^{page 52 note 1} See Tarbé, , Trésor des églises de Reims, 1842Google Scholar; Cerf, , Trésor de la Cathédrale de Reims, 1867Google Scholar; Darcel, in Gazette des Beaux-Arts, 1881, xxiii, p. 108Google Scholar; Molinier, and Marcou, , Exposition rétrospective de l'art français, 1900, p. 78Google Scholar. It was exhibited at the Royal Academy at the Exhibition of French Art, 1932, no. 568 M.

^{page 52 note 2} One is now missing.

^{page 52 note 3} See Karl Young, The Drama of the Medieval Church, Oxford, 1933, 2 vols.

^{page 52 note 4} Over a hundred survive. See Heales, Alfred, ‘Easter Sepulchres: their Object, Nature and History’, in Arch, xlii, 1869, p. 263Google Scholar.

^{page 53 note 1} Ed. Canon Fowler in Surtees Society, cvii, Durham (Surtees Society), London and Edinburgh, 1903, p. 11.

^{page 53 note 2} Nichols, J., A Collection of all the Wills … of the Kings and Queens of England, 1780, p. 47Google Scholar.

^{page 53 note 3} Dugdale, Monasticon, ii, p. 280, n. 1.

^{page 53 note 4} Ibid., vi, p. 1279; cited Heales, p. 263.

^{page 53 note 5} Reports and Papers of Archaeological Societies, xvii, Lincoln and York, 1883, p. 1Google Scholar.

^{page 53 note 6} At St. Peter Mancroft (Norfolk and Norwich Arch. Soc. Trans., xiv, 165) there was a silver-gilt image of Christ ‘with his wounds bleeding’, with a pyx in the breast, wearing a diadem and holding a cross, that may well have been of the same kind.

^{page 53 note 7} I have looked through the available printed royal inventories without result, but they are far from comprehensive.