Table of Contents

pp 5-6

Acknowledgements

pp 7-10

Introduction

pp 11-22

Part 1 - From Pre-Cinematic Culture to Trans-Cinema

pp 23-24

1 - Cartography of Catastrophe : Precolonial Surveys, Postcolonial Vampires and the Plight of Korean Modernity

pp 25-42

2 - The State of Fantasy in Emergency: Fantasmatic Others in South Korean Film

pp 43-58

3 - Modernity in Suspense: The Logic of Fetishism in Korean Cinema

pp 59-78

4 - “Do Not Include Me in Your ‘Us’” : Peppermint Candy and the Politics of Difference

pp 79-96

5 - “Cine-mania” or Cinephilia: Film Festivals and the Identity Question

pp 97-112

6 - The Birth of the Local Feminist Sphere in the Global Era : Yeoseongjang and “Trans-Cinema”

pp 113-134

Part 2 - Korean Cinema in a Trans-Asia Framework

pp 135-136

7 - Inter-Asia Comparative Framework : Postcolonial Film Historiography in Taiwan and South Korea

pp 137-158

8 - Postcolonial Genre as Contact Zone: Hwalkuk and Action Cinema

pp 159-174

9 - Geopolitical Fantasy : Continental (Manchurian) Action Movies during the Cold War Era

pp 175-188

10 - Anagram of Inter-Asian Korean Film: The Case of My Sassy Girl

pp 189-194

11 - Comparative Film Studies : Detour, Demon of Comparison and Dislocative Fantasy

pp 195-210

Index

pp 211-212