Books, Dissertations and Articles
Abadie, L., ‘Anne de La Barre (1628–1688): biographie d’une chanteuse de cour’, Revue de Musicologie, 94 (2008), 5–44
Allen, D., ‘The Political Function of Charles II’s Chiffinch’, Huntington Library Quarterly, 39 (1976), 277–90
Arkell, T., ‘Interpreting Probate Inventories’, in Arkell, et al., eds., When Death Do Us Part: Understanding and Interpreting the Probate Records of Early Modern England (Oxford, 2000), 72–102
Arnold-Forster, M., Basset Down: An Old County House (London, 1949)
Austern, L. P., ‘“Alluring the Auditorie to Effeminacie”: Music and the Idea of the Feminine in Early Modern England’, M&L, 74 (1993), 343–54
Bailey, C., ‘“Blurring the Lines”: Elizabeth Rogers Hir Virginall Book’ in Context’, M&L, 89 (2008), 510–46
Bane, M. A., ‘Honnêtes gens, Amateur Musicianship, and the “Easy Air” in France: The Case of Francesco Corbetta’s Royal Guitars’, Journal of Seventeenth Century Music, 20 (2014), unpaginated online journal available at http://sscm-jscm.org/jscm-issues/volume-20-no-1/ Barber, S., Harris, S. and Sayce, L., ‘Five-Course Guitars’, in Milnes, J., ed., Musical Instruments in the Ashmolean Museum (Berkhamstead, 2011), 276–315
Barrett-Lennard, T., An Account of the Families of Lennard and Barrett (printed for private circulation, 1908)
Baux, J., Nobiliaire du département de l’Ain (Bourg-en-Bresse, 1862)
Berlioz, H., Grand traité d’instrumentation et d’orchestration, new edn (Paris, 1860)
Blome, A., ‘Offices of Intelligence and Expanding Social Spaces’, in Dooley, B., ed., The Dissemination of News and the Emergence of Contemporaneity in Early Modern Europe (Farnham, 2010), 207–22
Boetticher, W., Handschriftliche uberlieferte Lauten- und Gitarrentablaturen des 15. bis 18. Jahhunderts, RISM Bvii (Munich, 1978)
Botica, A. R., ‘Audience, Playhouse and Play in Restoration Theatre, 1660–1710’, unpublished doctoral dissertation, University of Oxford (1985)
Boye, G., ‘Performing Seventeenth-Century Italian Guitar Music: The Question of an Appropriate Stringing’, in Coelho, V. A., ed., Performance on Lute, Guitar and Vihuela: Historical Practice and Modern Interpretation (Cambridge, 1997), 180–94
Braybrooke, R., ed., Memoirs of Samuel Pepys (London, 1825)
Breashears, C., ‘The Female Appeal Memoir: Genre and Female Literary Tradition in Eighteenth-Century England’, Modern Philology, 107 (2010), 607–31
Brenet, M., ‘La librairie musicale en France de 1653 à 1790, d’après les Registres de privilèges’, Sammelbände der Internationalen Musikgesellschaft, 8 (1907),401–66
Bridge, F., Samuel Pepys, Lover of Musique (London, 1903)
Britland, K., Drama at the Courts of Queen Henrietta Maria (Cambridge, 2006)
Broad, J., ‘Gentry Finances and the Civil War: The Case of the Buckinghamshire Verneys’, The Economic History Review, 32 (1979), 183–200
Broad, J., Transforming English Rural Society: The Verneys and the Claydons, 1600–1820 (Cambridge, 2004)
Brotton, J., The Sale of the Late King’s Goods (London, 2007)
Brown, E. C. D., ‘Announcement regarding the “Princess An Lutebook”’, Lute Society of America Quarterly, 43 (September 2008), 38
Brown, H. M., Instrumental Music Printed before 1600: A Bibliography (Cambridge, MA, 1965)
Brown, M., ‘The Myth of Antonio Foscarini’s Exoneration’, Renaissance and Reformation, 37 (2001), 26–42
Burden, M., ‘Where Did Purcell Keep His Theatre Band?’, EM, 37, (2009), 429–43
Burrows, D. ‘Who Does What When? On the Instrumentation of the Basso Continuo and the Use of the Organ in Handel’s English Oratorios’, in Vickers, D., ed., Handel (Farnham, 2011), 553–72
