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  3. Music in Germany since 1968
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  • Publisher:
    Cambridge University Press
    Publication date:
    05 July 2013
    18 July 2013
    ISBN:
    9781139034081
    9780521877596
    9781316641941
    DOI:
    https://doi.org/10.1017/CBO9781139034081
    Dimensions:
    (247 x 174 mm)
    Weight & Pages:
    0.7kg, 290 Pages
    Dimensions:
    (244 x 170 mm)
    Weight & Pages:
    0.52kg, 294 Pages
    • Subjects:
    Twentieth-Century and Contemporary Music, Music, Opera, Music Criticism
    Series:
    Music since 1900
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    • Selected: Digital
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    Subjects:
    Twentieth-Century and Contemporary Music, Music, Opera, Music Criticism
    Series:
    Music since 1900
    Information

    Book description

    Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

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    Contents

    Contents
    References

    Bibliography

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