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  3. Chromatic Transformations in Nineteenth-Century Music
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  • Publisher:
    Cambridge University Press
    Publication date:
    22 September 2009
    31 October 2002
    ISBN:
    9780511481932
    9780521028493
    DOI:
    https://doi.org/10.1017/CBO9780511481932
    Dimensions:
    Weight & Pages:
    Dimensions:
    (247 x 174 mm)
    Weight & Pages:
    0.465kg, 292 Pages
    • Subjects:
    Music, Music: General Interest, Nineteenth-Century Music
    Series:
    Cambridge Studies in Music Theory and Analysis (17)
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    Subjects:
    Music, Music: General Interest, Nineteenth-Century Music
    Series:
    Cambridge Studies in Music Theory and Analysis (17)
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    Book description

    David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.

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