Willa “My First Novels (There Were Two).” O Pioneers! By Cather, Willa. Ed. Lindemann, Marilee. Oxford: Oxford University Press. 2008. 171–3. Print.
    Cather, Willa “Nebraska: The End of the First Cycle.” The Nation 5 Sept. 1923: 236–8. Print.
    Cather, Willa. O Pioneers! Orig. 1913. London: Virago, 1999. Print.
    Cather, Willa “Paul's Case.” Youth and the Bright Medusa. Lincoln: University of Nebraska Press, 2009. 199–234. Print.
    Cather, Willa The Professor's House. New York: Knopf, 1925. Print.
    Cather, Willa The Song of the Lark. Boston: Houghton Mifflin, 1915. Print.
    Cather, Willa “Three American Singers.” McClure's Magazine Dec. 1913: 33–48. Print.
    Cather, Willa The World and the Parish: Willa Cather's Articles and Reviews, 1893–1902. Ed. Curtin, William M.. Lincoln: University of Nebraska Press, 1970. Print.
    Cava, Pete. “Ring Lardner.” Dictionary of Literary Biography. Vol. 171: Twentieth-Century American Sportswriters. Ed. Orodenker, Richard. Detroit: Gale, 1996. 202–17. Print.
    Caws, Mary Ann, ed. Manifesto: A Century of –Isms. Lincoln: University of Nebraska Press, 2001. Print.
    Chansky, Dorothy. Composing Ourselves: The Little Theatre Movement and the American Audience. Carbondale: Southern Illinois University Press, 2004. Print.
    Chasar, Mike. “In Search of the Bad Poetry File at the Public Library of Cincinnati and Hamilton County.” Web blog post. Poetry and Popular Culture. 31 October 2008. Web. 14 July 2017. http://mikechasar.blogspot.com/2008/10/in-search-of-bad-poetry-file-at-public.html.
    Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940. New York: Basic, 1994. Print.
    Chauncey, George “Long-Haired Men and Short-Haired Women: Building a Gay World in the Heart of Bohemia.” Greenwich Village: Culture and Counterculture. Ed. Beard, Rick and Berlowitz, Leslie Cohen. New Brunswick, NJ: Rutgers University Press, 1993. 151–64. Print.
    Cheney, E. Ralph. “Costly Luxuries.” The Masses May 1916: 22. Print.
    Cheney, Sheldon. The Art Theatre. New York: Alfred A. Knopf, 1925. Print.
    Cheney Watson, Sarah, and Moseley, Ann, eds. Willa Cather and Aestheticism: From Romanticism to Modernism. Madison, NJ: Fairleigh Dickinson University Press, 2012. Print.
    Chesnutt, Charles W. “Letter to Houghton Mifflin & Co.” 30 Dec. 1901. To Be an Author: Letters Of Charles W. Chesnutt, 1889–1905. Ed. McElrath, Jr. Joseph R. and Leitz, Robert C., III. Princeton, NJ: Princeton University Press, 1997. 170–2. Print.
    Child, Brenda. Boarding School Seasons: American Indian Families, 1900–1940. Lincoln: University of Nebraska Press, 1998. Print.
    Child, Francis James. The English and Scottish Popular Ballads. 5 vols, 1882–98. New York: Dover, 2003. Print.
    Childs, Donald J. Modernism and Eugenics: Woolf, Eliot, Yeats, and the Culture of Degeneration. Cambridge: Cambridge University Press, 2001. Print.
    Chura, Patrick. “Introduction.” The Harbor. By Poole, Ernest. New York: Penguin, 2001. ix–xxvi. Print.
    Churchill, Suzanne W. The Little Magazine Others and the Renovation of Modern American Poetry. Aldershot, England: Ashgate, 2006. Print.
    Clarkson, Grosvener B. Industrial America in the World War: The Strategy behind the Line, 1917–18. Boston: Houghton Mifflin, 1923. Print.
    Cohen, Margaret. The Sentimental Education of the Novel. Princeton, NJ: Princeton University Press, 1999. Print.
    Cohen, Michael. “E. C. Stedman and the Invention of Victorian Poetry.” Victorian Poetry 43:2 (2005): 165–88. Print.
    Cole, Donald B. Immigrant City: Lawrence, Massachusetts 1825–1921. Chapel Hill: University of North Carolina Press, 1963. Print.
    Conant, Warren. The Virility of Christ: A New View. 2nd ed. Chicago: by the author, 1915. Print.
    “Congressmen Hear Strikers’ Children.” The New York Times March 5, 1912: 5. Print.
    Conlin, Joseph R. “The IWW and the Question of Violence.” Wisconsin Magazine of History 51.4 (1968): 316–26. Print.
    Coodley, Lauren. Upton Sinclair: California Socialist, Celebrity Intellectual. Lincoln: University of Nebraska Press, 2013. Print.
    Cook, George Cram, and Glaspell, Susan. Suppressed Desires. 1915: The Cultural Moment. Ed. Heller, Adele and Rudnick, Lois. New Brunswick, NJ: Rutgers University Press, 1991. 281–91. Print.
    Cooper, John Milton, Jr., ed. Reconsidering Woodrow Wilson: Progressivism, Internationalism, War, and Peace. Baltimore, MD: Johns Hopkins University Press, 2008. Print.
    Cooper, Mark Garrett. Universal Women: Filmmaking and Institutional Change in Early Hollywood. Urbana: University of Illinois Press, 2010. Print.
    Cott, Nancy F. The Grounding of Modern Feminism. New Haven, CT: Yale University Press, 1987. Print.
    Cowley, Malcolm. Exile's Return: A Literary Odyssey of the 1920s. Orig. 1934. New York: Penguin, 1986. Print.
    Cowley, Malcolm “Introduction.” Winesburg, Ohio. By Anderson, Sherwood. Harmondsworth, England: Penguin, 1976. 1–15. Print.
    Cox, James H. The Red Land to the South: American Indian Writers and Indigenous Mexico. Minneapolis: University of Minnesota Press, 2012. Print.
    Craig, Layne Parish. When Sex Changed: Birth Control Politics and Literature Between the World Wars. New Brunswick, NJ: Rutgers University Press, 2013. Print.
    Crane, Stephen. “Harvard University against the Carlisle Indians.” New York Journal 1 Nov. 1896: 5. Print.
    Crane, Stephen “How Princeton Met Harvard at Cambridge.” New York Journal 8 Nov. 1896: 13–14. Print.
    Creedon, Pamela J. “Women in Toyland: A Look at Women in American Newspaper Sports Journalism.” Women, Media and Sport: Challenging Gender Values. Ed. Creedon, Pamela J.. Thousand Oaks, CA: Sage, 1994. 67–107. Print.
    Creel, George. How We Advertised America. New York: Harper, 1920. Print.
    Crévecoeur, J. Hector St. John. Letters from an American Farmer New York: Fox, Duffield, 1904. Print.
    Crothers, Rachel. He and She: Representative American Plays. Ed. Quinn, Arthur Hobson. 2nd ed. New York: Century, 1921. 925–62. Print
    Crothers, Rachel A Man's World. Boston: Badger, 1915. Print.
    Cuddy, Lois A. T. S. Eliot and the Poetics of Evolution: Sub/Versions of Classicism, Culture, and Progress. Lewisburg, PA: Bucknell University Press, 2000. Print.
    Curtis-Burlin, Natalie, ed. Negro Folk Songs. 4 vols. New York: Schirmer, 1918. Print.
    Czitrom, Daniel. “The Redemption of Leisure: The National Board of Censorship and the Rise of Motion Pictures in New York City, 1900–1920.” Studies in Visual Communication 10.4 (1984): 2–6. Print.
    Danbom, David. The Resisted Revolution: Urban America and the Industrialization of Agriculture, 1900–1939. Ames: Iowa State University Press, 1979. Print.
    Daniel, Walter C. “Vachel Lindsay, W. E. B. Du Bois and The Crisis.” Crisis 86 (1979): 291–3. Print.
    Das, Santanu. “Reframing First World War Poetry: An Introduction.” The Cambridge Companion to the Poetry of the First World War. Ed. Das, Santanu. Cambridge: Cambridge University Press, 2013. 3–34. Print.
    Davenport, Charles. Heredity in Relation to Eugenics. New York: Henry Holt, 1911. Print.
    Dayton, Tim. “World War One and American Poetry.” Kansas WW1. Kansas World War I Centennial Committee. n.d. Web. 26 Nov. 2016. www.kansasww1.org/author/tim-dayton/.
    Death's Marathon. Dir. D. W. Griffith. Biograph, 1913. Film.
    The Declaration of Independence. Transcription. The Charters of Freedom. United States Archives, Exhibits. Web. 1 Sept. 2015. www.archives.gov/founding-docs/declaration-transcript.
    deCordova, Richard. Picture Personalities: The Emergence of the Star System in America, 1907–1922. Urbana: University of Illinois Press, 1990. Print.
    Dekoven, Marianne. “Modernism and Gender.” The Cambridge Companion to Modernism. Cambridge: Cambridge University Press, 1999. 174–93. Print.
    Dell, Floyd. “The Deadly Sin of Journalism.” The Masses Feb. 1917: 34. Print.
    Dell, Floyd “Feminism for Men.” The Masses July 1914: 19–20. Print.
    Dell, Floyd Homecoming: An Autobiography. New York: Farrar and Rinehart, 1933. Print.
    Dell, Floyd Love in Greenwich Village. New York: Doran, 1926. Print.
    Deloria, Philip J. Indians in Unexpected Places. Lawrence: University of Kansas Press, 2004. Print.
    Deloria, Philip J Playing Indian. New Haven, CT: Yale University Press, 1998. Print.
    Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. London: Verso, 1996. Print.
    Derrida, Jacques. “Declarations of Independence.” New Political Science 15 (1986): 7–15. Print.
    Derthick, Martha, and Dinan, John J., “Progressivism and Federalism.” Progressivism and the New Democracy. Ed. Milkis, Sidney M. and Mileur, Jerome M.. Amherst, MA: Amherst University Press, 1999. Print.
    De Zayas, Marius. “Theodore Roosevelt.” Drawing. Camera Work 46 (1914): 47. Modernist Journals Project. Web. 28 Jan. 2016. http://library.brown.edu/cds/repository2/repoman.php?verb=render&view=pageturner&task=jump&id=1427748988901441&pageno=47.
    DiBattista, Maria, and McDiarmid, Lucy, eds. High and Low Moderns: Literature and Culture, 1889–1939. New York: Oxford University Press, 1996. Print.
    DiNunzio, Mario R., ed. Woodrow Wilson: Essential Writings and Speeches. New York: New York University Press, 2006. Print.
    “Does the Pot Melt It?” Review of The Immigration Problem by Jeremiah W. Jenks and W. Jett Lauck. New York Times Book Review 11 Feb. 1912: 61–2. Print.
    Dolmetsch, Carl R. The Smart Set: A History and Anthology. New York: Dial, 1966. Print.
    Dorr, Gregory Michael, and Logan, Angela. “‘Quality, Not Mere Quantity, Counts’: Black Eugenics and the NAACP Baby Contests.” A Century of Eugenics in America: From the Indiana Experiment to the Human Genome Era. Ed. Lombardo, Paul A.. Bloomington: Indiana University Press, 2011. 68–92. Print.
    Dos Passos, John. 1919. Orig. 1932. New York: Mariner, 2000. Print.
    Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus and Giroux, 1995. Print.
    Dowling, Robert M. Eugene O'Neill: A Life in Four Acts. New Haven, CT: Yale University Press, 2014. Print.
    Downing, Todd. The Cat Screams. Garden City, NY: Doubleday, 1934. Print.
    Doyle, Laura. “The Flat, the Round, and Gertrude Stein: Race and the Shape of Modern(ist) History.” Modernism/Modernity 7.2 (2000): 249–71. Print.
    Dray, Philip. There Is a Power in a Union: The Epic Story of Labor in America. New York: Anchor-Random, 2010. Print.
    Dreiser, Theodore. Jennie Gerhardt. New York: Harper and Brothers, 1911. Print.
    Dreiser, Theodore “Rural American in War-Time.” Scribner's Monthly 64 (1918): 734–46. Print.
    Dreiser, Theodore Trilogy of Desire: Three Novels by Theodore Dreiser. New York: World, 1972. Print.
    Dubofsky, Melvin. We Shall Be All: A History of the Industrial Workers of the World. Orig. 1969. Urbana: University of Illinois Press, 1988.
    Du Bois, W. E. B. “The Battle of Europe.” Crisis 12.5 (Sept. 1916): 216–17. Print.
    Du Bois, W. E. B “Criteria of Negro Art.” Writings. Ed. Huggins, Nathan. New York: Library of America, 1986. 993–1002. Print.
    Du Bois, W. E. B Darkwater. The Oxford W. E. B. Du Bois Reader. Ed. Sundquist, Eric J.. New York: Oxford University Press, 1996. 481–623. Print.
    Du Bois, W. E. B “Editing The Crisis.” The Crisis 77.9 (1970): 368–71. Print.
    Du Bois, W. E. B The Emerging Thought of W. E. B. DuBois. Ed. Moon, Henry Lee. New York: Simon and Schuster, 1972. Print.
    Du Bois, W. E. B “The Looking Glass: Literature.” The Crisis 12 (August 1916): 182. Print.
    Du Bois, W. E. B The Quest of the Silver Fleece. Orig. 1911. College Park, MD: McGrath, 1969. Print.
    Du Bois, W. E. B “Returning Soldiers.” The Crisis 18.1 (May 1919): 13–14. Print.
    Du Bois, W. E. B The Souls of Black Folk. Orig. 1903. Oxford: Oxford University Press, 2007. Print.
    Du Bois, W. E. B “The Strength of Segregation.” The Crisis 7.2 (December 1913): 84. Print.