Burrows, D. and Dunhill, R., eds., Music and Theatre in Handel’s World: The Family Papers of James Harris, 1732–1780 (Oxford, 2002)
Bush-Bailey, G., Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage (Manchester, 2006)
Buttrey, J., ‘New Light on Robert Cambert in London and his Ballet et Musique’, EM, 23 (1995), 198–220
Campo Tejdor, A. del, and Cáceres Feria, R., ‘Tocar a lo barbero: La guitarra, la música popular y el barbero en el siglo XVII’, Boletín de Literatura Oral, 3 (2013), 9–47
Canova-Green, M.-C., La Politique-spectacle au grand siècle (Paris, 1993)
Casey, M. E., ‘The Fop – “Apes and Echoes of Men”: Gentlemanly Ideals and the Restoration’, in Janik, V. K., ed., Fools and Jesters in Literature, Art, and History (Westport, 1988), 207–14
Casey, M. E., Catalogue of the Valuable Contents of Tythrop House, Thame, Oxfordshire (London, Sotheby and Co., 1933)
Cauchie, M., Documents pour servir à l’histoire littéraire du XVIIe siècle (Paris, 1924)
Chalmers, H., Royalist Women Writers 1650–1689 (Oxford, 2004)
Chan, M. and Kassler, J. C., Roger North’s The musicall grammarian and Theory of sounds (Kensington, NSW, 1988)
Chaney, E., The Grand Tour and the Great Rebellion (Geneva, 1985)
Chaney, E. and Wilks, T., The Jacobean Grand Tour: Early Stuart Travellers in Europe (London, 2014)
Charlton, K., Women, Religion and Education in Early Modern England (London, 1999)
Charteris, R., Alfonso Ferrabosco the Elder (1543–1588): A Thematic Catalogue of His Music, with a Biographical Calendar (New York, 1984)
Cholij, I. B., ‘Music in Eighteenth-Century London Shakespeare Productions’, unpublished doctoral dissertation, King’s College, University of London (1995)
Christinsen, T., ‘The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory’, Journal of Music Theory, 36 (1992), 1–42
Clark, R., Anthony Hamilton (New York, 1921)
Coelho, V. A., ed., Performance on Lute, Guitar and Vihuela (Cambridge, 1997)
Cohen, M., ‘The Grand Tour: Constructing the English Gentleman in Eighteenth-Century France’, History of Education, 21 (1992), 241–57
Colvin, H. M. ed., The History of the King’s Works, 7 vols. (London, 1963–82)
Congleton, J., ‘The False Consonances of Musick: Nicola Matteis’s “Instructions for playing a true base upon the guitarre”’, EM, 9 (1981), 463–9
Corcoran, K. A., ‘The Guitar Anthology of Henry François de Gallot (1661): A Preliminary Study’, unpublished master’s dissertation, University of Arizona (1988)
Cox, M. H. and Forrest, G. Topham, eds., Survey of London: 14, St Margaret, Westminster, Part III: Whitehall II (London, 1931)
Cressy, D., England on the Edge: Crisis and Revolution 1640–1642 (Oxford, 2006)
Croft, P. C., King James I (London, 2003)
Cunningham, J., The Consort Music of William Lawes 1602–1645 (Woodbridge, 2010)
Cunningham, J., ‘A Meeting of Amateur and Professional: Playford’s “Compendious Collection” of Two-Part Airs, Court-Ayres (1655)’, in Herissone, R., ed., Concepts of Creativity in Seventeenth-Century England (Woodbridge, 2013), 201–32
Curle, B. and Meara, P., An Historical Atlas of Chelsea (London, 1971)
Danner, P., ‘Giovani Paolo Foscarini and His “Nuova Inventione”’, JLSA, 7 (1974), 4–18
Davidson, M., ‘Samuel Pepys and the Viol’, Journal of the Viola da Gamba Society of America, 42 (2005), 5–18
Dawson, M. S. ‘Histories and Texts: Refiguring the Diary of Samuel Pepys’, The Historical Journal, 43 (2000), 407–31
