The Brecht Yearbook / Das Brecht-Jahrbuch 44

doi:10.1017/9781800101296

Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.

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Contents

Frontmatter
pp i-iv
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Officers of the International Brecht Society
pp v-vi
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Contents
pp vii-viii
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Editorial
pp ix-xi
- By Markus Wessendorf
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List of Abbreviations
pp xii-xii
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Brecht, Günter Kunert, and Edgar Lee Masters
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Brecht–Masters–Kunert
pp 1-4
- By Gerrit-Jan Berendse
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Übersetzung von Edgar Lee Masters’ “The Hill” aus der Spoon River Anthology mit Brechts handschriftlichen Korrekturen
pp 5-13
- By Günter Kunert
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Brecht’s Dramatic Fragments
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Fragments for a Dialectic of Resistance: Fatzer, Keuner, and the Revolution
pp 14-37
- By André Fischer
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In the Stockyards of Finance: Brecht’s Aesthetics of Fragmentation in Fleischhacker
pp 38-59
- By Phoebe von Held
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The David Fragments in Performance
pp 60-80
- By Nicholas E. Johnson, David Shepherd
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Pure Joke: The Comedy of Theater since Brecht
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Introduction: Pure Joke
pp 81-83
- By Christian Kirchmeier, Katrin Trüstedt
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“. . . All Questions Remain Open”: On the Epilogue of The Good Person of Szechwan and Bertolt Brecht’s Poetics of Interpretation
pp 84-101
- By Christian Kirchmeier
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Affirmation and Alienation: The Comedy of Heiner Müller’s Hamletmaschine
pp 102-121
- By Katrin Trüstedt
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Early Modern Characters in the Late Modern Age: On the Return of the “Chorus of Comedy” in Contemporary Performance Practices after Brecht
pp 122-137
- By Nikolaus Müller-Schöll
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Reiner Spaß? Komödie als Real-Satire
pp 138-157
- By Uwe Wirth
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New Brecht Research
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Die Schulden des Herrn Julius Caesar: Brechts Historie der Kreditökonomie
pp 158-177
- By Burkhardt Wolf
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Post-Communist Irony: Bertolt Brecht’s Mr. Keuner in Heiner Müller’s Interviews
pp 178-201
- By Stephan Pabst
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Di dray groschn opere: Bertolt Brecht on the Yiddish Stage
pp 202-221
- By Corina L. Petrescu
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Brechts Rezeption Mao Tse-tungs in zwei Gedichten
pp 222-240
- By Xue Song
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Book Reviews
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Ela E. Gezen. Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960
pp 241-245
- By Vera Stegmann
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Marvin Carlson. Shattering Hamlet’s Mirror: Theatre and Reality
pp 245-248
- By Ramona Mosse
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Anna Teresa Scheer. Christoph Schlingensief: Staging Chaos, Performing Politics and Theatrical Phantasmagoria
pp 249-254
- By Michael Eggers
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Erdmut Wizisla (Hrsg.). Benjamin und Brecht: Denken in Extremen
pp 254-257
- By Christoph Hesse
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Günther Heeg (Hrsg.). Recycling Brecht: Materialwert, Nachleben, Überleben
pp 257-260
- By Kristopher Imbrigotta
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Matt Cornish. Performing Unification: History and Nation in German Theater after 1989
pp 261-264
- By Misha Hada
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