It is perhaps axiomatic that archaeological research in Baluchistan should raise as many questions as it answers, and the fieldwork carried out in Kalat in 1957 was no exception. Gradually, however, the nature of these problems is changing.

Prior to 1950 a superfluity of unrelated wares confronted the prehistorian and obscured the wider issues. Much of this pottery had been collected by the late Sir Aurel Stein from the numerous wind-eroded dambs which represent the mudbrick walls of ancient settlements. In the absence of any scientific excavation in this region it was difficult to relate the different painted wares or to group them into cultural assemblages, and the emphasis lay firmly on decorated pottery, since there was even less hope of sorting out unstratified plain wares.