Henry James and Queer Modernity

Eric Haralson

doi:10.1017/CBO9780511485534

References

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Henry James and Queer Modernity

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Contents

Frontmatter
pp i-vi

Contents
pp vii-vii

Acknowledgments
pp viii-xi

List of abbreviations
pp xii-xiv

Introduction
pp 1-26

1 - Indiscreet anatomies and protogay aesthetes in Roderick Hudson and The Europeans
pp 27-53

2 - The elusive queerness of “queer comrades”: The Tragic Muse and “The Author of ‘Beltraffio’”
pp 54-78

3 - The Turn of the Screw, or: The Dispossessed Hearts of Little Gentlemen
pp 79-101

4 - Masculinity “changed and queer” in The Ambassadors
pp 102-133

5 - Gratifying “the eternal boy in us all”: Willa Cather, Henry James, and Oscar Wilde
pp 134-172

6 - “The other half is the man”: the queer modern triangle of Gertrude Stein, Ernest Hemingway, and Henry James
pp 173-204

Coda: “Nobody is alike Henry James.” Stein, James, and queer futurity
pp 205-213

Notes
pp 214-242

Bibliography
pp 243-258

Index
pp 259-265

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