^{page 1 note 1} Gorg. 470D–471; cf. Athen., p. 217d; Aelian, , Var. Hist. XII. 43Google Scholar.

^{page 1 note 2} Schol. on Ar. Ran. 85.

^{page 1 note 3} Arg. I. to Ar. Nub.

^{page 1 note 4} Strabo 277. 14 (Didot).

^{page 1 note 5} Id. 277. 43 makes Pieria extend to the Axius.

^{page 1 note 6} Nauck, , Trag. Graec. Fragm., pp. 426–436Google Scholar. A fragment of the play in Oxyrhynchus Papyri, Vol. III., p. 66 (reprinted by von Arnim, Supplementum Euripideum, p. 80), adds nothing for our purpose.

^{page 2 note 1} Fab. 219.

^{page 2 note 2} Strabo 275, 23 (Didot).

^{page 2 note 3} Ridgeway, , Early Age of Greece, Vol. I., pp. 351–2Google Scholar.

^{page 2 note 4} II. XIV. 226–7.

_{page 2 note 5} II XIII. 301.

^{page 2 note 6} II. XVI. 288.

_{page 2 note 7} Strabo 404, 38.

^{page 2 note 8} id. 275, 21.

^{apge 2 note 9} Id. 277, 43.

^{page 3 note 1} Strabo 277, 2 and 275, 10.

^{page3 note2} βασιλεû Χώρας τς πολυβώλαυΚισσεû , πεδίον πυρι μαρμαίρει.

^{page 3 note 3} Justin VIII. 1, XXIII. 2; Diod. Sic. Fragm. VII. 16, 1 (Didot); , Plut.Alex. 2Google Scholar.

^{page 4 note 1} Head, , Hist. Num., p. 198 (ed. 2)Google Scholar.

^{page 4 note 2} VIII. 137–9.

^{page 4 note 3} II. 99.

^{page 4 note 4} II. 100.

^{page 5 note 1} Ridgeway, , Dramas and Dramatic Dances of Non-European Races, p. 204Google Scholar.

^{page 6 note 1} , Phot.Bibl., p. 444Google Scholar, b. 39 (cited by Nauck), p 426.

^{page 6 note 2} Vol. II. 779 (Reiske); Diod. Sic. XXII. 12.

^{page 6 note 3} Diod. Sic. XVIII. 26, 1, 2.

^{page 6 note 4} Paus. I. 6, 3.

^{page 6 note 5} Strabo 675, 1–22 (Didot).

^{page 7 note 1} Ridgeway, , The Origin and Influence of the Thoroughbred Horse, pp. 106–7Google Scholar.

^{page 7 note 2} Id.; Early Age of Greece, Vol. I., pp. 431 sqq.

^{page 7 note 3} V. 8.

^{page 7 note 4} I. 11. καì τῷ τε Δù τῷ Όλυμπίῳ τν θυαίαν άπ' ᾺρΧελάον ἒτι καθεστσαν ἒθυσε καì τòν άγνα έν Αἲγαις διέθηκε τά Ὀúμπια , οί δε καì ταȋς Μούσαις λέγουσιν ὂτι άγνα έποίησε.

^{page 7 note 5} XVII. 16, 3; cf. Dem, . de fals. leg. 192–3Google Scholar with Schol., who places the festival at Dium, and mentions the nine days for the nine Muses, probably following Diodorus.

^{page 8 note 1} Strabo 404, 38–40, ΙΙιερία γρ καì Ὂλυμπος καì ΙΙίμπλα Λείβηθρον τò παλαιòν ἢν θράκια Χωρία καì ὂρη, νûν δ ἒΧουσι Μακεδόνες .

^{page 8 note 2} Herod. V. 7

^{apge10 note 1} , Plut.Alex. 17Google Scholar:τιμν άποδιδούς τῇ γενομένῃ δι' ᾈριστοτεέλην καì ϕιλοσοϕίαν όμιλίᾳ πρòς τòν ἂνδρα.

^{page 11 note 1} Dramas and Dramatic Dances of Non-European Races.

^{page 12 note 1} Nauck, , op. cit., p. 427Google Scholar, with the sources there Introduccited.

^{page 12 note 2} Dicaearchus, the philosopher, wrote a special treatise called ‘ϒποθέσεις τν Εύριπίδου καì Σοϕοκλέους μύθων.

^{page 12 note 3} I have made use of the excellent Introduction prefixed by MrPorter, W. H. to his edition the Rhesus (Cambridge, 1916) in these pagesGoogle ScholarPubMed.

^{page 12 note 4} Rhesus im Lichte des euripideischen Sprachgebrauches (1891), cited by Porter, p. xivGoogle Scholar.

^{page 13 note 1} Class. Quart., 1924, pp. 206–21.

^{apge 13 note 2} Hermann, Paley, Tyrrell, etc.

^{page 13 note 3} Ridgeway, , Origin of Tragedy (1910), pp. 147–50Google Scholar.

^{page 14 note 1} Cited by Porter, , op. cit., p. 72Google Scholar.

^{page 14 note 2} Class. Quart. X., pp. 192–7.

^{page 14 note 3} Op. cit., p. 210.

^{page 14 note 4} Class. Rev., 1921, pp. 52–61.

^{page 15 note 1} Op. cit., pp. 57–8.

^{page 16 note 1} origin of Tragedy (1911), pp. 147–50.

^{page 17 note 1} Complete works (1897), p. 555.

^{page 18 note 1} [Arist.], p. 843a, 18.

^{page 18 note 2} Minns, E. H., Scythians and Greeks, p. 629Google Scholar.