³⁹ Mao Tun Wen-chi (Collected Works of Mao Tun) (Peking: Jen-min Ch'u-pan She, 1952), p. 497.Google Scholar

⁴⁰ For details, see Li, Ho-lin, Chung-kuo Wen-i Lun-chan (Chinese Controversy over Literature and Art) (Pei-hsin Shu-chü, 1930)Google Scholar, and Huang, Jen-ying, Mao Tun Lun (On Mao Tun) (Shanghai: Kuang-hua Shu-chü, 1933).Google Scholar

⁴¹ Mao, Tun, “Ts'ung Ku-ling tao Tung'ching” (“From Kuling to Tokyo”), in Huang, Jen-ying ed., Mao Tun Lun, p. 242.Google Scholar

⁴² Ibid. p. 245.

⁴³ Ibid. p. 248.

⁴⁴ Ibid. p. 255.

⁴⁵ Ibid. p. 251.

⁴⁶ Ibid. p. 248.

⁴⁷ Ibid. p. 255.

⁴⁸ Ibid. p. 260.

⁴⁹ Ibid. p. 263.

⁵⁰ Ibid.

⁵¹ Ibid. p. 262.

⁵² Ibid. p. 196.

⁵³ Ibid. p. 197.

⁵⁴ Lo Mei, “Kuan yü Huan-mieh” (“On Disillusion”) in Huang Jen-ying, ibid pp. 204–206.

⁵⁵ Fu, K'o-hsing, “Comments on Mao Tun's ‘From Kuling to Tokyo’” (“P'ing Mao Tun chün ti ‘Ts'ung Kuling tao Tung-ching”) in Li, Ho-lin, Chung Kuo wen-i lun-chan, p. 248.Google Scholar This article was originally published in Ch'uan-tsao Yüeh-k'an (Creation Monthly), November 1928.Google Scholar

⁵⁶ Ibid. p. 251.

⁵⁷ Ibid. pp. 243–246.

⁵⁸ Ibid. p. 236.

⁵⁹ Huang, Jen-ying, op. cit., pp. 115–167.Google Scholar

⁶⁰ His “Mao Tun who had arrived at Tokyo” (“Tao-le Tung-ching te Mao Tun”), Huang, Jen-ying, op. cit., pp. 177–187.Google Scholar

⁶¹ Huang, , op. cit., p. 184.Google Scholar

⁶² Ibid.

⁶³ Ibid. p. 187.

⁶⁴ Mao, Tun, “After Reading ‘Ni Huan-chin’” (Tu “Ni Huan-chih”), in Li Ho-lin, op. cit., p. 393.Google Scholar

⁶⁵ Ibid. p. 395.

⁶⁶ Loc. cit.

⁶⁷ Ibid. p. 398.

⁶⁸ Ibid. p. 405.

⁶⁹ Ibid. p. 410.

⁷⁰ Ibid. p. 407.

⁷¹ Ibid. pp. 412–414.

⁷² “Mao Tun yü Hsien-shih” (“Mao Tun and Reality”), in Huang, Jen-ying, Mao Tun Lun, pp. 61–114.Google Scholar

⁷³ Ibid. pp. 62–67.

⁷⁴ Ibid. p. 77.

⁷⁵ Ibid. pp. 181–182. I have taken the liberty of making some alterations in the last line of the quotation to make the translation understandable.

⁷⁶ Ibid. p. 31.

⁷⁷ Ibid. pp. 58–59.

⁷⁸ Yeh, Tzu-ming, Mao Tun's Literary Development during the Last Forty Years (Lun Mao Tun Szu-shih-nien Lai ti Wen-hsueh Tao-lu) (Shanghai: 1960), p. 69.Google Scholar

⁷⁹ Huang, op. cit., p. 256.Google Scholar

⁸⁰ Mao Tun, “About Midnight,” excerpts from author's talk delivered in 1939 used in place of a preface in the English version of the novel (Peking: Foreign Languages Press, 1957).Google Scholar

⁸¹ Mao, Tun, “Lien-hsi Shih-chi, Hsueh-hsi Lu Hsun” (“Keep Close Contact with Reality, and Learn from Lu Hsun”), Wen-yi Pao, No. 9, 1961.Google Scholar

⁸² Mao, Tun, “Tuan-p'ien Hsiao-shuo-te Feng-shou he Ch'uang-tsao shang te Chi-ke Wen-t'i” (“A Rich Crop of Short Stories and Problems Concerning Creative Writing”), Hsin-hua Pan-yueh K'an, No. 151, 1959, p. 141.Google Scholar

