^{page 195 note 1} By Mr. P. R. V. Marsden, of the Guildhall Museum, London, to whom I am indebted for permission to publish; I am also grateful to the Curator and Staff of the Museum for generous study facilities.

^{page 195 note 2} J.R.S. xlviii (1958), p. 144 (6) and pl. xx, 2.

^{page 195 note 3} Déchelette, J., Les Vases céramiques ornés de la Gaule romaine, Paris, 1904, ii, 169 ffGoogle Scholar.

^{page 195 note 4} These grooves are so shallow that it was thought unnecessary to indicate them on the sectional drawing.

^{page 195 note 5} In this case, the maker of this bowl had presumably no access to the mould from which the grapes discussed below were made.

^{page 195 note 6} Professor J. M. C. Toynbee has kindly commented on these panels.

^{page 195 note 7} Déchelette, op. cit., pp. 192-234. Déch. and D., followed by a number, refer to applied reliefs and moulded bowls respectively.

^{page 197 note 1} A few slight traces of fingerprints are noticeable.

^{page 197 note 1} Smith, C. Roach, Catalogue of the Museum of London Antiquities, London, 1854, p. 29, pl. viGoogle Scholar; idem, Illustrations of Roman London, London, 1859, pp. 96–98, pl. XXIXGoogle Scholar.

^{page 197 note 3} I am indebted to the Curator for permission to publish.

^{page 199 note 1} With grateful acknowledgement to the Trustees of the British Museum.

^{page 199 note 2} Déchelette, op. cit.,pp. 335-43 and pl. XIV, 5.

^{page 199 note 3} I am grateful to the Curator for permission to publish.