From the Idyll to the Novel: Karamzin's Sentimentalist Prose

Gitta Hammarberg

doi:10.1017/CBO9780511470400

Karamzin was the foremost Russian representative of the late eighteenth-century Sentimentalist movement. In this study, Gitta Hammarberg makes use of advances in literary theory (especially those based on the work of Bakhtin and Voloshinov) in order to develop a theory of Sentimentalist literature, which she applies to Karamzin's prose fiction. Professor Hammarberg situates Sentimentalism in its historical context, as a reflection of contemporary shifts in world view, a reaction against the neo classicist view of literature, and a vehicle for legitimizing prose fiction. She stresses the importance of the role of the author-reader in the structure of Sentimentalist texts, and relates this to the style and genres of these works. Through close readings of a representative selection of Karamzin's prose fiction, including works previously disregarded as trivial or frivolous, she shows the range of Sentimentalist fiction, its place in literary evolution, and ways in which it anticipates the Romantic movement and the modern Russian novel.

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From the Idyll to the Novel

Karamzin's Sentimentalist Prose

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Contents

Front Matter
pp i-vi

Contents
pp vii-viii

Preface and acknowledgments
pp ix-xi

Notes on the text
pp xii-xiv

1 - The literary and intellectual context
pp 1-14

2 - Theory of Sentimentalism
pp 15-43

3 - The literary model: the idyll
pp 44-92

4 - The extra-literary model: salon trifles
pp 93-127

5 - Serious Sentimental tales: narrator as narratee
pp 128-202

6 - Humorous Sentimental tales: narrator as parodist
pp 203-273

Notes
pp 274-309

Bibliography
pp 310-323

Index
pp 324-338

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From the Idyll to the Novel

Karamzin's Sentimentalist Prose

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