The contributors to this timely volume explore the philosophical underpinnings and cinematic techniques characteristic of contemporary Iranian film. Collectively, they demonstrate how the pervasive themes of Iranian cinema 'such as martyrdom and war, traditional gender roles and their recent subversion, as well as broader social policy issues' have been addressed and how various directors, including the acclaimed Abbas Kiarostami, have approached them using a variety of techniques. Capturing the unique poetic and mystical dimensions of Iranian cinema, these essays consider the effects of the Islamic Revolution on cinema's ethical and aesthetic aspects.
Loading metrics...
* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.
Usage data cannot currently be displayed.
This section outlines the accessibility features of this content - including support for screen readers, full keyboard navigation and high-contrast display options. This may not be relevant for you.
Accessibility compliance for the PDF of this book is currently unknown and may be updated in the future.