Medieval Clothing and Textiles 19

doi:10.1017/9781805437031

The best new research on medieval clothing and textiles, drawing from a range of disciplines.

The essays collected here continue to showcase the Journal's wide-ranging and eclectic tradition. The topics addressed are the sensory perceptions of textiles in Early Medieval Britain; evidence of the global textile trade as reflected in church facades in Lucca, Italy; the ways in which spinning and weaving in late medieval Cologne influenced the presentation of the cult of the Eleven Thousand Virgins within the city; sumptuary legislation in thirteenth-century Montauban, in the Occitan region of Southern France; visual representations of male underwear in northern European art; and the late sixteenth- and early seventeenth-century trade in knitted jersey stockings in Norwich and Yarmouth.

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Medieval Clothing and Textiles 19

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Contents

Frontmatter
pp i-iv

Contents
pp v-v

Illustrations
pp vi-viii

Tables
pp ix-ix

Contributors
pp x-xii

Preface
pp xiii-xvi

1 - Archaeological Textiles, Senses, Perception, and Use: How Sensory Perceptions Affected Textile Use in Early Medieval Britain (450–1100)
pp 1-27

2 - Reflecting a Woven Identity: The Global Textile Trade and Two Lucchese Church Facades
pp 28-56

3 - Clothing the City’s Martyrs: Weaving and Spinning in Late Medieval Cologne and Devotion to the Cult of the Eleven Thousand Virgins
pp 57-91

4 - The Detailed Lexicon of Ladies’ Apparel in Montauban’s Sumptuary Laws of 1275 and 1291
pp 92-135

5 - Semper Ubi Sub Ubi: Representations of Male Underwear in Northern European Art, 1140–1450
pp 136-163

6 - The Trade in Knitted Jersey Stockings, and Their Creation by Child Knitters in Norwich and Yarmouth Around 1600
pp 164-186

Recent Books of Interest
pp 187-194

Author Index, Volumes 1–18
pp 195-200

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Medieval Clothing and Textiles 19

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