    Eastman, Charles Alexander (Ohiyesa). From the Deep Woods to Civilization. Orig. 1916. Lincoln: University of Nebraska Press, 1977. Print.
    Eastman, Charles Alexander (Ohiyesa) Indian Boyhood. Boston: Little, Brown, 1918. Print.
    Eastman, Charles Alexander (Ohiyesa) Indian Child Life. Boston: Little, Brown, 1913. Print.
    Eastman, Charles Alexander (Ohiyesa) Indian Heroes and Great Chieftains. Boston: Little, Brown, 1918. Print.
    Eastman, Charles Alexander (Ohiyesa) Indian Scout Talks: A Guide for Boy Scouts and Campfire Girls. Boston: Little, Brown, 1914. Print.
    Eastman, Charles Alexander (Ohiyesa) The Indian To-day: The Past and Future of the First American. Garden City, NY: Doubleday, Page, 1915. Print.
    Eastman, Charles Alexander (Ohiyesa) The Soul of the Indian. Boston: Houghton Mifflin, 1911. Print.
    Eastman, Max. “Bunk About Bohemia.” Modern Monthly May 1934: 200–5. Print.
    Eastman, Max Enjoyment of Living. New York: Harper, 1948. Print.
    Eastman, Max “Knowledge and Revolution.” The Masses Dec. 1912: 5–6. Print.
    Eastman, Max “Knowledge and Revolution.” The Masses Jan. 1913: 5–7. Print.
    Eastman, Max “Knowledge and Revolution.” The Masses Feb. 1913: 5–6. Print.
    Eastman, Max “The Masses Versus Ward and Gow.” The Masses Sept 1916: 5. Print.
    Eastman, Max “Rebecca West.” The Masses Feb. 1917: 30–1. Print.
    Eastman, Max “Science and Free Verse.” The Seven Arts 1.4 (1917) 426–9. Modernist Journals Project. Web. 19 Nov. 2015. www.modjourn.org/render.php?id=1349184212734377&view=mjp_object.
    Eastman, Max “Utopian Reality.” The Masses Dec. 1916: 22. Print.
    Eastman, Max Venture. New York: Boni and Liveright, 1927. Print.
    Eastman, Max “What is the Matter with Magazine Art.” The Masses Jan. 1915: 12–16. Print.
    Editorial [on the Everett, Washington, strikers]. Everett Morning Tribune. 30 October 1916. Print.
    Eggleston, George Cary. Recollections of a Varied Life. New York: Holt, 1910. Print.
    Eisenach, Eldon J. The Lost Promise of Progressivism. Lawrence: University of Kansas Press, 1994. Print.
    Eliot, T. S. The Complete Poems and Plays 1909–1950. New York: Harcourt, 1980. Print.
    Eliot, T. S “The Contemporary Novel.” Times Literary Supplement 14 Aug. 2015: 14–15. Print.
    Eliot, T. S “Ulysses, Order and Myth.” Selected Prose. Ed. Kermode, Frank. London: Faber and Faber, 1975. 175–8. Print.
    “Ellis Island History.” The Statue of Liberty–Ellis Island Foundation. The Statue of Liberty–Ellis Island Foundation. n.d. Web. 14 July 2017. www.libertyellisfoundation.org/ellis-island-history
    English, Daylanne K. Unnatural Selections: Eugenics in American Modernism and the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2004. Print.
    Enoch Arden. Dir. Griffith, D. W.. Biograph, 1911. Film.
    Erisman, Fred. “L. Frank Baum and the Progressive Dilemma.” American Quarterly 20.3 (1968): 616–23. Print.
    Erskine, John. “Introduction.” Contemporary War Poems. Special bulletin of International Conciliation Dec. 1914: 3–6. Microfilm.
    Evans, David. “The Development of the Blues.” The Cambridge Companion to Blues and Gospel Music. Ed. Moore, Allan. Cambridge: Cambridge University Press, 2002. 20–43. Print.
    Far, Sui Sin (Edith Maude Eaton). Mrs. Spring Fragrance. Chicago: A. C. McClurg, 1912. Print.
    Farland, Maria. “Modernist Versions of Pastoral: Poetic Inspiration, Scientific Expertise, and the ‘Degenerate’ Farmer.” American Literary History 19.4 (2007): 905–36. Print.
    Farrant, Robert and Siegenthaler, Jurg K., eds. The Great Lawrence Textile Strike of 1912: New Scholarship on the Bread and Roses Strike. Amityville, NY: Baywood, 2014. Print.
    Fearnow, Mark. “Theatre Groups and Their Playwrights.” The Cambridge History of American Theatre. Vol. 2: 1870–1945. Ed. Wilmeth, Don and Bigsby, C. New York: Cambridge University Press, 1999. 343–77. Print.
    Ferber, Edna. “The Eldest.” Women Writers of the Provincetown Players: A Collection of Short Works. Ed. Barlow, Judith E.. Albany: State University of New York Press, 2009. 287–302. Print.
    Feuer, A. B., ed. America at War: The Philippines, 1898–1913. Westport, CT: Praeger, 2002. Print.
    Ficke, Arthur Davison. “The Present State of Poetry.” North American Review 194 (1911): 429–41. Print.
    Field, Allyson Nadia. Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity. Durham, NC: Duke University Press, 2015. Print.
    Fiftieth Annual Report of the Trustees of the American Museum of Natural History. New York: American Museum of Natural History, 1919. Web. 14 July 2017. http://lbry-web-003.amnh.org/museum/annual_reports/source/R1918.pdf.
    Fishbein, Leslie. “Introduction.” Art for the Masses: A Radical Magazine and Its Graphics, 1911–1917. Ed. Zurier, Rebecca. Philadelphia: Temple University Press, 1988. 1–7. Print.
    Fitzgerald, Scott. Flappers and Philosophers. New York: Scribner's, 1920. Print.
    Fitzgerald, Scott “Football.” F. Scott Fitzgerald in His Own Time: A Miscellany. Ed. Bruccoli, Matthew J. and Bryer, Jackson R.. Kent, OH: The Kent State University Press, 1971. 3–4. Print.
    Fitzgerald, Scott This Side of Paradise. New York: Scribner's, 1921. Print.
    Fletcher, John Gould. “The Unquiet Street.” Some Imagist Poets: An Annual Anthology 2 (1916): 42. Print.
    Flint, F. S. “Imagisme.” Poetry 1.6 (1913): 198–200. Web. 15 Jan. 2016. www.modjourn.org/render.php?id=1201877678843750&view=mjp_object.
    Flint, Kate. The Transatlantic Indian, 1776–1930. Princeton, NJ: Princeton University Press, 2009. Print.
    Flynn, Elizabeth Gurley. “Do You Believe in Patriotism.” The Masses Mar. 1916: 12. Print.
    Forrant, Robert. and Siegenthaler, Jurg K., eds. The Great Lawrence Textile Strike of 1912: New Scholarship on the Bread and Roses Strike. Amityville, NY: Baywood, 2014. Print.
    “Francis Ouimet.” World Golf Hall of Fame. 2015. Web. 15 Sep. 2015. http://www.worldgolfhalloffame.org/francis-ouimet/.
    Frank, Waldo. Our America. New York: Boni and Liveright, 1919. Print.
    Frank, Waldo “The Free Verse Controversy.” Brooker and Thacker 2: 293–370.
    Frick, John. “A Changing Theatre: New York and Beyond.” The Cambridge History of American Theatre. Volume 2: 1870–1945. Ed. Wilmeth, Don and Bigsby, C. New York: Cambridge University Press, 1999. 212–18. Print.
    Frost, Robert. Collected Poems, Prose, and Plays. New York: Library of America, 1995. Print.
    Frost, Robert, and Untermeyer, Louis. The Letters of Robert Frost to Louis Untermeyer. New York: Holt, 1963. Print.
    Fry, John J. The Farm Press, Reform, and Rural Change, 1895–1920. New York: Routledge, 2005. Print.
    Funny Jungleland Moving-Pictures. Battle Creek, MI: W. W. Kellogg, 1909. Print.
    Gaines, Jane M. “Pink-Slipped: What Happened to the Women in the Silent Film Industry?” The Wiley-Blackwell History of American Film. Ed. Lucia, Cynthia, Grundmann, Roy, and Simon, Art. Malden, MA: Blackwell, 2012. n.pag. Web. 22 June 2016. doi: 10.1002/9780470671153.
    Gandal, Keith. The Gun and the Pen: Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization. New York: Oxford University Press, 2008. Print.
    Gannett, Cinthia. Gender and the Journal: Diaries and Academic Discourse. Albany, NY: SUNY Press, 1992. Print.
    Gardner, Edward Foote. Popular Songs of the Twentieth Century, Volume I – Chart Detail and Encyclopedia 1900–1949. St. Paul, MN: Paragon House, 2000. Print.
    Garland, Hamlin. Crumbling Idols: Twelve Essays on Art. Chicago: Stone and Kimball, 1894. Print.
    Gary, Brett. The Nervous Liberals: Propaganda Anxieties From World War I to the Cold War. New York: Columbia University Press, 1999. Print.
    Gates, Henry Louis “The Trope of a New Negro and the Reconstruction of the Image of the Black.” Representations 24 (1988): 129–55. Print.
    Gaudreault, André. Film and Attraction: From Kinematography to Cinema. Trans. Timothy Bernard. Urbana: University of Illinois Press, 2011. Print.
    Geiger, Roger L. The History of American Higher Education: Learning and Culture From the Founding to World War II. Princeton, NJ: Princeton University Press, 2015. Print.
    Gerber, Larry. The Rise and Decline of Faculty Governance: Professionalization and the Modern American University. Baltimore, MD: Johns Hopkins University Press, 2014. Print.
    Gerstle, Gary. “Race and Nation in the Thought and Politics of Woodrow Wilson.” Reconsidering Woodrow Wilson: Progressivism, Internationalism, War, and Peace. Ed. Cooper, John Milton Jr. Baltimore, MD: Johns Hopkins University Press, 2008. 93–123. Print.
    “Get IWW Leaders in Enemy Roundup.” The New York Times 21 July 1918. Print.
    Get Rich Quick. Dir. unknown. Thanhouser, 1910. Film.
    Giannone, Richard. Music in Willa Cather's Fiction. Lincoln: University of Nebraska Press, 1968. Print.
    Gilbert, Sandra M., and Gubar, Susan. No Man's Land: The Place of the Woman Writer in the Twentieth Century. Vol. 2: Sexchanges. New Haven, CT: Yale University Press, 1989. Print.
    Gilman, Charlotte Perkins. “Applepieville.” Independent 25 Sept. 1920: 365, 393–5. Print.
    Gilman, Charlotte Perkins Charlotte Perkins Gilman's Utopian Novels: Moving the Mountain, Herland, and With Her in Ourland. Ed. Doskow, Minna. Madison, NJ: Fairleigh Dickinson University Press 1999. 37–149, 150–269. Print.
    Gilman, Charlotte Perkins The Crux. Orig. 1911. Durham, NC: Duke University Press, 2003. Print.
    Gilman, Charlotte Perkins “The New Mothers of a New World.” Charlotte Perkins Gilman: A Nonfiction Reader. Ed. Ceplair, Larry. New York: Columbia University Press, 1991. 247–9. Print.
    Gilman, Charlotte Perkins “That Rural Home Inquiry: Why Are There No Women on the President's Commission?” Good Housekeeping 48 (1909): 120–22. Print.
    Gilman, Charlotte Perkins Women and Economics: A Study of the Economic Relation between Men and Women as a Factor in Social Evolution. Boston: Small, Maynard & Company, 1898. Print.
    Gioia, Ted. Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music. New York: Norton, 2008. Print.
    Gioia, Ted The History of Jazz. New York: Oxford University Press, 1997. Print.
    Giovannitti, Arturo. “The Prisoner's Bench.” Arrows in the Gale. Riverside, CT: Hillacre, 1914. 20. Print.
    Giovannitti, Arturo The Girl and Her Trust. Dir. D. W. Griffith. Biograph, 1912. Film.
    Glasgow, Ellen. A Certain Measure. New York: Harcourt, Brace, 1943. Print.
    Glaspell, Susan. Plays by Susan Glaspell. Ed. Bigsby, C. W. E.. Cambridge: Cambridge University Press, 1987. Print.
    Glaspell, Susan The Road to the Temple. New York: Stokes, 1927. Print.
    Golding, Alan. “The Dial, The Little Review, and the Dialogics of Modernism.” Little Magazines and Modernism: New Approaches. Ed. McKible, Adam and Churchill, Suzanne W.. Aldershot, England: Ashgate, 2007. 67–81. Print.
    Goldman, Emma. “Emma Goldman's Defense.” The Masses June 1916: 27. Print.
    Goldman, Emma The Tragedy of Woman's Emancipation. New York: Mother Earth, 1910. Print.
    Goldsby, Jacqueline. “Introduction.” The Autobiography of an Ex-Colored Man. By Johnson, James Weldon. Ed. Goldsby, Jacqueline. New York: Norton, 2015. ix–lvi. Print.
    Golin, Steve. The Fragile Bridge: Paterson Silk Strike, 1913. Philadelphia: Temple University Press, 1988. Print.
    Gottesman, Ronald, et al., eds. Norton Anthology of American Literature. 1st ed. New York: Norton, 1979. Print. www.newspapers.com
    Grandin Herald [Missouri]. 5 November 1908: 2. Newspapers.com. Web. 2 April 2016.
    Granger, Edith, ed. An Index to Poetry and Recitations. Chicago: McClurg, 1904. Print.
    Granger, Edith An Index to Poetry and Recitation. Rev. ed. Chicago: McClurg, 1918. Print.
    Grey, Zane. Riders of the Purple Sage. Orig. 1912. Mineola, NY: Dover, 2002. Print.
    Grieveson, Lee. Policing Cinema: Movies and Censorship in Early Twentieth-Century America. Berkeley: University of California Press, 2004. Print.