Dean, A., ‘“Ecco l’alma mia bella”: Alfabeto and Oral Practices in Seventeenth-Century Italian Song’, Recercare, 22 (2010), 81–109
Dean, A., ‘The Five-Course Guitar and Seventeenth-Century Harmony: Alfabeto and Italian Song’, unpublished doctoral dissertation, University of Rochester (2009)
Dean, A., ‘Strumming in the Void: A New Look at the Guitar and Rhythm in Early 17th-Century Canzonettas’, EM, 42 (2014), 55–72
Dean, W., ‘An Unrecognized Handel Singer: Carlo Arrigoni’, Musical Times, 118 (1977), 556–8
Devoto, D., ‘La folle Sarabande’, Revue de Musicologie, 45 (1960), 3–43
Devoto, D. and Escudero, J. C., ‘La méthode pour la guitare de Luis Briceño’, Revue de Musicologie, 51 (1965), 131–48
Diack Johnstone, H., ‘Ayres and Arias: A Hitherto Unknown Seventeenth-Century English Songbook’, EMH, 16 (1997), 167–201
Doughty, R. A., ‘Industrial Prices and Inflation in Southern England, 1401–1640’, Exploration in Economic History, 12 (1975), 177–92
Dubois, P., Music in the Georgian Novel (Cambridge, 2015)
Duggan, D., ‘The Fourth Side of Covent Garden Piazza: New Light on the History and Significance of Bedford House’, British Art Journal, III/3 (2002), 53–65
Earle, P., ‘The Female Labour Market in London in the Late Seventeenth and Early Eighteenth Centuries’, The Economic History Review, 42 (1989), 328–53
Eeghen, I. H. van, De Amsterdamse bockhandel, 1680–1725, 5 vols. (Amsterdam, 1960–78)
Eisenhardt, L., ‘Baroque Guitar Accompaniment: Where Is the Bass?’, EM, 42 (2014), 73–84
Eisenhardt, L., ‘Bourdons as Usual’, The Lute, 47 (2007), 1–37
Eisenhardt, L., ‘Dissonance and Battuto: A Hidden Practice in the Performance of Seventeenth-Century Guitar Music?’, The Lute, 47 (2007), 38–87
Eisenhardt, L., Italian Guitar Music of the Seventeenth Century: Battuto and Pizzicato (Woodbridge 2015)
Emslie, M., ‘Pepys’s Songs and Songbooks in the Diary Period’, The Library, 5th Ser. 12 (1957), 240–55
Ennis, D. J. and Slagle, J. B., eds., Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage (Newark, 2007)
Escudero, J. and Devoto, D., ‘La méthode pour la guitare de Luis Briceño’, Revue de Musicologie, 51 (1965), 131–48
Esses, M., Dance and Instrumental Diferencias in Spain during the 17th and Early 18th centuries, 3 vols. (Stuyvesant, 1992 and 1994)
Estabrook, C. B., Urbane and Rustic England: Cultural Ties and Social Spheres in the Provinces, 1660–1780 (Manchester, 1998)
Esterly, D., Grinling Gibbons and the Art of Carving (London, 1998)
Evans, W., ‘Henry Lawes and Charles Cotton’, PMLA, 53(1938), 724–9
Evans, W., Henry Lawes, Musician and Friend of Poets (New York, 1941)
Fisher, F. L., ‘The Development of London as a Centre of Conspicuous Consumption in the Sixteenth and Seventeenth Centuries’, Transactions of the Royal Historical Society, 30 (1948), 37–50
Fleming, M., ‘An “Old Violl” and “Other Lumber”: Musical Remains in Provincial, Non-Noble England c. 1580–1660’, GSJ, 58 (2005), 89–99
Fleming, M., ‘Instrument-Makers Named Hill and Hunt in Pepys’s London’, GSJ, 55 (2002), 382–5
Fleming, M., ‘John Rose’, entry in Milnes, J., ed., Musical Instruments in the Ashmolean Museum (Berkhamstead, 2011)
Fleming, M., ‘Some Points Arising from a Survey of Wills and Inventories’, GSJ, 53 (2000), 301–11
Fleming, M., Viol-Making in England c.1580–1660, published by the author (Oxford, 2002)
Fletcher, A., Gender, Sex and Subordination in England 1500–1800 (New Haven and London, 1995)
Foister, S., ‘Paintings and Other Works of Art in Sixteenth-Century English Inventories’, The Burlington Magazine (May 1981), 273–82