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⁸⁴ Mao, Tun, “Hsin-te Hsien-shih he Hsin-te Jen-wu” (“New Reality and New Responsibility”), Jen-min Wen-hsueh, No. 49, November 1953, p. 27.Google Scholar

⁸⁵ Mao, Tun, “1960 Nien Tuan-p'ien Hsiao-shuo Man-t'an” (“On Short Stories Produced During 1960”), Wen-yi Pao, No. 4, 1961.Google Scholar

⁸⁶ Mao, Tun, “Hsin-te Hsien-shih he Hsin-te Jen-wu” (“New Reality and New Responsibility”), Jen-min Wen-hsueh, No. 49, November 1953.Google Scholar

⁸⁷ See his “Yeh-tu Ou-chi” (“Random Notes of Readings at Night”) in Wen-yi Pao, Nos. 1, 2, 8, 9, 10, 1958.Google Scholar

⁸⁸ Ibid., No. 9, 1958.

⁸⁹ Ibid., No. 8, 1958.

⁹⁰ Ibid., No. 8, No. 9, 1958; and also in “Ts'ung Ch'uang-tso he Ts'ai-neng te Kuan-hsi Shuo Ch'i” (“On the Relation between Creative Writing and Talent”), Jen-min Wen-hueh, No. 121, December 1959.

⁹¹ Mao, Tun, “Tuan-p'ien Hsiao-shuo te Feng-shou he Ch'uang-tso shang Chi-ke Wen-ti” (“A Rich Crop of Short Stories and Problems Concerning Creative Writing”), Hsin-hua Pan-yueh K'an, No. 151, May 1959, pp. 143–144.Google Scholar

⁹² Mao, Tun “Wen-i Ch'uang-tso Wen-t'i” (“Problems of Creation in Literature and Art”), Jen-min Wen-hsueh, No. 14, March 1950.Google Scholar

⁹³ Mao, Tun, “Yeh-tu Lu-chi,” Wen-yi Pao, No. 10, 1958.Google Scholar

⁹⁴ Ibid.

⁹⁵ Mao, Tun, “A Rich Crop of Short Stories and Problems Concerning Creative Writing,” Hsin-hua Pan-yueh K'an, No. 151, May 1959, p. 144.Google Scholar

⁹⁶ Ibid. pp. 142–143.

⁹⁷ Ibid. p. 144.

⁹⁸ Ibid.

⁹⁹ Mao, Tun, “Yeh-tu Lu-chi,” Wen-yi Pao, No. 8, 1958.Google Scholar

¹⁰⁰ Ibid. No. 10, 1958.

¹⁰¹ Ibid. No. 8, 1958.

¹⁰² Mao, Tun, “A Rich Crop of Short Stories and Problems Concerning Creative Writing,” Hsin-hua Pan-yueh K'an, No. 151, May 1959, p. 139.Google Scholar

¹⁰³ Mao, Tun, “Problems of Creation in Literature and Art,” Jen-min Wen-hsueh, No. 14, March 1950.Google Scholar

¹⁰⁴ Ibid.

¹⁰⁵ Ibid. No. 14, March 1950.

¹⁰⁶ Mao Tun, “New Reality and New Responsibility,” op. cit.Google Scholar

¹⁰⁷ Mao Tun, “A Rich Crop of Short Stories and Problems Concerning Creative Writing,” op. cit.Google Scholar

¹⁰⁸ Mao, Tun, “Wen-i-te Ch'eng-chiu he Wen-i-tso-chia-te Kung-hsien” (“Achievements in Literature and Art and the Contributions of Writers and Artists”), Jen-min Wen-hsueh, No. 129, August 1960.Google Scholar

¹⁰⁹ Ibid. p. 29.

¹¹⁰ Mao, Tun, “Tu Tsui-chin-te Tuan-p'ien Hsiao-shuo” (“After Reading Most Recent Short Stories”), Jen-min Wen-hsueh, No. 103, June 1958.Google Scholar

¹¹¹ Mao, Tun, “Wen-i-te Ch'eng-chiu he Wen-i-tso-chia-te Kung-hsien,” Jen-min Wen-hsueh, No. 129, August 1960.Google Scholar

¹¹² Ibid.

¹¹³ Ibid.

¹¹⁴ Ibid. p. 34.

¹¹⁵ Ibid.

¹¹⁶ Mao, Tun, “1960 Nien Tuan-p'ien Hsiao-shuo Man-t'an,” Wen-yi Pao, No. 251, 1961.Google Scholar

¹¹⁷ Mao, Tun, “Wen-i-te Ch'eng-chiu he Wen-i-tso-chia-te Kung-hsien,” Jen-min Wen-hsueh, No. 129, August 1960, p. 22.Google Scholar