    Grimké, Angelina Weld. Selected Works of Angelina Weld Grimké. Ed. Herron, Carolivia. New York: Oxford University Press, 1991. Print.
    Grossman, Jonathan. “The Origin of the U.S. Department of Labor.” Monthly Labor Review 96.3 (1973): 3–7. Print.
    “The Growing Dislike for the Higher Kinds of Poetry.” The Times (London) 6 February 1904: 13. Gale-Cengage. Web. 14 July 2017. www.gale.com/c/the-times-digital-archive.
    “The Growing Distaste for the Higher Kinds of Poetry.” The Eclectic Magazine of Foreign Literature 142.6 (June 1904): 798–805. American Periodicals Series. ProQuest. Web. 2 April 2016. search.proquest.com/docview/89777584/7FD0BBEDDF424043PQ/2?accountid=12846.
    “The Growing Distaste for the Higher Kinds of Poetry.” The Living Age 23 April 1904: 218–25. American Periodicals Series. ProQuest. Web. 2 April 2016. search.proquest.com/docview/90238281/7FD0BBEDDF424043PQ/1?accountid=12846.
    The Guerilla. Dir. D. W. Griffith. Biograph, 1908. Film.
    Gunning, Tom. D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. Urbana: University of Illinois Press, 1991. Print.
    H. D. (Hilda Doolittle). “Hermes of the Ways.” Poetry 1.4 (1913): 118–19. Modernist Journals Project. Web. 14 July 2017. http://www.modjourn.org/render.php?id=1201877415187500&view=mjp_object
    H. D. (Hilda Doolittle) Sea Garden. London: Constable, 1916. Print.
    Habermas, Jürgen. The Structural Transformation of the Public Sphere. Trans. Thomas Berger. Cambridge, MA: MIT Press, 1989. Print.
    Hagedorn, Hermann, ed. The Theodore Roosevelt Treasury: A Self-Portrait from His Writings. New York: Putnam, 1957. Print.
    Hall, Ben M. The Best Remaining Seats: The Story of the Golden Age of the Movie Palace. New York: Crown, 1961. Print.
    Hall, Covington. “The New Hessians.” Industrial Worker 15 Feb. 1912: 2. Print.
    Hall, G. Stanley. Adolescence. 2 vols. New York: Appleton, 1904. Print.
    Hallett, Hilary. Go West, Young Women! The Rise of Early Hollywood. Berkeley: University of California Press, 2013. Print.
    Halliwell, Martin. Transatlantic Modernism: Moral Dilemmas in Modernist Fiction. Edinburgh: Edinburgh University Press, 2006. Print.
    Handy, W. C. Father of the Blues: An Autobiography. New York: Macmillan, 1941. Print.
    Hantover, Jeffrey P. “The Boy Scouts and the Validation of Masculinity.” The American Man. Ed. Pleck, Elizabeth and Pleck, Joseph. Englewood Cliffs, NJ: Prentice-Hall, 1980. Print.
    Hapgood, Hutchins. “The New Bohemia.” 1913. Hapgood Collection. Beinecke Rare Book and Manuscript Library, Yale University. MS.
    Hapgood, Hutchins A Victorian in the Modern World. Orig. 1939. Seattle: University of Washington Press, 1972. Print.
    Hapke, Laura. Labor's Text: The Worker in American Fiction. New Brunswick, NJ: Rutgers University Press, 2001. Print.
    Hasian, Marouf Arif. The Rhetoric of Eugenics in Anglo-American Thought. Athens: University of Georgia Press, 1996. Print.
    Hasse, John Edward, ed. Ragtime: Its History, Composers, and Music. New York: Schirmer, 1985. Print.
    Haytock, Jennifer. At Home, At War: Domesticity and World War I in American Literature. Columbus: Ohio State University Press, 2003. Print.
    Haytock, Jennifer Edith Wharton and the Conversations of Literary Modernism. London: Palgrave, 2008. Print.
    Hazlitt, William. The Complete Works of William Hazlitt. Ed. Howe, P. P.. Vol. 4. London: Dent, 1930. Print.
    Hearn, Michael Patrick. “Introduction.” The Annotated Wizard of Oz. New York: Norton, 2000: xiii–cii. Print.
    Hearne, Joanna. Native Recognition: Indigenous Cinema and the Western. Albany, NY: SUNY Press, 2012. Print.
    Heath, Stephen. “Realism, Modernism and ‘Language Consciousness.’” Realism in European Literature: Essays in Honour of J. P. Stern. Ed. Boyle, Nicholas and Swales, Martin. Cambridge: Cambridge University Press, 1986. 103–22. Print.
    Helstern, Linda Lizut. My Ántonia and the Making of the Great Race. Western American Literature 42.3 (2007): 255–74. Print.
    Herron, Carolivia. “Introduction.” Selected Works of Angelina Weld Grimké. Ed. Herron, Carolivia. New York: Oxford University Press, 1991. 3–22. Print.
    Hertzberg, Hazel W. The Search for an American Indian Identity: Modern Pan-Indian Movements. Syracuse, NY: Syracuse University Press, 1971. Print.
    Higashi, Sumiko. Cecil B. DeMille and American Culture: The Silent Era. Berkeley: University of California Press, 1994. Print.
    Higgins, Scott. “The Silent Screen, 1895–1927: Editing.” Editing and Special/Visual Effects. Ed. Keil, Charlie and Whissel, Kristen. New Brunswick, NJ: Rutgers University Press, 2016. 22–36. Print.
    Hill, Joe. “It's a Long Way to the Soup Line.” Rebel Voices: An IWW Anthology. Ed. Kornbluh, Joyce L.. Ann Arbor: University of Michigan Press, 1964. 144. Print.
    Hill, Joe [Letter to Sam Murray]. Rebel Voices: An IWW Anthology. Ed. Kornbluh, Joyce L.. Ann Arbor: University of Michigan Press, 1964. 144.
    Hill, Joe “Mr. Block.” The Little Red Songbook: IWW Songs to Fan the Flames of Discontent. 4th ed. Chicago: Industrial Workers of the World, 1911. Print.
    Hill, Joe “Nearer My Job to Thee.” Rebel Voices: An IWW Anthology. Ed. Kornbluh, Joyce L.. Ann Arbor: University of Michigan Press, 1964. 141.
    Hill, Joe “The Preacher and the Slave.” Rebel Voices: An IWW Anthology. Ed. Kornbluh, Joyce L.. Ann Arbor: University of Michigan Press, 1964. 133.
    Hitler, Adolf. Mein Kampf. Orig. 1925. Trans. Ralph Manheim. Boston: Houghton Mifflin, 1999. Print.
    Hoffman, Frederick J., Allen, Charles, and Ulrich, Carolyn F.. The Little Magazine: A History and a Bibliography. Princeton, NJ: Princeton University Press, 1946. Print.
    Hoffman, Tyler. “Political Poets and Naturalism.” The Cambridge History of American Poetry. Ed. Bendixen, Alfred and Burt, Stephen. New York: Cambridge University Press, 2015. 472–93. Print.
    Hoffman, Tyler Robert Frost and the Politics of Poetry. Hanover, NH: Middlebury College Press, 2001. Print.
    Homberger, Eric. American Writers and Radical Politics, 1900–39: Equivocal Commitments. New York: Palgrave, 1986. Print.
    Honig, B. “Toward an Agonistic Feminism: Arendt and the Politics of Identity.” Feminists Theorize the Political. Ed. Butler, Judith and Scott, Joan W.. New York: Routledge, 1992. 215–35. Print.
    Howard, June. Form and History in American Literary Naturalism. Chapel Hill: University of North Carolina Press, 1985. Print.
    Howe, Irving. World of Our Fathers. New York: Simon and Schuster, 1976. Print.
    Howells, William Dean. Criticism and Fiction. Orig. 1891. New York: Dossier Press, 2015. Print.
    Howells, William Dean “Editor's Study: The Smiling Aspect of Life.” Harper's Monthly 73 (1886): 641–2. Print.
    Howes, Royce. Edgar A. Guest: A Biography. Chicago: Reilly and Lee, 1953. Print.
    Hoxie, Frederick E. A Final Promise: The Campaign to Assimilate the Indians, 1880–1920. Lincoln: University of Nebraska Press, 2001. Print.
    Hoxie, Frederick E ed. Talking Back to Civilization: Indian Voices from the Progressive Era. Boston: Bedford/St. Martin's, 2001. Print.
    Hudak, Jennifer. “The ‘Social Inventor’: Charlotte Perkins Gilman and the (Re)Production of Perfection.” Women's Studies 32 (2003): 455–77. Print.
    Huhndorf, Shari M. Going Native: Indians in the American Cultural Imagination. Ithaca, NY: Cornell University Press, 2001. Print.
    Hulfish, David S. Nickelodeon, 1.5 (1909): 37. Print.
    Hull, Gloria. Color, Sex, and Poetry: Three Women Writers of the Harlem Renaissance. Bloomington: Indiana University Press, 1987. Print.
    Humphries, Steve. Victorian Britain Through the Magic Lantern. London: Sidgwick and Jackson, 1989. Print.
    Hutchinson, Elizabeth. The Indian Craze: Primitivism, Modernism, and Transculturalism in American Art, 1890–1915. Durham, NC: Duke University Press, 2009. Print.
    Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, MA: Belknap/Harvard University Press, 1995. Print.
    Hutchison, Hazel. The War that Used Up Words: American Writers and the First World War. New Haven, CT: Yale University Press, 2015.
    Hypocrites. Dir. Lois Weber. Bosworth, 1915. Film.
    Ikenberry, G. John. Liberal Leviathan: The Origins, Crisis, and Transformation of the American World Order. Princeton, NJ: Princeton University Press, 2011. Print.
    Intolerance. Dir. D. W. Griffith. Triangle. 1916. Film.
    Irving, Katrina. Immigrant Mothers: Narratives of Race and Modernity, 1890–1925. Urbana: University of Illinois Press, 2000. Print.
    “Is Poetry Unpopular?” The Spectator 14 Feb. 1904: 250–1. HathiTrust Digital Library. Web. 2 April 2016. babel.hathitrust.org/cgi/pt?id=coo.31924057525507;view=1up;seq=264.
    “Is the Taste for Poetry Declining?” Literary Digest 19 March 1904: 400. Web. 2 April 2016. https://archive.org/details/literarydigest28newy.
    Jackson, Miles M. “Letters to a Friend: Correspondence from James Weldon Johnson to George Towns.” Phylon 29 (1968): 182–98. Print.
    Jacobs, Margaret D. White Mother to a Dark Race: Settler Colonialism, Maternalism, and the Removal of Indigenous Children in the American West and Australia, 1880–1940. Lincoln: University of Nebraska Press, 2009. Print.
    Jacobson, Brian R. Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space. New York: Columbia University Press, 2015. Print.
    Jacobson, Matthew Frye. Whiteness of a Different Color: European Immigrants and the Alchemy of Race. Cambridge, MA: Harvard University Press, 1998. Print.
    James, Henry. “The Art of Fiction.” Partial Portraits. London: Macmillan, 1888. 374–408. Print.
    Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY: Cornell University Press, 1981. Print.
    Jenks, Jeremiah W., and Lauck, W. Jett. The Immigration Problem: A Study of American Immigration Conditions and Needs. New York: Funk, 1912. Print.
    Jensen, Kimberly. “Women, Citizenship and Civic Sacrifice.” Bonds of Affection. Ed. Bodnar, John. Princeton, NJ: Princeton University Press, 1996. Print.
    Johnson, Abby Arthur, and Johnson, Ronald Maberry. Propaganda and Aesthetics: The Literary Politics of African-American Magazines in the Twentieth Century. Amherst: University of Massachusetts Press, 1991. Print.
    Johnson, James Weldon. “About Poetry and Poetry Makers.” The New York Age Editorials (1914–23). Vol. 1: The Selected Writings of James Weldon Johnson. Ed. Wilson, Sondra Kathryn. New York: Oxford University Press, 1995. 256–8.
    Johnson, James Weldon The Autobiography of an Ex-Colored Man. Orig. 1912. Ed. Goldsby, Jacqueline. New York: Norton, 2015. Print.
    Johnson, James Weldon Black Manhattan. Orig. 1930. Rpt. New York: Da Capo, 1991. Print.
    Johnson, James Weldon ed. The Book of American Negro Poetry. Orig. rev. ed. 1931. New York: Harcourt, 1969. Print.
    Johnson, James Weldon Complete Poems. Ed. Wilson, Sondra Kathryn. New York: Penguin, 2000. Print.
    Johnson, James Weldon Letter to Anne Spencer. 9 January 1920. Johnson Correspondence, box 19, folder 447. Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. MS.
    Johnson, James Weldon Letter to H. L. Mencken. 5 September 1916. Johnson Correspondence, box 14, folder 320. Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. MS.
    Johnson, James Weldon “A Real Achievement.” The New York Age Editorials (1914–23). Vol. 1: The Selected Writings of James Weldon Johnson. Ed. Wilson, Sondra Kathryn. New York: Oxford University Press, 1995. 264–5
    Johnson, James Weldon “Some New Books of Poetry and Their Makers.” The New York Age Editorials (1914–23). Vol. 1: The Selected Writings of James Weldon Johnson. Ed. Wilson, Sondra Kathryn. New York: Oxford University Press, 1995. 271–7.
    Johnson, James Weldon “Stranger Than Fiction.” The New York Age Editorials (1914–23). Vol. 1: The Selected Writings of James Weldon Johnson. Ed. Wilson, Sondra Kathryn. New York: Oxford University Press, 1995. 258–9.
    Johnson, James Weldon “When Is a Race Great?” The New York Age Editorials (1914–23). Vol. 1: The Selected Writings of James Weldon Johnson. Ed. Wilson, Sondra Kathryn. New York: Oxford University Press, 1995. 267–9.
