Ernest Bloch Studies - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Figures

pp vii-vii

Music Examples

pp viii-x

Contributors

pp xi-xiii

Foreword

pp xiv-xx

Chronology

pp xxi-xxv

Alphabetical List of Bloch’s Published and Unpublished Works

pp xxvi-xlvii

Bloch Resources: Recordings in the Age of the Internet

pp xlviii-liv

Introduction

pp 1-11

1 - From Geneva to New York: Radical Changes in Ernest Bloch’s View of Himself as a ‘Jewish Composer’ during his Twenties and Thirties

pp 12-19

2 - The ‘Suffering and Greatness’ of Ernest Bloch: Concepts of the Composer as Genius

pp 20-36

3 - Bloch, Wagner and Creativity: Refutation and Vindication

pp 37-60

Appendix A

pp 57-58

Appendix B

pp 59-60

4 - Sacred Service: the Mass Bloch Never Wrote, the Two That Leonard Bernstein Did Write, and Shulamit Ran’s Credo/Ani Ma’amin

pp 61-78

5 - Oregon Years: the Man and His Music

pp 79-101

6 - ‘The Future Alone Will Be the Judge’: Ernest Bloch’s Epic Journeys between Utopia and Dystopia

pp 102-120

7 - The Reception of Bloch’s Music in Palestine/Israel to 1948

pp 121-131

8 - Bloch’s Reception and His Standing in Israel since 1954

pp 132-149

9 - A Performance History of Bloch’s Opera Macbeth: Paris 1910–Manhattan 2014

pp 150-170

10 - King Solomon and the Baal Shem Tov: Traditional Elements in Bloch’s Musical Representation of Two Iconic Personalities from Jewish History

pp 171-205

11 - Postscript: the Legacy

pp 206-214

Select Bibliography

pp 215-242

Notes

pp 243-243

Index

pp 244-257