Dante: The Divine Comedy

Robin Kirkpatrick

doi:10.1017/CBO9780511804731

In this accessible critical introduction to Dante's Divine Comedy Robin Kirkpatrick principally focuses on Dante as a poet and storyteller. He addresses important questions such as Dante's attitude towards Virgil, and demonstrates how an early work such as the Vita nuova is a principal source of the literary achievement of the Comedy. His detailed reading reveals how the great narrative poem explores the relationship that Dante believed to exist between God as creator of the universe and the human being as a creature of God. In addition, Kirkpatrick takes due account of the historical and philosophical dimensions of the poem.

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Dante: The Divine Comedy

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Frontmatter
pp i-vi

Contents
pp vii-vii

Acknowledgements
pp viii-viii

List of abbreviations
pp ix-ix

Chronology
pp x-xii

1 - Approaches to The Divine Comedy
pp 1-20

2 - Change, vision and language: the early works and Inferno Canto Two
pp 21-54

3 - The Divine Comedy
pp 55-109

4 - After Dante
pp 110-114

Guide to further reading
pp 115-118

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