    Johnson, Katie N. “The Salvation Lass, Her Harlot-Friend, and Slum Realism in Edward Sheldon's Salvation Nell.” Theatre History Studies 26 (2006): 88–107. Print.
    Johnson, Katie N ed. Sex for Sale: Six Progressive-Era Brothel Dramas. Iowa City: University of Iowa Press, 2015. Print.
    Justice, David Heath. Our Fire Survives the Storm: A Cherokee Literary History. Minneapolis: University of Minnesota Press, 2005. Print.
    Kadlec, David. Mosaic Modernism: Anarchism, Pragmatism, Culture. Baltimore, MD: Johns Hopkins University Press, 2000. Print.
    Kalaidjian, Walter, ed. The Cambridge Companion to American Modernism. Cambridge: Cambridge University Press, 2005. Print.
    Kaplan, Amy. The Anarchy of Empire in the Making of US Culture. Cambridge, MA: Harvard University Press, 2002. Print.
    Kaplan, Amy The Social Construction of American Realism. Chicago: University of Chicago Press, 1988.
    Kassanoff, Jennie A. Edith Wharton and the Politics of Race. Cambridge: Cambridge University Press, 2004. Print.
    Kaszuba, David. “Bringing Women to the Sports Pages: Margaret Goss and the 1920s.” American Journalism 23.2 (2006): 14–44. Print.
    Kaszuba, David They Are Women, Hear Them Roar: Female Sportswriters of the Roaring Twenties. Diss. The Pennsylvania State University, 2003. Print.
    Kazin, Alfred. On Native Grounds. New York: Harcourt Brace, 1942. Print.
    Keil, Charlie. “D. W. Griffith and the Development of American Narrative Cinema.” The Wiley-Blackwell History of American Film. Ed. Lucia, Cynthia, Grundmann, Roy, and Simon, Art. Malden, MA: Blackwell, 2012., n.pag. Web. 22 June 2016. doi: 10.1002/9780470671153.
    Keil, Charlie Early American Cinema in Transition: Story, Style and Filmmaking, 1907–1913. Madison: University of Wisconsin Press, 2001. Print.
    Keil, Charlie, and Stamp, Shelley, eds. American Cinema's Transitional Era: Audiences, Institutions, Practices. Berkeley: University of California Press, 2004. Print.
    Keller, Morton. Affairs of State: Public Life in Late Nineteenth Century America. Cambridge, MA: Harvard University Press, 1977. Print.
    Kellogg, Laura Cornelius (Wynnogene). Our Democracy and the American Indian: A Comprehensive Presentation of the Indian Situation as it Is Today. Kansas City, MO: Burton, 1920. Print.
    Kennedy, David M. The First World War and American Society. New York: Oxford University Press, 1980. Print.
    Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971. Print.
    Kenney, William Howland. Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. New York: Oxford University Press, 1999. Print.
    Kevles, Daniel J. In the Name of Eugenics: Genetics and the Uses of Human Heredity. Orig. 1985. Cambridge, MA: Harvard University Press, 1995. Print.
    Kimmel, Michael. Manhood in America: A Cultural History. New York: Free Press, 1996. Print.
    King, Rob. “1914: Movies and Cultural Hierarchy.” American Cinema of the 1910s: Themes and Variations. Ed. Keil, Charlie and Singer, Ben. New Brunswick, NJ: Rutgers University Press, 2008. 115–38. Print.
    King, Rob The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture. Berkeley: University of California Press, 2009. Print.
    Kingham, Victoria. “'Audacious Modernity’: The Seven Arts (1916–17), The Soil (1916–17), and The Trend (1911–15).” Brooker and Thacker 2: 398–419.
    Klausen, Susanne, and Bashford, Alison. “Fertility Control: Eugenics, Neo-Malthusianism, and Feminism.” The Oxford Handbook of the History of Eugenics. Ed. Bashford, Alison and Levine, Philippa. New York: Oxford University Press, 2010. 98–115. Print.
    Kline, Wendy. Building a Better Race: Gender, Sexuality, and Eugenics from the Turn of the Century to the Baby Boom. Berkeley: University of California Press, 2001. Print.
    Knight, Bill. “Heywood Broun.” Dictionary of Literary Biography. Vol. 171: Twentieth-Century American Sportswriters. Ed. Orodenker, Richard. Detroit: Gale, 1996. 31–43. Print.
    Koestenbaum, Wayne. “Stein is Nice.” Parnassus 20 (1995). 297–319: 299.
    Kolb, Harold H. “In Search of Definition: American Literary Realism and the Clichés.” American Literary Realism 1870–1910 2.2 (1969): 165–73. Print.
    Kolodny, Annette. “Letting Go Our Grand Obsessions: Notes Towards a New Literary History of the American Frontiers.” American Literature 64 (1992): 1–18. Print.
    Kornbluh, Joyce L., ed. Rebel Voices: An IWW Anthology. Ann Arbor: University of Michigan Press, 1964. Print.
    Korzi, Michael J. A Seat of Popular Leadership: The Presidency, Political Parties, and Democratic Government. Amherst: University of Massachusetts Press, 2004. Print.
    Kramer, Jacob. The New Freedom and the Radicals: Woodrow Wilson, Progressive Views of Radicalism, and the Origins of Repressive Tolerance. Philadelphia: Temple University Press, 2015. Print.
    Krehbiel, Henry Edward. Afro-American Folksongs: A Study in Racial and National Music. New York: G. Schirmer, 1914. Print.
    Lacoue-Labarth, Philippe, and Nancy, Jean-Luc. The Literary Absolute. Albany, NY: SUNY Press, 1988. Print.
    LaFlesche, Francis. Da-ho-ma. 1912. Unpublished opera.
    LaFlesche, Francis The Middle Five: Indian Schoolboys of the Omaha Tribe. Boston: Small, Maynard, 1900. Print.
    LaFlesche, Francis, and Fletcher, Alice C.. The Omaha Tribe. Washington, DC: US Government Print Office, 1911. Print.
    Lamp, Sharon. “'It Is for the Mother’: Feminists’ Rhetorics of Disability during the American Eugenics Period.” Disability Studies Quarterly 26.4 (2006): n.pag. Web. 2 Oct. 2015. http://dsq-sds.org/article/view/807/982.
    Lardner, John. “‘Ballyhoo’ Foils Gleason. Score Board Balks. ‘Happy’ Felsch Is Lucky.” Ring Around the Bases: The Complete Baseball Stories of Ring Lardner. Ed. Bruccoli, Matthew J.. Columbia: University of South Carolina Press, 1992. 592–3. Print.
    Lardner, John “A Busher's Letters Home.” You Know Me Al. New York: Scribner's, 1960. 21–49. Print.
    Lardner, John “Introduction.” You Know Me Al. New York: Scribner's, 1960. 5–15. Print.
    Lardner, John “Lardner Has Shine Ball. Present From Ump. Kopf Couldn't Hit It.” Ring Around the Bases: The Complete Baseball Stories of Ring Lardner. Ed. Bruccoli, Matthew J.. Columbia: University of South Carolina Press, 1992. 606–7.
    Laurencin, Marie. Drawing. The Little Review 4.7 (1917): 21. Modernist Journals Project. Web. 23 Jan. 2016. library.brown.edu/cds/repository2/repoman.php?verb=render&view=pageturner&task=jump&id=1297800559218751&pageno=23.
    Lauter, Paul, et al., eds. Heath Anthology of American Literature. 1st ed. 2 vols. Boston: Heath, 1991. Print.
    Lawrence, D. H. Studies in Classic American Literature. Ed. Greenspan, Ezra, Vasey, Lindeth, and Worthen, John. Orig. 1923. Cambridge: Cambridge University Press, 2003. Print.
    Lazarus, Emma. “The New Colossus.” Emma Lazarus: Selected Poems and Other Writings. Ed. Eiselein, Gregory. Peterborough, ON: Broadview, 2003. 233. Print.
    Lears, T. J. Jackson. No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920. Chicago: University of Chicago Press, 1991. Print.
    Lears, T. J. Jackson Rebirth of a Nation: The Making of Modern America, 1877–1920. New York: Harper, 2009. Print.
    Lee, Hermione. Edith Wharton. London: Chatto and Windus, 2007. Print.
    “Legislation from 1901–1940.” National Park Services. Washington, DC: National Park Service, n.d. PDF file. 1 July 2017. www.nps.gov/elis/learn/education/upload/Legislation-1901-1940.pdf.
    Lehan, Richard. Realism and Naturalism: The Novel in an Age of Transition. Madison: University of Wisconsin Press, 2005. Print.
    LeMay, Michael C. and Barkan, Robert Elliott. U.S. Immigration and Naturalization Laws and Issues: A Documentary History. Westport, CT: Greenwood, 1999. Print.
    Lentricchia, Frank. “On the Origins of Modernist Poetry,” Michigan Quarterly Review 48. 2 (2009). n.pag. Web. 2 April 2016. https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0048.201;g=mqrg;rgn=main;view=text;xc=1.
    Leon, Juan. “‘Meeting Mr. Eugenides’: T. S. Eliot and Eugenic Anxiety.” Yeats Eliot Review 9.4 (1988): 169–77. Print.
    Levenson, Michael H. A Genealogy of Modernism: A Study of English Literary Doctrine 1908–1922. New York: Cambridge University Press, 1984. Print.
    Levin, Joanna. Bohemia in America, 1858–1920. Stanford, CA: Stanford University Press, 2010. Print.
    Levine, George, ed. Realism and Representation: Essays on the Problem of Realism in Relation to Science, Literature and Culture. Madison: University of Wisconsin Press, 1999. Print.
    Levin, Joanna The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley. Chicago: University of Chicago Press, 1981. Print.
    Levine, Philippa, and Bashford, Alison. “Introduction: Eugenics and the Modern World.” The Oxford Handbook of the History of Eugenics. Ed. Bashford, Alison and Levine, Philippa. New York: Oxford University Press, 2010. 3–24. Print.
    Levy, Eugene D. James Weldon Johnson: Black Leader, Black Voice. Chicago: University of Chicago Press, 1973. Print.
    Lewis, Anthony. Make No Law: The Sullivan Case and the First Amendment. New York: Random, 1991. Print.
    Lewis, David Levering. W. E. B. Du Bois: Biography of a Race, 1868–1919. New York: Holt, 1993. Print.
    Lewis, David Levering W. E. B. Du Bois: The Fight for Equality and the American Century, 1920–1963. New York: Holt, 2000. Print.
    Lewis, Sinclair. The Job. New York: Harper and Brothers, 1917. Print.
    Lewis, Sinclair Main Street. New York: Harcourt Brace, 1920. Print.
    Leypoldt, Günter, ed. Intellectual Authority and Literary Culture in the US, 1790–1900 Heidelberg, Germany: Universitätsverlag. 2013. Print.
    Lichtenberger, J. P. Annals of the American Academy of Political and Social Science, 40 Orig. 1912. Lincoln: University of Nebraska Press, 1994. Print.
    Lindsay, Nicholas Vachel. The Art of the Moving Picture. Orig. 1915. New York: Modern Library, 2000. Print.
    Lindsay, Nicholas Vachel “The Congo” and Other Poems. New York: Macmillan, 1914. Print.
    Lindsay, Nicholas Vachel “General William Booth Enters Into Heaven.” Poetry 1.4 (1913): 101–3. Web. 14 July 2017. http://www.modjourn.org/render.php?id=1201877415187500&view=mjp_object.
    Lindsey, Donal F. Indians at Hampton Institute, 1877–1923. Urbana: University of Illinois Press, 1995. Print.
    Lippmann, Walter. Drift and Mastery: An Attempt to Diagnose the Current Unrest. New York: Kennerley, 1914. Print.
    Lippmann, Walter Public Opinion. New York: Harcourt, 1922. Print.
    Locke, Alain. Ed. The New Negro. NY: Simon and Schuster, 1992. Print.
    Lodge, George Cabot. Poems and Dramas. Vol. 2. Boston: Houghton Mifflin, 1911. Print.
    Lomawaima, Tsianina. They Called it Prairie Light: The Story of Chilocco Indian School. Lincoln: University of Nebraska Press, 1995. Print.
    Lomawaima, Tsianina, and McCarty, Teresa. “To Remain an Indian”: Lesson in Democracy from a Century of Native American Education. New York: Teachers College, 1994. Print.
    Lomax, John A. Cowboy Songs and Other Frontier Ballads. New York: Sturgis and Walton, 1910. Print.
    Lomax, John A. “Some Types of American Folk Song.” Journal of American Folklore 28.107 (1915): 1–17. Print.
    London, Jack. The Absymal Brute. Orig. 1913. Lincoln: University of Nebraska Press, 2000. Print.
    London, Jack The Game. Orig. 1905. Lincoln: University of Nebraska Press, 2001. Print.
    London, Jack “Jeffries-Johnson Fight.” Jack London Reports: War Correspondence, Sports Articles, and Miscellaneous Writings. Ed. Hendricks, King and Shepard, Irving. Garden City, NY: Doubleday, 1970. 293–301. Print.
    The Lonely Villa. Dir. D. W. Griffith. Biograph, 1909. Film.
    Loos, Anita. “The Force of Heredity, and Nella: A Modern Fable with a Telling Moral for Eugenists.” Vanity Fair (Feb. 1915): 42. Print.
    Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press, 1993. Print.
    Lovejoy, Arthur O. “Communism and Academic Freedom.” The American Scholar (1949): 332–6. Print.
    Lowell, Amy. “Jazz Dance.” Ballads for Sale. Boston; Houghton Mifflin, 1927. 271–7. Print.
    Lowell, Amy “The Taxi.” Complete Poetical Works. Boston: Houghton Mifflin, 1955. 43. Print.
