Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film

This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

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Contents

Frontmatter
pp i-iv
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Dedication
pp v-vi
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Contents
pp vii-viii
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Acknowledgements
pp ix-ix
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List of Contributors
pp x-xii
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Preface
pp xiii-xvi
- By Stephanie Dennison, University of Leeds
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1 - National, Transnational and Post-national: Issues in Contemporary Film-making in the Hispanic World
pp 1-24
- By Stephanie Dennison, University of Leeds
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2 - Redefining Transnational Cinemas: A Transdisciplinary Perspective
pp 25-46
- By Libia Villazana, University of London
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3 - Deconstructing and Reconstructing ‘Transnational Cinema’
pp 47-66
- By Deborah Shaw, University of Portsmouth
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4 - Ibero-Latin American Co-productions: Transnational Cinema, Spain's Public Relations Venture or Both?
pp 67-88
- By Tamara L. Falicov, University of Kansas
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5 - Building Latin American Cinema in Europe: Cine en Construcción/Cinéma en construction
pp 89-112
- By Nuria Triana Toribio, University of Kent
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6 - Pedro Almodóvar's Latin American ‘Business’
pp 113-136
- By Marvin D'lugo, Clark University
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7 - Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez
pp 137-154
- By Sarah Barrow, University of Lincoln
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8 - The Silenced Screen: Fostering a Film Industry in Paraguay
pp 155-180
- By Catherine Leen, University of Ireland
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9 - Finance and Co-productions in Brazil
pp 181-204
- By Alessandra Meleiro, University of São
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Afterword
pp 205-206
- By Stephanie Dennison, University of Leeds
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Works Cited
pp 207-226
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Index
pp 227-244
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Contemporary Hispanic Cinema

Interrogating the Transnational in Spanish and Latin American Film

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

Acknowledgements
pp ix-ix

List of Contributors
pp x-xii

Preface
pp xiii-xvi

1 - National, Transnational and Post-national: Issues in Contemporary Film-making in the Hispanic World
pp 1-24

2 - Redefining Transnational Cinemas: A Transdisciplinary Perspective
pp 25-46

3 - Deconstructing and Reconstructing ‘Transnational Cinema’
pp 47-66

4 - Ibero-Latin American Co-productions: Transnational Cinema, Spain's Public Relations Venture or Both?
pp 67-88

5 - Building Latin American Cinema in Europe: Cine en Construcción/Cinéma en construction
pp 89-112

6 - Pedro Almodóvar's Latin American ‘Business’
pp 113-136

7 - Transnational Film Financing and Contemporary Peruvian Cinema: The Case of Josué Méndez
pp 137-154

8 - The Silenced Screen: Fostering a Film Industry in Paraguay
pp 155-180

9 - Finance and Co-productions in Brazil
pp 181-204

Afterword
pp 205-206

Works Cited
pp 207-226

Index
pp 227-244

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Contemporary Hispanic Cinema

Interrogating the Transnational in Spanish and Latin American Film

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