Fontijn, C. A., Desperate Measures: The Life and Music of Antonia Padoani Bembo (Oxford, 2006)
Froide, A. M., Never Married: Singlewomen in Early Modern England (Oxford, 2007)
Garnsey, S., ‘The Use of Hand-Plucked Instruments in the Continuo Body: Nicola Matteis’, M&L, 47 (1966), 135–40
Garrard, R., ‘English Probate Inventories and Their Use in Studying the Significance of the Domestic Interior, 1570-I700’, in Van der Woude, A. and Schuurman, A., eds., Probate Inventories: A New Source for the Historical Study of Wealth, Material Culture and Agricultural Development (Utrecht, 1980), 55–81
Gavito, C. M., ‘The Alfabeto Song in Print: 1610–c. 1665: Neapolitan Roots, Roman Codification and Il Gusto Populare’, unpublished doctoral dissertation, University of Texas at Austin (2006)
Gétreau, F., ‘“J’avais déjà passé près d’un jour sans la voir”: un portrait inédit d’Henriette-Anne d’Angleterre en musicienne’, in Reynaud, C. and Schneider, H., eds., Noter, annoter, éditer la musique: mélanges offerts à Catherine Massip (Geneva, 2012), 31–55
Gétreau, F., ‘Recent Research about the Voboam Family and Their Guitars’, JAMIS, 31 (2005), 5–66
Gill, D., ‘The de Gallot Guitar Books’, EM, 6 (1978), 79–87
Gill, D., Gut-Strung Plucked Instruments Contemporary with the Lute (Guildford, 1976)
Gill, D., ‘James Talbot’s Manuscript (Christ Church Library Music MS 1187), v, Plucked Strings: The Wire-Strung Fretted Instruments and the Guitar’, GSJ, 15 (1962), 60–9
Gill, D., ‘The Orpharion and Bandora’, GSJ, 13 (1960), 14–25
Gill, D., ‘The Seventeenth-Century Gittern and the Englisch Zitterlein’, LSJ, 35 (1995), 76–86
Gill, D., ‘Vihuelas, Violas and the Spanish Guitar’, EM, 9 (1981), 455–62
Gill, D., Wire-Strung Plucked Instruments Contemporary with the Lute (Guildford, 1977)
Girdham, J., ‘The Flageolet Player: The Ultimate Amateur Musician’, EM, 30 (2002), 397–409
Glorieux, G., ‘L’Angleterre et Watteau au XVIIIe siècle: La réception de la fête galante par les amateurs anglais’, BAJ, vii/2 (2006), 50–74
Goldie, M., ‘Roger l’Estrange’s Observator and the Exorcism of the Plot’, in Dunan-Page, A. and Lynch, B., eds., Roger L’Estrange and the Making of Restoration Culture (Aldershot, 2008), 67–88
Goulet, A.-M., Poésie, musique et sociabilité au XVIIe siècle: les livres d’airs de différents auteurs publiés chez Ballard de 1658 a 1694 (Paris, 2004)
Goy, P.-F., ‘Luth et guitare dans le journal et la correspondance (1631–1636) de Bullen Reymes’, Luths et luthistes en Occident (Paris, 1999), 185–200
Gragg, L., Englishmen Transplanted: The English Colonization of Barbados 1627–1660 (Oxford, 2003)
Griffey, E., Henrietta Maria and the Materials of Magnificence at the Stuart Court (New Haven, 2015)
Griffiths, A., The Print in Stuart Britain, 1603–1689 (London, 1998)
Griffiths, J., ‘Strategies for the Recovery of Guitar Music of the Early Seventeenth Century’, in Veneziano, , ed., Rime e suoni, 59–81
De Groot, J., ‘Space, Patronage, Procedure: The Court at Oxford, 1642–46’, EHR, 117 (2002), 1204–27
Gulston, J., ‘List of Pictures at Holme Lacy, Co. Hereford, Taken by Joseph Gulston Esq., in 1785’, The Gentleman’s Magazine, 95/2 (1825), 134–5
Gwynn, R., Huguenot Heritage: The History and Contribution of the Huguenots in Britain, 2nd edn (Brighton, 2001)
Gwynn, R., The Huguenots in Later Stuart Britain. i: Crisis, Renewal and the Ministers’ Dilemma (Brighton, 2015)
Hall, M., Baroque Guitar Stringing: A Survey of the Evidence (Guildford, 2003)
Hall, M., ‘The Chittarra Atiorbata and the Guittare Theorbée: A Reapprasial’, EM, 39 (2011), 25–34
