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  3. Proust, the Body and Literary Form
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 November 2009
      25 March 1999
      ISBN:
      9780511485756
      9780521641890
      9780521027540
      DOI:
      https://doi.org/10.1017/CBO9780511485756
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.5kg, 226 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.354kg, 228 Pages
      • Subjects:
      Literature, Area Studies, Literary Theory, European Literature, European Studies
      Series:
      Cambridge Studies in French (59)
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    • Selected: Digital
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    Subjects:
    Literature, Area Studies, Literary Theory, European Literature, European Studies
    Series:
    Cambridge Studies in French (59)
    Information

    Book description

    This 1999 study examines the connections between Proust's fin-de-siècle 'nervousness' and his apprehensions regarding literary form. Michael Finn shows that Proust's anxieties both about bodily weakness and about novel-writing were fed by a set of intriguing psychological and medical texts, and were mirrored in the nerve-based afflictions of earlier writers including Flaubert, Baudelaire, Nerval and the Goncourt brothers. Finn argues that once Proust cast off his concerns about being a nervous weakling he was freed to poke fun both at the supposed purity of the novel form. Hysteria - as a figure and as a theme - becomes a key to the Proustian narrative, and a certain kind of wordless, bodily copying of gesture and event is revealed to be at the heart of a writing technique which undermines many of the conventions of fiction.

    Reviews

    ‘Finn has given us a splendid book.’

    Source: Nineteenth-Century French Studies

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