    Lowry, Helen Bullitt. “Poetry as a Major Popular Sport.” The New York Times 14 Aug. 1921: 40. Historical Newspapers. ProQuest. Web. 26 May 2015. search.proquest.com/hnpnewyorktimes/docview/98421401/1D28A4B058B941D2PQ/1?accountid=12846
    Loy, Mina. The Lost Lunar Baedeker: Poems. Ed. Conover, Roger L.. NY: Farrar, Strauss and Giroux, 1996. Print.
    Lucia, Cynthia, Grundmann, Roy, and Simon, Art, eds. The Wiley-Blackwell History of American Film. Vol. 1. Malden, MA: Blackwell, 2012. Web. 22 Jun. 2016. doi: 10.1002/9780470671153.
    Luhan, Mabel Dodge. Movers and Shakers. Orig. 1936. Albuquerque: University of New Mexico Press, 1972. Print.
    Luhan, Mabel Dodge “A Quarrel.” The Masses Sep. 1916: 16–17. Print.
    Lukàcs, Georg. Essays on Realism. Ed. Livingstone, Rodney. Trans. David Fernbach London: Lawrence and Wishart, 1980. Print.
    Lukàcs, Georg “The Ideology of Modernism.” Trans. John Mänder and Necke Mänder. The Critical Tradition: Classic Texts and Contemporary Trends. Ed. Richter, David H.. 3rd ed. Boston: Bedford/St. Martin's, 1989. 1218–32. Print.
    Lukàcs, Georg “Narrate or Describe?” Writer and Critic and Other Essays. Ed. and trans. Kahn, Arthur. London: Merlin, 1970. 110–48. Print.
    Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca, NY: Cornell University Press, 1999. Print.
    Maddox, Lucy. Citizen Indians: Native American Intellectuals, Race, and Reform. Ithaca, NY: Cornell University Press, 2005. Print.
    Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore, MD: Johns Hopkins University Press, 2008. Print.
    Malkiel, Theresa Serber. Diary of a Shirtwaist Striker. New York: Co-operative Press, 1910. Print.
    Mallon, Thomas. “Introduction.” Tarzan of the Apes. By Burroughs, Edgar Rice. New York: Library of America, 2012. Print.
    Manning, Susan. Poetics of Character. Cambridge: Cambridge University Press, 2014. Print.
    Marsh, John. “Percentile Poetics and Distributive Justice.” Modern Language Association Annual Convention. Boston, MA. 5 January 2013. Lecture.
    Martelle, Scott. Blood Passion: The Ludlow Massacre and Class War in the American West. New Brunswick, NJ: Rutgers University Press, 2008. Print.
    Martinez, Andrew. “A Mixed Reception for Modernism: The 1913 Armory Show at the Art Institute of Chicago.” Art Institute of Chicago Museum Studies 19.1 (1993) 31–57, 102–5. Art Institute of Chicago. Web. 18 June 2013. https://publications.artic.edu/gauguin/sites/default/files/file_assets/61_Gau_MuseumStudies_Martinez19.1Centennial.pdf.
    Martinez, David. Dakota Philosopher: Charles Eastman and American Indian Thought. Minneapolis: Minnesota Historical Society, 2009. Print.
    Marx, Karl, and Engels, Frederick. The Marx-Engels Reader. Ed. Tucker, Robert C.. 2nd ed. New York: Norton, 1978. Print.
    Massood, Paula. “African-Americans and Silent Films.” The Wiley-Blackwell History of American Film. Ed. Lucia, Cynthia, Grundmann, Roy, and Simon, Art. Malden, MA: Blackwell, 2012. n.pag. Web. 22 June 2016. doi: 10.1002/9780470671153.
    Masters, Edgar Lee. Spoon River Anthology. New York: Macmillan, 1915. Print.
    Mathews, John Joseph. Sundown. Orig. 1934. Norman: University of Oklahoma Press, 1988. Print.
    Matthews, Branders. “American Character in American Fiction.” In The Autobiography of an Ex-Colored Man. By Johnson, James Weldon. Ed. Goldsby, Jacqueline. New York: Norton, 2015. 294–302. Print.
    Matthews, John T. “American Writing of the Great War.” The Cambridge Companion to the Literature of the First World War. Ed. Sherry, Vincent. Cambridge: Cambridge University Press, 2005. 217–42. Print.
    Matthews, John T. “Willa Cather and the Burden of Southern History.” Philological Quarterly 90.2/3 (2011): 137–65. Print.
    Mattson, Kevin. Upton Sinclair and the Other American Century. New York: John Wiley & Sons, 2006. Print.
    McBride, Paul. Culture Clash: Immigrants and Reformers, 1880–1920. San Francisco: R and E Research, 1975. Print.
    McCann, Sean. A Pinnacle of Feeling: American Literature and Presidential Government. Princeton, NJ: Princeton University Press, 2008. Print.
    McCarthy, Tom. “Writing Machines: Tom McCarthy on Realism and the Real.” London Review of Books 18 December 2014: 21–2. Print.
    McCullough, Joseph B. “Introduction.” A Son of the Middle Border. By Hamlin Garland. Ed. McCullough, Joseph B.. New York: Penguin, 1995. vii–xx. Print.
    McGann, Jerome. Black Riders: The Visible Language of Modernism. Princeton: Princeton University Press, 1993. Print.
    McGerr, Michael E. A Fierce Discontent: The Rise and Fall of the Progressive Movement in America, 1870–1920. New York: Oxford University Press, 2003. Print.
    McGill, Josephine. Folk-Songs of the Kentucky Mountains. New York: Boosey, 1917. Print.
    McKay, Claude. “If We Must Die.” The Norton Anthology of American Literature. Vol. D: 1914–45. Ed. Baym, Nina et al. 8th ed. New York: Norton, 2012. 483. Print.
    McKay, Claude A Long Way from Home. Orig. 1937. New York: Harcourt, 1970. Print.
    McKay, Claude “The White City.” Liberator 4.10 (Oct. 1921): 7. Print.
    McNickle, D'Arcy. The Surrounded. 1936. Albuquerque: University of New Mexico Press, 1977. Print.
    McWhirter, Cameron. Red Summer: The Summer of 1919 and the Awakening of Black America. New York: Holt, 2011. Print.
    Melnick, Ross. American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935. New York: Columbia University Press, 2012. Print.
    Mencken, H. L. “Democracy” [from “Notes on Democracy”]. A Mencken Chrestomathy: His Own Selection of His Choicest Writings. New York: Random, 1949. 154–68. Print.
    Mencken, H. L. Letter to James Weldon Johnson. 1 September 1916. James Weldon Johnson Correspondence, box 14, folder 320. Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. MS.
    Mencken, H. L. Letter to James Weldon Johnson. 29 April [1919]. James Weldon Johnson Correspondence, box 14, folder 320. Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. MS.
    Mencken, H. L. “Market Report: Poetry.” American Mercury 24 (1931): 151–3. Print.
    Milkis, Sidney M., and Nelson, Michael. The American Presidency: Origins and Developments, 1776–1998. 3rd ed. Washington, DC: CQ Press, 1999. Print.
    Miller, Joaquin. “‘The Slump in Poetry’: Discussed by the Poets.” The Critic 46.4 (April 1905): 347–50. American Periodicals Series. ProQuest. Web. 2 April 2016. https://search.proquest.com/americanperiodicals/docview/124879227/8150B44435CA480APQ/2?accountid=12846.
    Miller, Karl Hagstrom. Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham: Duke University Press, 2010. Print.
    Miller, Nina. Making Love Modern: The Intimate Public Worlds of New York's Literary Women. Oxford: Oxford University Press, 1998. Print.
    Moderwell, Hiram Kelly. “A Modest Proposal.” Seven Arts 2 (1917): 368–76. Print.
    Moi, Toril. “Appropriating Bourdieu: Feminist Theory and Pierre Bourdieu's Sociology of Culture.” New Literary History 22 (1991): 1017–49. Print.
    Monroe, Harriet. “The Bigness of the World.” Atlantic 108 (1911): 371–5. Print.
    Monroe, Harriet “The Motive of the Magazine.” Poetry 1.1 (1912): 26–8. Print.
    Monroe, Harriet A Poet's Life: Seventy Years in a Changing World. New York: Macmillan, 1938. Print.
    Moore, Marianne. “To the Soul of ‘Progress.’” The Egoist 2.4 (1915): 62. Print.
    Morrisson, Mark S. The Public Face of Modernism: Little Magazines, Audiences, and Reception 1905–1920. Madison: University of Wisconsin Press, 2000. Print.
    Moses, L. G. Wild West Shows and the Images of American Indians, 1883–1933 Movements. Syracuse: Syracuse University Press, 1971. Print.
    Mott, Frank Luther. A History of American Magazines. Vol. 4. Cambridge, MA: Harvard University Press, 1957. Print.
    Dove, Mourning. Cogewea, the Half-Blood: A Depiction of the Great Montana Cattle Range. Orig. 1927. Lincoln: University of Nebraska Press, 1981. Print.
    Dove, Mourning Coyote Stories. 1933. Lincoln: University of Nebraska Press, 1990. Print.
    Dove, Mourning Mourning Dove: A Salishan Autobiography. Ed. Miller, Jay. Lincoln: University of Nebraska Press, 1990. Print.
    Moyer, Gabrielle. Abstract for “What the Roast Beef Said.” Seminar for the Modernist Studies Association Conference, 2009. Print.
    Moyer, Gabrielle “Mrs. Taft Listens to Strike Charges.” The New York Times March 6, 1912: 6. Print.
    Murphy, Brenda. American Realism and American Drama, 1880–1940. Cambridge: Cambridge University Press, 1987. Print.
    Murphy, Brenda The Provincetown Players and the Culture of Modernity. Cambridge: Cambridge University Press, 2005. Print.
    Musser, Charles. “Pre-Classical American Cinema: Its Changing Modes of Film Production.” Persistence of Vision 9 (1991): 46–65. Print.
    Mutual Film Corporation v. Industrial Commission of Ohio 236 U.S. 230. Supreme Court. 1915. Web. 10 May 2016. http://caselaw.findlaw.com/us-supreme-court/236/230.html.
    Nawrocki, Tom. “Hugh Fullerton.” Dictionary of Literary Biography. Vol. 171: Twentieth-Century American Sportswriters. Ed. Orodenker, Richard. Detroit: Gale Research, 1996. 113–20. Print.
    Nearing, Scott. Educational Frontiers: A Book about Simon Nelson Patten and Other Teachers. New York: Social Science, 1925. Print.
    Nelson, Cary. Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910–1945. Madison: University of Wisconsin Press, 1989. Print.
    Newcomb, John Timberman. How Did Poetry Survive? The Making of Modern American Verse. Urbana: University of Illinois Press, 2012. Print.
    Newcomb, John Timberman Would Poetry Disappear? American Verse and the Crisis of Modernity. Columbus: Ohio State University Press, 2004. Print.
    Nickel, John. “Eugenics and the Fiction of Pauline Hopkins.” Evolution and Eugenics in American Literature and Culture, 1880–1940. Ed. Cuddy, Lois A., and Roche, Claire M.. Lewisburg, PA: Bucknell University Press, 2003. 133–47. Print.
    The Night Before Christmas. Dir. Edwin S. Porter. Edison, 1905. Film.
    Norris, Kathleen. Mother. 1911. Cleveland: World, 1946. Print.
    North, Michael. The Dialect of Modernism: Race, Language and Twentieth-Century Literature. New York: Oxford University Press, 1994. Print.
    North, Michael Reading 1922. Oxford: Oxford University Press. Print.
    Nowlin, Michael. “‘To Be an Author’: Charles Chesnutt's Point of View and the Emergence of African American Literature.” Studies in American Fiction 39 (2012): 147–74. Print.
    O'Connell, Deirdre. The Ballad of Blind Tom, Slave Pianist: America's Lost Musical Genius. New York: Overlook Duckworth, 2009. Print.
    O'Connor, Richard. Heywood Broun: A Biography. New York: G. P. Putnam's Sons, 1975. Print.
    Odum, Howard W. “Folk-Song and Folk-Poetry as Found in the Secular Songs of the Southern Negroes.” Journal of American Folklore 24.93 (1911): 255–94. Print.
    Odum, Howard W. “Folk-Song and Folk-Poetry as Found in the Secular Songs of the Southern Negroes.” Journal of American Folklore 24.94 (1911): 351–96. Print.
    Oler, Andy. “‘Accentuated by the Wavering Uncertain Light’: Sherwood Anderson's Construction of Rural Modernity.” Midamerica 37.1 (2010): 24–34. Print.
    O'Neill, Eugene. Exorcism: A Play in One Act. The New Yorker (17 Oct. 2011): 72–9. Print.
    O'Neill, Eugene “The Moon of the Caribbees.” The Moon of the Caribbees and Six Other Plays of the Sea. New York: Boni and Liveright, 1919. 1–32. Print.
    Oppenheim, James. “Bread and Roses.” The Cry for Justice. Ed. Sinclair, Upton. Philadelphia: Winston, 1915. 247–8. Print.
    Oriard, Michael. Dreaming of Heroes: American Sports Fiction, 1868–1980. Chicago: Nelson-Hall, 1982. Print.
    Oriard, Michael “Introduction.” The Abysmal Brute. By London, Jack. Lincoln: University of Nebraska Press, 2000. v–xiv. Print.
    Oriard, Michael Reading Football: How the Popular Press Created an American Spectacle. Chapel Hill: University of North Carolina Press, 1993. Print.
    Orodenker, Richard. “Introduction.” Dictionary of Literary Biography. Vol. 171: Twentieth-Century American Sportswriters. Ed. Orodenker, Richard. Detroit: Gale, 1996. ix–xiv. Print.
    Oskison, John M. Tales of the Old Indian Territory and Essays on the Indian Condition. Ed. Larré, Lionel, Lincoln: University of Nebraska Press, 2012. Print.
    “Our London Letter.” The Mercury (Hobart, Tasmania). 19 November 1904. 10. Web. 2 April 2016. http://trove.nla.gov.au/newspaper/page/857983.