Hall, M., ‘Dissonance in the Guitar Music of Francesco Corbetta’, The Lute, 47 (2007),55–80
Hall, M., ‘A Few More Observations on Baroque Guitar Stringing’, The Lute, 48 (2008), 71–82
Hall, M. ‘Francesco Corbetta: A Biography’, The Lute, 53 (2013), 18–48
Hall, M., ‘Francesco Corbetta and Piracy’, Lute News, 80 (December, 2006), 18–23 reworked and enlarged as idem, ‘Plagio, pirateria y los libros perdidos de guitarra de Francesco Corbetta’, Hispanica Lyra, 17 (2013), 7–17
Hall, M., ‘The Guitarra española of Joan Carles Amat’, EM, 6 (1978), 362–73
Hall, M., ‘Princess An’s Lute Book and Related English Sources of Music for the 5-Course Guitar’, The Consort, 66 (2010), 18–34
Hall, M., ‘Recovering a Lost Book of Guitar Music by Corbetta’, The Consort, 61 (2005), 43–58
Hall, M. and Yakeley, M. J., ‘El estilo castellano y el estilo catalan: An Introduction to Spanish Guitar Chord Notation’, Lute, 35 (1995), 28–61
Harding, V., ‘City, Capital and Metropolis: The Changing Shape of Seventeenth Century London’, in Merritt, , ed., Imagining Early Modern London, 117–43
Harris, E. T., Henry Purcell’s Dido and Aeneas (Oxford, 1989)
Harris, M., ‘Timely Notices: The Uses of Advertising and Its Relationship to News during the Late Seventeenth Century’, in Raymond, J., ed., News, Newspapers and Society in Early Modern Britain (London, 1999), 141–56
Haskell, F., The King’s Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers (New Haven, 2013)
Hawkins, J., A General History of the Science and Practice of Music, 5 vols. (London, 1776)
Heal, F., The Power of Gifts: Gift-exchange in Early Modern England (Oxford, 2014)
Hebbert, B. M., ‘A New Portrait of Nicholas Lanier’, EM, 38 (2010), 509–22
Heilman, R. B., ‘Some Fops and Some Versions of Foppery’, ELH, 49 (1982), 363–95
Herbert, A. E., ‘Gender and the Spa: Space, Sociability and Self at British Health Spas 1640–1714’, Journal of Social History, 43 (2009), 361–83
Herissone, R., ‘Playford, Purcell, and the Functions of Music Publishing in Restoration England’, JAMS, 63 (2010), 243–90
Herissone, R., Music Theory in Seventeenth-Century England (Oxford, 2000)
Herreid, G., ‘Reconstructing Spanish Songs from the Time of Cervantes’, Early Music America, 18 (2012), 29–33
Highfill, P. H. et al., eds., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660–1800, 16 vols. (Carbondale, 1973–93)
Hill, J. W., ‘L’accompagnamento rasgueado di chitarra: un possibile modello per il basso continuo dello stile recitativo?’, in Veneziano, , ed., Rime e suoni, 35–57
Holland, P., The Ornament of Action: Text and Performance in Renaissance Comedy (Cambridge, 1979)
Holman, P., ‘Continuity and Change in English Bass Viol Music: The Case of Fitzwilliam Mu. MS 647’, Viola da Gamba Society Journal, 1 (2007), 20–50
Holman, P., Four and Twenty Fiddlers: The Violin at the English Court, 1540–1690 (Oxford, 1993)
Holman, P., Henry Purcell (Oxford, 1994)
Holman, P., Life after Death: The Viola da Gamba in Britain from Purcell to Dolmetsch (Woodbridge, 2013)
Holman, P., ‘The Lute Family in Britain in the Eighteenth and Nineteenth Centuries’, Lute News, 84 (2007), 7–21
Holman, P., ‘Purcell’s Orchestra’, The Musical Times, 137 (1996), 17–23
Holman, P., Review of Harris, E. T., ed., Dido and Aeneas, M&L, 71 (1990), 617–20
Howard, J. E., ‘Dancing Masters and the Production of Cosmopolitan Bodies in Carline Town Comedy’, in Zucker, A. and Farmer, A. B., eds., Localizing Caroline Drama: Politics and Ecnomics of the Early Modern English Stage, 1625–1642 (New York, 2006), 183–211
