The Edinburgh Companion to Don DeLillo and the Arts

The Edinburgh Companion to Don DeLillo and the Arts is the first book to provide a comprehensive study of Don DeLillo's career-long engagements with the visual, literary, digital and televisual, performing, filmic, and spatial arts. Gathering original essays from a diverse range of international contributors, including established voices in DeLillo criticism and emerging experts, the volume forges new paths in the study of one of the greatest authors of the twentieth and twenty-first centuries.

Beginning with a section dedicated to experiential and political aesthetics in DeLillo's work, the Companion offers new perspectives on the forms and functions of the arts across DeLillo's entire oeuvre-from his first novel 'Americana', through his plays, essays, short stories, to his latest novel, 'The Silence'. This exciting Companion is a genuine intervention in DeLillo scholarship by offering an interdisciplinary examination of his work across forms, media, method, and theory.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vii
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List of Figures
pp viii-viii
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Acknowledgements
pp ix-ix
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Dedication
pp x-x
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Introduction - Ways of Seeing / Don DeLillo and the Arts
pp 1-22
- By Catherine Gander
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Part I - DeLillo and Aesthetics: Art as Experience
pp 23-24
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1 - A Tender Experience: Aesthetics of Death in DeLillo’s Fiction
pp 25-37
- By Peter Boxall
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2 - The Art of Feeling
pp 38-50
- By Alexandra Kingston-Reese
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3 - The Art of War
pp 51-64
- By Margaret Scanlan
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4 - The Art Encounter
pp 65-78
- By Jonathan Gibbs
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Part II - Visual Arts and Cultures
pp 79-80
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5 - Radiance and Repetition: DeLillo’s Icons
pp 81-93
- By Sarah Garland
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6 - L’objet trouvé and the Pressure of History: DeLillo’s Aesthetic of Found Things and the 1970s
pp 94-107
- By Tim Jelfs
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7 - DeLillo’s Photo Opportunity
pp 108-121
- By Monika Gehlawat
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8 - Where Have All the Writers Gone? Art and Vision in DeLillo’s Later Works
pp 122-134
- By Laura Barrett
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9 - DeLillo’s Landscapes
pp 135-148
- By Elise Martucci
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10 - DeLillo in Colour
pp 149-162
- By Brian Jarvis
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Part III - Literary Arts
pp 163-164
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11 - The Art of Editing
pp 165-178
- By Tim Groenland
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12 - Poetry
pp 179-194
- By Catherine Gander
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13 - Ekphrasis
pp 195-208
- By Graley Herren
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14 - Staged Events: Don DeLillo, the Short Story, Intellectuals and the Arts
pp 209-221
- By Henry Veggian
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15 - Joycean DeLillo
pp 222-234
- By Kiron Ward
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16 - DeLilloesque: DeLillo’s Cultural Impact
pp 235-248
- By Andrew Hoberek
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Part IV - Film, Screens and Technology
pp 249-250
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17 - DeLillo and the Cinematic Long Take
pp 251-263
- By David Hering
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18 - Thematic Equivalence and Ontological Ambivalence: Film Adaptations of the Works of Don DeLillo
pp 264-277
- By Cristina Garrigós
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19 - Video Art and the Elasticity of Duration
pp 278-289
- By Catherine Morley
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20 - Screen, Image and the Technological Sublime
pp 290-302
- By Joseph M. Conte
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