    Painter, Nell Irvin. Standing at Armageddon: The United States, 1877–1919. New York: Norton, 1987. Print.
    Parker, Robert Dale. Changing is Not Vanishing: A Collection of American Indian Poetry to 1930. Philadelphia: University of Pennsylvania Press, 2011. Print.
    Pearlman, Michael. To Make Democracy Safe for America: Patricians and Preparedness in the Progressive Era. Chicago: University of Illinois Press, 1984. Print.
    Pernick, Martin S. The Black Stork: Eugenics and the Death of “Defective” Babies in American Medicine and Motion Pictures since 1915. New York: Oxford University Press, 1996. Print.
    Peterson, Scott D. “More Than ‘Clever Journalists’: The Cultural Contributions of Noah Brooks, Ring Lardner, and Heywood Broun to American Sports Fiction.” Critical Insights: American Sports Fiction. Ed. Cocchiarale, Michael and Emmert, Scott D.. Ipswich, MA: Grey House, 2013. 73–92. Print.
    Peyer, Bernd, ed. The Singing Spirit: Early Short Stories by North American Indians. Tucson: University of Arizona Press, 1989. Print.
    Phillips, David G. Susan Lenox: Her Fall and Rise. New York: Appleton, 1917. Print.
    Piatote, Beth H. Domestic Subjects: Gender, Citizenship, and Law in Native American Literature. New Haven: Yale University Press, 2013. Print.
    Pizer, Donald, ed. The Cambridge Companion to American Realism and Naturalism: Howells to London. Cambridge: Cambridge University Press, 1995. Print.
    Plock, Vike Martina. “‘I guess I'm just nervous, then’: Ethan Frome, Neuropathology and Edith Wharton's Exploration of Interior Geographies.” Neurology and Modernity: A Cultural History of Nervous Systems, 1800–1950. Ed. Shail, Andrew and Salisbury, Laura. Basingstoke, England: Palgrave, 2010. 184–203. Print.
    Ponder, Stephen. Managing the Press: Origins of the Media Presidency, 1897–1933. New York: St. Martin's, 1999. Print.
    Pondrom, Cyrena. The Road from Paris: French Influence on English Poetry 1900–1920. Cambridge: Cambridge University Press, 1974. Print.
    Pound, Ezra. Cathay. London: Matthews, 1915. Print.
    Pound, Ezra Ezra Pound: Poems and Translations. New York: Library of America, 2003. Print.
    Pound, Ezra “A Few Don'ts by an Imagiste.” Poetry 1.6 (1913): 200–6. Modernist Journals Project. Web. 15 Jan. 2016. www.modjourn.org/render.php?id=1201877678843750&view=mjp_object.
    Pound, Ezra Patria Mia and the Treatise on Harmony. London: Owen, 1962. Print.
    Pound, Ezra “The Revolt of Intelligence.” New Age 8 Jan. 1920: 153. Print.
    Pound, Ezra Selected Letters, 1907–1941. New York: New Directions, 1950. Print.
    Pound, Ezra “Vortex.” Blast: Review of the Great English Vortex 1 (1914): 153–4. Print.
    Prendergast, Christopher. The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert. Cambridge: Cambridge University Press, 1986. Print.
    Prucha, Frances Paul. The Great Father: The United States Government and the American Indians. Lincoln: University of Nebraska Press, 1984. Print.
    Prunella. Dir. Maurice Tourneur. Famous Players-Lasky, 1918. Film.
    Puchner, Martin. Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes. Princeton: Princeton University Press, 2006. Print.
    Quinn, Michael. “Distribution, the Transient Audience, and the Transition to the Feature Film.” Cinema Journal 40.2 (2001): 35–56. Print.
    Rabaté, Jean-Michel. 1913: The Cradle of Modernism. Oxford, England: Blackwell, 2007. Print.
    Raheja, Michelle. Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film. Lincoln: University of Nebraska Press, 2010. Print.
    Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture. New Haven: Yale University Press, 1998. Print.
    Ramirez, Jan Seidler. “The Tourist Takes Hold.” Greenwich Village: Culture and Counterculture. Ed. Beard, Rick and Berlowitz, Leslie Cohen. New Brunswick, NJ: Rutgers University Press, 1993. 371–91. Print.
    Rampersad, Arnold. “Introduction.” The New Negro. Ed. Locke, Alain. New York: Simon and Schuster, 1992. Ix–xxii. Print.
    Ramsey, Jarold. “Francis LaFlesche's ‘The Song of Flying Crow’ and the Limits of Ethnography.” boundary 2 19:3 (1992): 180–96. Print.
    Reed, John. “The Legendary Villa.” The Masses Feb. 1917: 32. Print.
    Reed, John “The Paterson Pageant.” Rebel Voices. Ed. Kornbluh, Joyce L.. Ann Arbor: University of Michigan Press, 1964. 210–11. Print.
    Reed, John Ten Days that Shook the World. Orig. 1919. New York: Penguin, 1977. Print.
    Reed, John “War in Paterson.” The Masses June 1913: 14–17. Print.
    Renker, Elizabeth. “‘The Genteel Tradition’ and Its Discontents.” The Cambridge History of American Poetry. Ed. Bendixen, Alfred and Burt, Stephen. New York: Cambridge University Press, 2015. 403–24. Print.
    Rice, Grantland. “The Dempsey-Willard Fight – 1919.” The Best of Grantland Rice. Selected by Camerer, Dave. New York: Watts, 1963. 33–8. Print.
    Rice, Grantland “The Yale–Harvard Game – 1916.” The Best of Grantland Rice. Selected by Camerer, Dave. New York: Watts, 1963. 23–32. Print.
    Rice, Tom. White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan. Bloomington: Indiana University Press, 2015. Print.
    Richards, Penny L. “Bad Blood and Lost Borders: Eugenic Ambivalence in Mary Austin's Short Fiction.” Evolution and Eugenics in American Literature and Culture, 1880–1940. Ed. Cuddy, Lois A., and Roche, Claire M.. Lewisburg, PA: Bucknell University Press, 2003. 148–63. Print.
    Richardson, Angelique. Love and Eugenics in the Late Nineteenth Century: Rational Reproduction and the New Woman. New York: Oxford University Press, 2003. Print.
    Riggs, Lynn. Green Grow the Lilacs: A Play. New York: Samuel French, 1931. Print.
    Rignall, John. Realist Fiction and the Strolling Spectator. London: Routledge 1992. Print.
    Robinson, Edwin Arlington. “Miniver Cheevy.” The Town Down the River: A Book of Poems. New York: Scribner's, 1910. 98–9. Print.
    Robinson, Phyllis C. Willa: The Life of Willa Cather. Garden City, New York: Doubleday, 1983. Print.
    Rodrique, Jessie M. “The Black Community and the Birth Control Movement.” Passion and Power: Sexuality in History. Ed. Peiss, Kathy and Simmons, Christina. Philadelphia: Temple University Press, 1989. 138–54. Print.
    Rolland, Romain. “America and the Arts.” The Seven Arts 1.1 (1916) 47–51. Modernist Journals Project. Web. 15 Nov. 2015. www.modjourn.org/render.php?id=1349104921984377&view=mjp_object.
    “Romance and Adventure.” Rev. of The Prairie Child, by Arthur Stringer. Springfield [MA] Republican 23 July 1922. Newsbank. Web. 25 June 2016. www.newsbank.com.
    Roosevelt, Theodore. “The American Woman as a Mother.” Ladies’ Home Journal July 1905: 3–4. Print.
    Roosevelt, Theodore An Autobiography. New York: Scribner's, 1913. Print.
    Roosevelt, Theodore Bull Moose on the Stump: The 1912 Campaign Speeches of Theodore Roosevelt. Ed. Gould, Louis L.. Lawrence: University of Kansas Press, 2008. Print.
    Roosevelt, Theodore “Introduction.” The Report of the Commission on Country Life. New York: Sturgis and Walton, 1911. 9–10. Print.
    Roosevelt, Theodore Letters and Speeches. Ed. Auchincloss, Louis. New York: Library of America, 2004. Print.
    Roosevelt, Theodore “The Strenuous Life.” Hamilton Club, Chicago. 10 Apr. 1899. Address. Bartleby. Web. 24 June 2016. http://www.bartleby.com/58/1.html.
    Rosenstone, Robert A. Romantic Revolutionary: A Biography of John Reed. New York: Knopf, 1983. Print.
    Rothenberg, Jerome, ed. Revolution of the Word: A New Gathering of Avant Garde Poetry, 1914–1945. New York: Seabury, 1974. Print.
    Rotundo, E. Anthony. American Manhood: Transformations in Masculinity from the Revolution to the Modern Era. New York: Basic, 1993. Print.
    Rubin, Joan Shelley. Songs of Ourselves: The Uses of Poetry in America. Cambridge, MA: Harvard University Press, 2007. Print.
    Rudwick, Elliott M. “W. E. B. Du Bois in the Role of Crisis Editor.” Journal of Negro History 43.3 (1958) 214–40. Print.
    Runyon, Damon. Short Takes: Readers’ Choice of the Best Columns of America's Favorite Newspaperman. New York: Somerset, 1946. Print.
    Ruotolo, Cristina. Sounding Real: Musicality and American Literature at the Turn of the Twentieth Century. Tuscaloosa: University of Alabama Press, 2013. Print.
    Salt, Barry. “Vitagraph, un tocco di classe.” Vitagraph Co. of America: Il cinema prima di Hollywood. Ed. Usai, Paolo Cherchi. Pordenone, Italy: Edizioni Studio Tesi, 1987. 171–202. Print.
    Sandburg, Carl. “Chicago.” Poetry 3.6 (March 1914): 191–2. Modernist Journals Project. Web. 14 July 2017. www.modjourn.org/render.php?id=1201880441812500&view=mjp_object.
    Sandburg, Carl Complete Poems. New York: Harcourt, Brace, 1950. Print.
    Sandburg, Carl Cornhuskers. New York: Holt, 1918. Print.
    Sanders, Elizabeth. The Roots of Reform: Farmers, Workers, and the American State, 1877–1917. Chicago: University of Chicago Press, 1999. Print.
    Sandin, Paul J. “Damon Runyon.” Dictionary of Literary Biography. Vol. 171: Twentieth-Century American Sportswriters. Ed. Orodenker, Richard. Detroit: Gale, 1996. 293–303. Print.
    Sanger, Margaret. “Birth Control and Racial Betterment.” Birth Control Review 3.2 (1919): 11–12. Print.
    Sanger, Margaret “Why the Woman Rebel?” The Woman Rebel March 1914: 8. Print.
    Sanger, Margaret Woman and the New Race. New York: Truth Publishing, 1920. Print.
    Saroyan, William. “Jazz.” Orig. 1934. My Name Is Saroyan. Ed. Tashjian, James H.. New York: Coward-McCann, 1985. 90–3. Print.
    Savage, Jon. Teenage: The Creation of Youth Culture. New York: Viking, 2007. Print.
    Scanlon, Jennifer. Inarticulate Longings: “The Ladies' Home Journal,” Gender, and the Promises of Consumer Culture. New York: Routledge, 1995. Print.
    Schneirov, Matthew. The Dream of a New Social Order: Popular Magazines in America, 1893–1914. New York: Columbia University Press, 1994. Print.
    Schroeder, Patricia R. The Feminist Possibilities of Dramatic Realism. Madison, WI: Fairleigh Dickinson University Press, 1996. Print.
    Schulze, Robin G. The Degenerate Muse: American Nature, Modernist Poetry, and the Problem of Cultural Hygiene. New York: Oxford University Press, 2013. Print.
    Schweik, Susan. “Disability and the Normal Body of the (Native) Citizen” Social Research 78:2 (2011): 417–42. Print.
    Scott, Bonnie Kime. The Gender of Modernism. Bloomington: Indiana University Press, 1990. Print.
    Scott, Emmett Jay. Scott's Official History of the American Negro in the World War. Chicago: Homewood, 1919. Print.
    Scruggs, Charles. The Sage in Harlem: H. L. Mencken and the Black Writers of the 1920s. Baltimore: Johns Hopkins University Press, 1984. Print.
    Seigel, Jerrold. Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830–1930. New York: Penguin, 1986. Print.
    Seitler, Dana. Atavistic Tendencies: The Culture of Science in American Modernity. Minneapolis: University of Minnesota Press, 2008. Print.
    Selch, Andrea Helen. Engineering Democracy: Commercial Radio's Use of Poetry, 1920–46. Diss. Duke University, 1999. Ann Arbor: 1999. Print.
    Seltzer, Thomas. “Editorial.” The Masses Jan. 1911: 1. Modernist Journals Project. Web. 13 Nov. 2015. www.modjourn.org/render.php?id=1354912669485127&view=mjp_object.
    Sermolino, Maria. Papa's Table d'hôte Dinner. Philadelphia: Lippincott, 1952. Print.
    Serrin, Judith, and Serrin, William, eds. Muckraking! The Journalism that Changed America. New York: New Press, 2002. Print.
    Seton, Ernest Thompson. Boy Scouts Handbook. Orig. 1911. New York: Dover, 2005. Print.
    Sharp, Cecil J. English Folk Songs from the Southern Appalachians. Orig. 1917. London: Oxford University Press, 1932. Print.
    Shaw, George Bernard. The Quintessence of Ibsenism. Orig.1891. New York: Brentano's, 1922. Print.
    Sheaffer, Louis. O'Neill: Son and Playwright. Boston: Little, Brown, 1968. Print.
    Sheldon, Edward. Salvation Nell. Best Plays of the Early American Theatre. Ed. Gassner, John. New York: Crown, 1967. 557–616. Print.
    Sherman, Caroline. “The Development of American Rural Fiction.” Agricultural History 12.1 (1938): 67–76. Print.