Howard, M., ‘Inventories, Surveys and the History of Great Houses 1480–1640’, Architectural History, 41 (1998), 14–29
Hudson, R., ‘Chordal Aspects of the Italian Dance Style 1500–1650’, JLSA, 3 (1970), 35–52
Hudson, R., The Folia, the Saraband, the Passacaglia, and the Chaconne: The Historical Evolution of Four Forms that Originated in Music for the Five-Course Spanish Guitar, 4 vols., American Institute of Musicology, Musicological Studies and Documents, 35 (Neuhausen-Stuttgart, 1982)
Hudson, R., ‘Further Remarks on the Passacaglia and Ciaconna’, JAMS, 23 (1970), 302–14
Hudson, R., ‘The Music in Italian Tablatures for the Five-Course Spanish Guitar’, JLSA, 4 (1971), 21–42
Hudson, R., ‘The “Zarabanda” and “Zarabanda Francese” in Italian Guitar Music of the Early 17th Century’, Musica Disciplina, 24 (1970), 125–49
Hughes, A., Gender and the English Revolution (London, 2012)
Huguet, E. Dictionnaire de la langue française du seizième siècle, 7 vols. (Paris, 1925–67)
Hume, R. D., ‘The Economics of Culture in London, 1660–1740’, Huntington Library Quarterly, 69 (2006), 487–533
Husselby, J. and Henderson, P., ‘Location, Location, Location! Cecil House in the Strand’, Architectural History, 45 (2002), 159–93
Hutton, R., Charles the Second: King of England, Scotland, and Ireland (Oxford, 1989)
Hutton, R., Debates in Stuart History (Basingstoke, 2004)
Huws Jones, Edward, ‘“To Sing and Play to the Bass Viol Alone”: The Bass Viol in English 17th Century Song’, LSJ, 16 (1975), 17–23
Jackson, C., Charles II: The Star King (London, 2016)
Jarvis, R. C., ‘Books of Rates’, Journal of the Society of Archivists, 5 (1977), 515–26
Jones, S. K., ‘The Legacy of the “Stupendious” Nicola Matteis’, EM, 29 (2001), 553–68
Jones, S. K., ‘The “Stupendious” Nicola Matteis: An Exploration of his Life, His Works for the Violin and His Performing Style’, unpublished doctoral dissertation, 3 vols., University of York (2004)
Jürgens, M., Documents du Minutier central concernant l’histoire de la musique (1600–1650), 2 vols. (Paris, 1967 and 1974)
Jusserand, J. J., A French Ambassador at the Court of Charles the Second (London, 1892)
Kaufman, H. A., Conscientious Cavalier: Colonel Bullen Reymes, M. P., F. R. S., 1613–1672, the Man and His Times (London, 1962)
Keay, A., ‘The Ceremonies of Charles II’s Court’, unpublished doctoral dissertation, Queen Mary University of London (2004)
Keay, A., The Last Royal Rebel: The Life and Death of James, Duke of Monmouth (London, 2016)
Keay, A., The Magnificent Monarch: Charles II and the Ceremonies of Power (London, 2008)
Keeble, N. H., ‘Bunyan’s King’, Bunyan Studies, 19 (2015), 12–29
Keeble, N. H., The Restoration: England in the 1660s (Oxford, 2002)
Keith, R., ‘The Guitar Cult in the Courts of Louis XIV and Charles II’, Guitar Review, 26 (1962), 3–9
Keith, R., ‘“La Guitarre Royalle”: A Study of the Career and Compositions of Francesco Corbetta’, Recherches sur la musique française classique, 6 (1966), 73–93
Kerman, J., ‘An Italian Musician in England, 1562–78’, Revista de Musicología, 16/1, Del XV Congreso de la Sociedad Internacionalde Musicología: Culturas Musicales Del Mediterráneo y sus Ramificaciones I (1993), 561–73
Kerslake, J. ‘Mercier at Upton’, Burlington Magazine, 118 (1976), 770–3
Keynes, G., ed., The Works of Sir Thomas. Browne, 4 vols. (London, 1964)
Knights, M., ‘Samuel Pepys and Corruption’, Parliamentary History, 33 (2014), 19–35
Knowles, J., ‘“Songs of Baser Alloy”: Jonson’s Gypsies Metamorphosed and the Circulation of Manuscript Libels’, Huntington Library Quarterly, 69 (2006), 153–76
