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1.SeeFawcett, Trevor. ‘Too much to look at, too much to read’. Art Libraries Journal, v. 12, no.3, 1987, p.5–10.Google Scholar
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2. For those who don’t know the story, the student replied ‘But they’re moving!’ If my memory can be trusted, the librarian was Leslie Willmot, formerly of Brighton Polytechnic.Google Scholar
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3.Berger, John. Ways of Seeing. London: British Broadcasting Corporation and Penguin Books, 1972, p.32. The complete sentence is as follows: ‘The real question is: to whom does the meaning of the art of the past properly belong? to those who can apply it to their own lives, or to a cultural hierarchy of relic specialists?’Google Scholar
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4.Ibid., p.30, where John Berger reproduces a photograph of just such a collection.Google Scholar
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5.Schwartz, Gary. ‘Le Musee documentaire: reflections on a database of works mentioned in art treatises and town descriptions before 1800’. AICARC v.14/15, no.25/26, 1986/87, p.56–59.Google Scholar