    Sherry, Vincent, ed. The Cambridge Companion to the Literature of the First World War. Cambridge: Cambridge University Press, 2005. Print.
    Sherry, Vincent “First World War Poetry: A Cultural Landscape.” The Cambridge Companion to the Poetry of the First World War. Ed. Das, Santanu. Cambridge: Cambridge University Press, 2013. 35–50. Print.
    Shi, David. The Simple Life: Plain Living and High Thinking in American Culture. Athens: University of Georgia Press, 1985. Print.
    Shipton, Alyn. A New History of Jazz. London: Continuum, 2001. Print.
    Shoes. Dir. Lois Weber. Universal, 1916. Film.
    Showalter, Elaine. A Jury of her Peers: American Women Writers from Anne Bradstreet to Annie Proulx. New York: Knopf, 2009. Print.
    Simonson, Harold P. Zona Gale. New York: Twayne, 1962. Print.
    Sinclair, Upton, ed. The Cry for Justice: An Anthology of the Literature of Social Protest. Philadelphia: Winston, 1915. Print.
    Sinclair, Upton The Jungle: An Authoritative Text, Contexts and Backgrounds, Criticism. Ed. Eby, Clare V.. New York: Norton, 2003. Print.
    Sinclair, Upton King Coal. Orig. 1917. New York: Penguin, 1994. Print.
    Singer, Ben. Melodrama and Modernity: Early Sensational Cinema and Its Contexts. New York: Columbia University Press, 2001. Print.
    Singer, Ben, and Keil, Charlie. “Introduction: Movies and the 1910s.” American Cinema of the 1910s: Themes and Variations. Ed. Keil, Charlie and Singer, Ben. New Brunswick, NJ: Rutgers University Press, 2009. 1–25. Print.
    Slick, Sam (Thomas Chandler Halliburton). “Sam Slick.” Native American Humor. Ed. Blair, Walter. New York: American Book, 1937. Print.
    Smethurst, James. The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2011. Print.
    Smith, Christopher, ed. American Realism. San Diego: Greenhaven, 2000. Print.
    Smith, Rose Elizabeth. “The Ninety and Nine.” Socialism in Verse. Girard, KS: Appeal to Reason, 1916. 18. Print.
    Smith, Sherry L. “Women Homesteaders: The Perplexing Case of Elinore Pruitt Stewart.” Western Historical Quarterly 22.2 (1991): 163–83. Print.
    Society of American Indians. The American Indian Magazine. 1916–20. Washington, DC: The Society of American Indians. Hathitrust Digital Library. Web. 14 July 2017. catalog.hathitrust.org/Record/000637577.
    Society of American Indians The Quarterly Journal of the Society of American Indians. 1913–15. Washington, DC: The Society of American Indians. Hathitrust Digital Library. Web.catalog.hathitrust.org/Record/000637581.
    Society of American Indians Report of the Executive Council on the Proceedings of the Annual Council. Washington, DC: The Society of American Indians, 1912. Print.
    Sohst, Theodora. “Can Women Play Good Tennis?” Country Life July 1919: 58–9. Web. 15 Sept. 2015. https://archive.org/stream/countrylife36gard/countrylife36gard_djvu.txt.
    Sohst, Theodora “Swimming for Women.” Country Life Aug. 1919: 57–9. Web. 15 Sept. 2015. https://archive.org/stream/countrylife36gard/countrylife36gard_djvu.txt.
    Southall, Geneva Handy. Blind Tom, The Black Pianist Composer (1849–1908): Continually Enslaved. Lanham, MD: Scarecrow, 1999. Print.
    Spaulding, A. Timothy. “The Cultural Matrix of Ragtime in James Weldon Johnson's The Autobiography of an Ex-Colored Man.” Genre 36 (2004): 225–43. Print.
    “Spoofing the Philistines.” The New York Times March 4, 1923: E4. ProQuest Historical Papers. Web. https://search.proquest.com/hnpnewyorktimes/docview/103129349/4279B3B994C14E52PQ/1?accountid=12846.
    The Squaw Man. Dir. Oscar Apfel and Cecil B. DeMille. Lasky, 1913. Film.
    Staiger, Janet. “Combination and Litigation: Structures of U.S. Film Distribution, 1896–1917.” Cinema Journal 23.2 (1983): 41–71. Print.
    Staiger, Janet “The Hollywood Mode of Production to 1930.” The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. Bordwell, David, Staiger, Janet, and Thompson, Kristin. New York: Columbia University Press, 1985. 88–244. Print.
    Staiger, Janet “Mass-Produced Photoplays: Economic and Signifying Practices in the First Years of Hollywood.” Wide Angle 4.3 (1980): 12–27. Print.
    Stamp, Shelley. “‘It's a Long Way to Filmland’: Starlets, Screen Hopefuls, and Extras in Early Hollywood.” American Cinema's Transitional Era. Ed. Keil, Charlie and Stamp, Shelley. Berkeley: University of California Press, 2004. 332–52. Print.
    Stamp, Shelley Lois Weber in Early Hollywood. Berkeley: University of California Press, 2015. Print.
    Stamp, Shelley Movie-Struck Girls: Women and Motion Picture Culture After the Nickelodeon. Princeton, NJ: Princeton University Press, 2000. Print.
    Standing Bear, Luther. Land of the Spotted Eagle. Orig. 1933. Lincoln: University of Nebraska Press, 1978. Print.
    Stansell, Christine. American Moderns: Bohemian New York and the Creation of a New Century. New York: Metropolitan Books, 2000. Print.
    Stein, Gertrude. The Autobiography of Alice B. Toklas. Selected Writings of Gertrude Stein. Ed. Vechten, Carl Van. New York: Vintage, 1972. 1–237. Print.
    Stein, Gertrude Fernhurst, Q. E. D., and Other Early Writings. New York: Liveright, 1971. Print.
    Stein, Gertrude The Making of Americans. Norman, OK: Dalkey Archive Press, 1995. Print.
    Stein, Gertrude Three Lives and Tender Buttons. New York: Penguin, 2003. Print.
    Sterling, Christopher H. The Concise Encyclopedia of American Radio. New York: Routledge, 2009. Print.
    Stevens, Wallace. “Sunday Morning.” Poetry 7 (1915): 81–3. Print.
    Stewart, Elinore Pruitt. Letters of a Woman Homesteader. Boston: Houghton Mifflin, 1914. Print.
    Stokes, Melvyn. D. W. Griffith's The Birth of a Nation: A History of the Most Controversial Motion Picture of All Time. Oxford: Oxford University Press, 2008. Print.
    Stoloff, Sam. “Normalizing Stars: ‘Fatty’ Arbuckle and Hollywood Consolidation.” American Silent Film: Discovering Marginalized Voices. Ed. Bachman, Gregg and Slater, Thomas J.. Carbondale: Southern Illinois University Press, 2002. 148–62. Print.
    Stone, Geoffrey R. “Mr. Wilson's First Amendment.” Reconsidering Woodrow Wilson: Progressivism, Internationalism, War, and Peace. Ed. Cooper, John Milton, Jr. Washington, DC: Woodrow Wilson Center Press, 2008. 189–224. Print.
    Storey, Mark. “Country Matters: Rural Fiction, Urban Modernity, and the Problem of American Regionalism.” Nineteenth Century Literature 65.2 (2010): 192–213. Print.
    Storey, Mark Rural Fictions, Urban Realities: A Geography of Gilded Age American Literature. New York: Oxford University Press, 2013. Print.
    Strauss, Juliet Virginia. The Ideas of a Plain Country Woman. New York: Doubleday, 1908. Print.
    Strauss, Juliet Virginia “Strikers’ Children Parade Fifth Avenue.” The New York Times 18 Feb. 1912: 5. Print.
    Stromquist, Shelton. Reinventing “The People”: The Progressive Movement, the Class Problem and the Origins of Modern Liberalism. Urbana: University of Illinois Press, 2006. Print.
    Sundquist, Eric J. The Hammers of Creation: Folk Culture in Modern African-American Fiction. Athens: University of Georgia Press, 1992. Print.
    Sundquist, Eric J. To Wake the Nations: Race in the Making of American Literature. Cambridge, MA: Harvard University Press, 1993. Print.
    “Suppressed.” The Masses Feb. 1916: 14. Print.
    Suspense. Dir. Lois Weber. Rex, 1913. Film.
    Szefel, Lisa. The Gospel of Beauty in the Progressive Era: Reforming American Verse and Values. New York: Palgrave, 2011. Print.
    Tadié, Benoît. “The Masses Speak.” The Oxford Critical and Cultural History of Modernist Magazines. Ed. Brooker, Peter and Thacker, Andrew. Vol. 2. Oxford: Oxford University Press, 2012. 831–56. Print.
    Tallis, Raymond. In Defence of Realism. London: Arnold, 1988. Print.
    Taylor, A. J. P. “Introduction.” Ten Days that Shook the World. By Reed, John. New York: Penguin, 1977. Print.
    Tebbel, John. A History of Book Publishing in the United States. Vol. 2. New York: Bowker, 1975. Print.
    Tennyson, Alfred Lord. The Works of Alfred Lord Tennyson. Vol. 5. New York: Macmillan, 1891. Web. 3 July 2016. https://archive.org/details/completeworksofa00tenn.
    Thacker, Andrew. “General Introduction: ‘Magazines, Magazines, Magazines!’” The Oxford Critical and Cultural History of Modernist Magazines. Ed. Brooker, Peter and Thacker, Andrew. Vol. 2. Oxford: Oxford University Press, 2012. 1–28. Print.
    Thelin, John R. A History of American Higher Education. 2nd ed. Baltimore: Johns Hopkins University Press, 2011. Print.
    Thomas, Augustus. As a Man Thinks: Modern American Plays. Ed. Baker, George Pierce. New York: Harcourt, 1920. 1–100. Print.
    Thompson, Gary Richard. Reading the American Novel, 1865–1914. Hoboken, NJ: Wiley-Blackwell, 2012. Print.
    Thompson, John A. Reformers and War: American Progressive Publicists and the First World War. New York: Cambridge University Press, 1987. Print.
    Thompson, Kristin. “The Formulation of the Classical Style, 1909–28.” The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. Bordwell, David, Staiger, Janet, and Thompson, Kristin. New York: Columbia University Press, 1985. 245–472. Print.
    Thompson, Stephanie Lewis. Influencing America's Tastes: Realism in the Works of Wharton, Cather and Hurst. Gainesville: University Press of Florida, 2002. Print.
    Tichi, Cecelia. “Emerson, Darwin, and The Custom of the Country.”A Historical Guide to Edith Wharton. Ed. Singley, Carol J.. New York: Oxford University Press, 2003. 89–114. Print.
    Tiede, Hans-Joerg. University Reform: The Founding of the American Association of University Professors. Baltimore, MD: Johns Hopkins University Press, 2015. Print.
    Tompkins, Jane. West of Everything. New York: Oxford University Press, 1992. Print.
    Toomer, Jean. The Letters of Jean Toomer, 1919–1924. Ed. Whalan, Mark. Knoxville: University of Tennessee Press, 2006. Print.
    Torrence, Ridgely. Granny Maumee, the Rider of Dreams, Simon the Cyrenian: Plays for a Negro Theater. New York: Macmillan, 1917. Print.
    Tracy, Stephen C. Hot Music, Ragmentation, and the Bluing of American Literature. Tuscaloosa: University of Alabama Press, 2015. Print.
    Treichler, Paula A. “Alma Mater's Sorority: Women and the University of Illinois, 1890–1925.” For Alma Mater: Theory and Practice in Feminist Scholarship. Ed. Treichler, Paula A., Kramarae, Cheris, and Stafford, Beth. Urbana: University of Illinois Press, 1985. 5–61. Print.
    Trimberger, Ellen Kay. “The New Woman and the New Sexuality: Conflict and Contradiction in the Writings and Lives of Mabel Dodge and Neith Boyce.” 1915: The Cultural Moment. Ed. Heller, Adele and Rudnick, Lois. New Brunswick: Rutgers University Press, 1991. 98–115. Print.
    Trout, Stephen. On the Battlefield of Memory: The First World War and American Remembrance, 1919–1941. Tuscaloosa: University of Alabama Press, 2010. Print.
    Troutman, John. Indian Blues: American Indians and the Politics of Music, 1879–1934. Tucson: University of Arizona Press, 1989. Print.
    Tulis, Jeffrey. The Rhetorical Presidency. Princeton, NJ: Princeton University Press, 1987. Print.
    Turda, Marius. Modernism and Eugenics. New York: Palgrave, 2010. Print.
    Tuttleton, James W. “Justine: or, the Perils of Abstract Idealism.” Cambridge Companion to Edith Wharton. Ed. Bell, Millicent. Cambridge: Cambridge University Press, 1995. 157–68. Print.
    United States Bureau of Labor. Report on Strike of Textile Workers in Lawrence, Mass., in 1912. Washington, DC: Government Printing Office, 1912. Print.
    United States Census Bureau. Geography Division. “Table 1. Urban and Rural Population, 1900–1990.” Census.gov. Oct. 1995. Web. www.census.gov/population/censusdata/urpop0090.txt.
    United States Commission on Industrial Relations. Industrial Relations: Final Report and Testimony: Submitted to Congress by the Commission on Industrial Relations. Vol. 1. Washington, DC: Government Printing Office, 1916. Print.
    United States Congress. Immigration Act of 1907. 34 Stat. 898. 20 Feb. 1907. Print.
    Untermeyer, Louis, ed. A Miscellany of American Poetry. New York: Harcourt, 1920. Print.
    Vanderbilt, Kermit. American Literature and the Academy: The Roots, Growth, and Maturity of a Profession. Philadelphia: University of Pennsylvania Press, 1986. Print.
    Van Vechten, Carl. In the Garret. New York: Knopf, 1920. Print.
