Starting with the premise that clothing is political and that analysing clothing can enhance understanding of political style, this collection explores the relationships among political theory, dress, and self-presentation during a period in which imperial and colonial empires assumed their modern form. The book assembles an international slate of academics specialising in literary criticism and material culture, social and cultural history, and imperial history to document the role of clothing in forming political identities and in communicating social and political messages. It sheds light on the material basis of the political cultures of Britain and its colonies while offering timely connections to present-day issues and concerns. Organised under three thematic clusters, the chapters range from an analysis of the uniforms worn by the West India Regiments stationed in the Caribbean to the smock frock donned by rural English agricultural labourers, and from the self-presentations of Members of Parliament, political thinkers, and imperial administrators to the dress of characters and caricatures in novels, paintings, and political cartoons. Because politics was for much of the period on which this volume focuses a man’s affair, the predominant, although not exclusive, focus on men and masculinity – an underrepresented area in scholarship on fashion and style – is a distinguishing characteristic of this work.
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