Koch, P., ‘Trajectoire européenne d’une oeuvre sans passeport: les “Fragments de la vie du comte de Gramont”, in Crapulli, G., ed., Trasmissione dei testi a stampa nel periodo moderno (Rome, 1987), 207–54
Koster, J., ‘The Diary of Samuel Pepys and the NMM’s Recently Acquired Spinet by Charles Haward, London, 1689’, National Music Museum Newsletter, 31 (2004), 4–5
Kyropoulos, D., ‘The Imperfect Harmony of the Baroque Guitar’, unpublished master’s dissertation, University of Cambridge (2014)
LaMay, T., ed., Musical Voices of Early Modern Women (Aldershot, 2005)
Lasocki, D., ‘The Recorder and Its Music at the Jacobite Courts in England and France, 1685–1712’, The American Recorder, 55 (2014), 15–30
Lee, M. Jr, The Heiresses of Buccleuch (East Linton, 1996)
Leech, P., ‘Music and Musicians in the Catholic Chapel of James II at Whitehall, 1686–1688’, EM, 39 (2011), 379–400
Leech, P., ‘Musicians in the Catholic Chapel of Catherine of Braganza, 1662–92’, EM, 29 (2001), 570–87
Leopold, S. and Williams, K., ‘Remigio Romano’s Collection of Lyrics for Music’, PRMA, 110 (1983–4), 45–61
Lesure, F., Bibliographie des éditions musicales publiées par Estienne Rogier et Michel-Charles le Cène (Paris, 1969)
Lesure, F., ‘La Facture instrumentale à Paris au seizième siècle’, GSJ, 7 (1954), 11–52
Lesure, F., ‘La Guitare en France au XVIe siècle’, Musica Disciplina, 4 (1950), 187–95
Lesure, F., ed., Nouvelles découvertes sur la guitarre: contenantes plusieurs suittes de pièces sur huit manières différentes d’accorder: exemplaire augmenté de nombreuses pièces manuscrites de la main de l’auteur (Ms. Bibliothèque nationale, Paris, Vm7 6221) (Geneva, 1977)
Limon, J., Dangerous Matter: English Drama and Politics in 1623/24 (Cambridge, 1986)
Lombard, J., Courtilz de Sandras et la crise du roman à la fin du grand siècle (Paris, 1980)
Long, J. and Long, B., The Plot against Pepys (London, 2007)
Longstaffe-Gowan, T., The London Square (London, 2012)
Love, H., ‘The Fiddlers on the Restoration Stage’, EM, 6 (1978), 391–9
Love, H., ‘Hamilton’s “Mémoires de la vie du comte de Grammont” and the Reading of Rochester’, Restoration: Studies in English Literary Culture, 1660–1700, 19 (1995), 95–102
Love, H., ‘The Scribal Publication of Rochester’s Songs’, Bibliographical Society of Australia and New Zealand, 20/3 (1996), 161–80
Love, H., ‘Who Were the Restoration Audience?’, The Yearbook of English Studies, 10 (1980), 21–44
Loveman, K., Samuel Pepys and His Books: Reading, Newsgathering, and Sociability (Oxford, 2015)
Lowenthal, C., ‘Sticks and Rags, Bodies and Brocade: Essentializing Discourse and the Late Restoration Playhouse’, in Quinsey, , Broken Boundaries, 219–35
Lowerre, K., Music and Musicians on the London Stage, 1695–1705 (Farnham, 2009)
Luckett, R., ‘Music’, in Latham, and Matthews, , Diary, x, 258–82
Mabbett, M., ‘Italian Musicians in Restoration England (1660–90)’, M&L, 67 (1986), 237–47
MacDowell, K. E., ‘Il Mattaccino: Music and Dance of the Matachin and Its Role in Italian Comedy’, EM, 40 (2012), 659–70
MacGregor, A., ‘King Charles I: A Renaissance Collector?’, The Seventeenth Century, xi (1996), 141–60
Marshall, C., Music and Society in Early Modern England (Cambridge, 2010)
Marshall, C., Intelligence and Espionage in the Reign of Charles II, 1660–1685 (Cambridge, 1994)
Martin, D., ‘The Early Wire-Strung Guitar’, GSJ, 59 (2006), 123–37 and 252–6
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