    Van Wienen, Mark. American Socialist Triptych: the Literary-political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois. Ann Arbor: University of Michigan Press, 2012. Print.
    Van Wienen, Mark Partisans and Poets: The Political Work of American Poetry in the Great War. New York: Cambridge University Press, 1997. Print.
    Van Wienen, Mark ed., Rendezvous with Death: American Poems of the Great War. Urbana: University of Illinois Press, 2002. Print.
    Vaughn, Stephen. Holding Fast the Inner Lines: Democracy, Nationalism, and the Committee on Public Information. Chapel Hill: University of North Carolina Press, 1980. Print.
    Veblen, Thorstein. The Theory of the Leisure Class. Orig. 1899. New York: Penguin, 1995. Print.
    Vigil, Kiara. Indigenous Intellectuals: Sovereignty, Citizenship, and the American Imagination. New York: Cambridge University Press, 2015. Print.
    Vincent, Jonathan. “Tendrils of Association: World War I Narrative and the US Political Imaginary.” American Literature 82.3 (2010): 553–81. Print.
    Von Drehle, David. Triangle: The Fire That Changed America. New York: Atlantic Monthly, 2003. Print.
    Wainscott, Ronald H. The Emergence of the Modern American Theater, 1914–1929. New Haven, CT: Yale University Press, 1997. Print.
    Wald, Elijah. Escaping the Delta: Robert Johnson and the Invention of the Blues. New York: Amistad, 2005. Print.
    Walts, Frank. “Sketch of Nora E. Johnson.” Drawing. The Crisis 16.3 (1918): Cover. Modernist Journals Project. Web. 19 Feb. 2016. http://library.brown.edu/cds/repository2/repoman.php?verb=render&id=1292948438561750&view=pageturner.
    Ward, David. Poverty, Ethnicity, the American City, 1840–1925: Changing Conceptions of the Slum and Ghetto. Cambridge: Cambridge University Press, 1989. Print.
    Ware, Amy. The Cherokee Kid: Will Rogers, Tribal Identity, and the Making of an American Icon. Lawrence: University Press of Kansas, 2015. Print.
    Warrior, Robert Allen. Tribal Secrets: Recovering American Indian Intellectual Traditions. Minneapolis: University of Minnesota Press, 2012. Print.
    Washington, Salim. “Of Black Bards Known and Unknown: Music as Racial Metaphor in James Weldon Johnson's The Autobiography of an Ex-Colored Man.” Callaloo 25.1 (2002): 233–56. Print.
    Watson, Bruce. Bread and Roses: Mills, Migrants, and the Struggle for the American Dream. New York: Penguin, 2005. Print.
    Waugh, Patricia, ed. Revolutions of the Word: Intellectual Contexts for the Study of Modern Literature. London: Arnold, 1997. Print.
    Weinbaum, Alys Eve. Wayward Reproductions: Genealogies of Race and Nation in Transatlantic Modern Thought. Durham, NC: Duke University Press, 2004. Print.
    West, Rebecca. “The Classic Artist.” Willa Cather and Her Critics. Ed. Schroeter, James. Ithaca, NY: Cornell University Press, 1967. 62–71. Print.
    Westgate, J. Chris. Staging the Slums, Slumming the Stage: Class, Poverty, Ethnicity, and Sexuality in American Theatre, 1890–1916. New York: Palgrave, 2014. Print.
    Whalan, Mark. The Great War and the Culture of the New Negro. Gainesville: University Press of Florida, 2008. Print.
    Wharton, Edith. The Age of Innocence. New York: Appleton, 1920. Print.
    Wharton, Edith A Backward Glance. New York: Appleton-Century, 1934. Print.
    Wharton, Edith The Custom of the Country: Novels. Ed. Lewis, R. W. B.. New York: Library of America, 1985. 621–1014. Print.
    Wharton, Edith Ethan Frome. Ed. Lauer, Kristin O. and Wolff, Cynthia Griffin. Orig. 1911. New York: Norton, 1995. Print.
    Wharton, Edith French Ways and Their Meaning. New York: Appleton, 1919. Print.
    Wharton, Edith The House of Mirth. Orig. 1905. New York: Norton, 1990. Print.
    Wharton, Edith The Reef. New York: Appleton, 1912. Print.
    Wharton, Edith Summer. Orig. 1917. New York: Penguin, 1993. Print.
    Wharton, Edith Tales of Men and Ghosts. New York: Scribner's, 1910. Print.
    Wharton, Edith “Tendencies in Modern Fiction.” The Saturday Review of Literature 27 Jan. 1934: 433–4. Print.
    “What the Others Are Saying.” Common Cause 1.4 (1912): 109–13. Print.
    Where Are My Children? Dir. Lois Weber. Weber/Universal, 1916. Film.
    White, Bouck. The Call of the Carpenter. New York: Doubleday, 1913. Print.
    Whitehead, Sarah. “Make it Short: Edith Wharton's Modernist Practices in her Short Stories.” Journal of the Short Story in English 58 (2012): 25–43. Print.
    Whittier, John Greenleaf. Snow-Bound: A Winter Idyl. Cambridge, MA: Ticknor and Fields, 1866. Print.
    “‘Why Marry?’ A Hit at Astor Theatre” The New York Times 26 Dec. 1917: 6. Print.
    Wiget, Andrew, ed. Handbook of Native American Literature. New York: Garland, 1996. Print.
    Williams, Deborah Lindsay. Not a Sisterhood: Edith Wharton, Willa Cather, Zona Gale and the Politics of Female Authorship. New York: Palgrave, 2001. Print.
    Williams, Ellen. Harriet Monroe and the Poetry Renaissance: The First Ten Years of Poetry, 1912–1922. Urbana: University of Illinois Press, 1977. Print.
    Williams, Fannie Barrier. “The Woman's Part in a Man's Business.” The New Woman of Color: The Collected Writings of Fannie Barrier Williams, 1893–1918. Ed. Deegan, Mary Jo. DeKalb: Northern Illinois University Press, 2002. 58–62. Print.
    Williams, Jason. “Competing Visions: The Alternate Wests of Elinore Pruitt Stewart and N. C. Wyeth.” Western American Literature 44.4 (2010): 362–86. Print.
    Williams, Jesse Lynch. Why Marry? New York: Scribner's, 1918. Print.
    Williams, Raymond. The Country and the City. New York: Oxford University Press, 1973. Print.
    Williams, Raymond “Structures of Feeling.” Marxism and Literature. Oxford: Oxford University Press, 1977. 128–35. Print.
    Williams, William Carlos. “From Spring and All.” The Norton Anthology of American Literature. Ed. Baym, Nina et al. 8th ed. New York: Norton, 2012. 346–7. Print.
    Williams, William Carlos “Pastoral.” Others 3.4 (December 1916): 31. Print.
    Wilson, Sondra Kathryn, ed. The New York Age Editorials (1914–23). Vol. 1: The Selected Writings of James Weldon Johnson. New York: Oxford University Press, 1995. Print.
    Wilson, Woodrow. “Address to a Joint Session of Congress Calling for a Declaration of War.” Woodrow Wilson: Essential Writings and Speeches. Ed. DiNunzio, Mario R.. New York: New York University Press, 2006. 397–402. Print.
    Wilson, Woodrow “Cabinet Government in the United States.” Woodrow Wilson: The Essential Political Writings. Ed. Pestritto, Ronald J.. Lanham, MD: Lexington Books, 2005. 127–40. Print.
    Wilson, Woodrow Congressional Government: A Study in American Politics. Orig. 1885. New Brunswick, NJ: Transaction, 2002. Print.
    Wilson, Woodrow Constitutional Government in the United States. Orig. 1907. New Brunswick, NJ: Transaction, 2002. Print.
    Wilson, Woodrow A Crossroads of Freedom: The 1912 Campaign Speeches of Woodrow Wilson. Ed. Davidson, John Wells. New Haven: Yale University Press, 1956. Print.
    Wilson, Woodrow “The Ideals of America.” Atlantic Monthly Dec. 1902: 721–34. Print.
    Wilson, Woodrow “The Making of the Nation.” Woodrow Wilson: Essential Writings and Speeches. Ed. DiNunzio, Mario R.. New York: New York University Press, 2006. 166–81. Print.
    Wilson, Woodrow The Messages and Papers of Woodrow Wilson. 2 vols. New York: Review of Reviews, 1924. Print.
    Wilson, Woodrow The New Freedom: A Call for the Emancipation of the Generous Energies of a People. Orig. 1913. New York: Doubleday, 1918. Print.
    Wilson, Woodrow “Presidential Inaugural Address.” Woodrow Wilson: Essential Writings and Speeches. Ed. DiNunzio, Mario R.. New York: New York University Press, 2006. 366–9. Print.
    Winchell, Mark Royden. “Grantland Rice.” Dictionary of Literary Biography. Vol. 171: Twentieth-Century American Sportswriters. Ed. Orodenker, Richard. Detroit: Gale, 1996. 282–92. Print.
    Winkiel, Laura. “Manifestos and Ars Poetica.” The Routledge Companion to Experimental Literature. Ed. Bray, Joe, Gibbons, Allison and McHale, Brian. New York: Routledge, 2012. 253–66. Print.
    The Wishing Ring. Dir. Maurice Tourneur. Shubert, 1914. Film.
    Within Our Gates. Dir. Oscar Micheaux. Micheaux Book and Film, 1920. Film.
    Wolmar, Christian. Engines of War: How Wars Were Won and Lost on the Railways. New York: Public Affairs, 2010. Print.
    Womack, Craig S. Red on Red: Native American Literary Separatism. Minneapolis: University of Minnesota Press, 1999. Print.
    Woodress, James. Willa Cather: Her Life and Art. New York: Pegasus, 1970. Print.
    Woodward, David. America and World War I: A Selected Annotated Bibliography of English-Language Sources. New York: Routledge, 2007. Print.
    Woolf, Virginia. “American Fiction.” Saturday of Literature 1 Aug. 1925: 1–2. Print.
    Woolf, Virginia The Common Reader. London: Penguin, 1938. Print.
    Woolf, Virginia Mr. Bennett and Mrs. Brown. London: Hogarth, 1924. Print.
    Work, John Wesley. Folk Songs of the American Negro. Nashville, TN: Press of Fisk University, 1915. Print.
    “Written on the Screen.” The New York Times 13 August 1916. ProQuest Historical Newspapers. Web. 26 May 2015. https://search.proquest.com/hnpnewyorktimes/docview/97866883/F4B7489EFF6A4938PQ/1?accountid=12846.
    “Written on the Screen.” The New York Times 1 April 1917. ProQuest Historical Newspapers. Web. 26 May 2015. https://search.proquest.com/hnpnewyorktimes/docview/98067433/F4B7489EFF6A4938PQ/44?accountid=12846.
    Wyman, David S. The Abandonment of the Jews: America and the Holocaust. New York: Pantheon, 1984. Print.
    Trisha, Yarbrough. “From Dirt Roads to Mean Streets: Jim Thompson's Rural Pulp Fiction.” Para-doxa: Studies in World Literary Genres 16 (2001): 203–10. Print.
    Yardley, Jonathan. Ring: A Biography of Ring Lardner. New York: Random, 1977. Print.
    Yardley, Jonathan “The Yell.” The Masses Feb. 1911: 2. Modernist Journals Project. Web. 13 Nov. 2015. http://www.modjourn.org/render.php?id=1354913296547627&view=mjp_object.
    Yezierska, Anzia. Hungry Hearts. Boston: Houghton Mifflin, 1920. Print.
    Young, Art. “Law and Order in Lawrence.” Illustration. Collier's Weekly 9 Mar. 1912. Digital Commonwealth: Massachusetts Collections Online. Web. 30 June 2016. www.digitalcommonwealth.org/search/commonwealth:cc08j3114.
    Yuma Pioneer. 25 November 1904: 4. Colorado Historical Newspapers Collection. Web. 2 April 2016. www.coloradohistoricnewspapers.org/cgi-bin/colorado?a=d&d=YPI19041125.2.39&srpos=6&e=-11-1904--11-1904--en-20-1--txt-txIN-yuma+pioneer-------0-.
    Zandy, Janet. “Introduction.” Calling Home: Working-Class Women's Writings. Ed. Zandy, Janet. New Brunswick, NJ: Rutgers University Press, 1990. 1–18. Print.
    Zinn, Howard. “Discovering John Reed.” Third World Traveler. Web. 2 July 2016. www.thirdworldtraveler.com/Zinn/John_Reed_HZOH.html.
    Zitkala-Ša, . American Indian Stories, Legends, and Other Writings. Davidson, Cathy and Norris, Ada, Ed. New York: Penguin, 2003. Print.
    Zitkala-Ša, Dreams and Thunder: Stories, Poems, and The Sun Dance Opera. Ed. Hafen, Jane. Lincoln: University of Nebraska Press, 2001. Print.
    Zitkala-Ša, Charles H. Fabens, and Sniffen, Matthew K.. Oklahoma's Poor Rich Indians: An Orgy of Graft and Exploitation of the Five Civilized Tribes, Legalized Robbery: A Report. Philadelphia: Office of the Indian Rights Association, 1924. Print.
    Zurier, Rebecca, ed. Art for the Masses: A Radical Magazine and Its Graphics, 1911–1917. Philadelphia, PA: Temple University Press, 1988. Print.
    Zwick, Jim. “Behind the Song: ‘Bread and Roses.’” Sing Out! 46.4 (2003): 92–3. Print.

    Metrics

    Altmetric attention score

    Full text views

    Total number of HTML views: 0
    Total number of PDF views: 0 *
    Loading metrics...

    Book summary page views

    Total views: 0 *
    Loading metrics...

    * Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

    Usage data cannot currently be displayed.

    Accessibility standard: Unknown

    Why this information is here

    This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.

    Accessibility Information

    Accessibility compliance for the HTML of this book is currently unknown and may be updated in the future.