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  • Cited by 14
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    • Publisher:
      Cambridge University Press
      Publication date:
      03 March 2022
      10 March 2022
      ISBN:
      9781108992794
      9781108834339
      9781108994897
      Creative Commons:
      Creative Common License - CC Creative Common License - BY Creative Common License - NC
      This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0.
      https://creativecommons.org/creativelicenses
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.6kg, 228 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.397kg, 294 Pages
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    Book description

    In the mid-nineteenth century, thirty-six expeditions set out for the Northwest Passage in search of Sir John Franklin's missing expedition. The array of visual and textual material produced on these voyages was to have a profound impact on the idea of the Arctic in the Victorian imaginary. Eavan O'Dochartaigh closely examines neglected archival sources to show how pictures created in the Arctic fed into a metropolitan view transmitted through engravings, lithographs, and panoramas. Although the metropolitan Arctic revolved around a fulcrum of heroism, terror and the sublime, the visual culture of the ship reveals a more complicated narrative that included cross-dressing, theatricals, dressmaking, and dances with local communities. O'Dochartaigh's investigation into the nature of the on-board visual culture of the nineteenth-century Arctic presents a compelling challenge to the 'man-versus-nature' trope that still reverberates in polar imaginaries today. This title is also available as Open Access on Cambridge Core.

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    Contents

    Full book PDF
    • Visual Culture and Arctic Voyages
      pp i-i
    • Cambridge Studies In Nineteenth-Century Literature And Culture - Series page
      pp ii-ii
    • Copyright page
      pp iv-iv
    • Contents
      pp v-v
    • Figures
      pp vi-ix
    • Acknowledgements
      pp x-xiii
    • Abbreviations and Nomenclature
      pp xiv-xvi
    • Introduction
      pp 1-19
    • Witnessing the Arctic
    • Chapter 1 - ‘On the Spot’
      pp 20-50
    • Scientific and Personal Visual Records (1848–1854)
    • Chapter 2 - ‘Breathing Time’
      pp 51-80
    • On-Board Production of Illustrated Periodicals (1850–1854)
    • Chapter 3 - ‘These Dread Shores’
      pp 81-113
    • Visualising the Arctic for Readers (1850–1860)
    • Chapter 4 - ‘Never to Be Forgotten’
      pp 114-142
    • Presenting the Arctic Panorama (1850)
    • Chapter 5 - ‘Power and Truth’
      pp 143-174
    • The Authority of Lithography (1850–1855)
    • Chapter 6 - Conclusion
      pp 175-180
    • Resonances
    • Notes
      pp 181-231
    • Bibliography
      pp 232-255
    • Index
      pp 256-268
    • Cambridge Studies In Nineteenth-Century Literature And Culture - Series page
      pp 269-276

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