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Why Attic Nights? Or What's in a Name?*

Published online by Cambridge University Press:  11 February 2009

Amiel D. Vardi
Amiel D. Vardi
Affiliation:
The Hebrew University of Jerusalem
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Extract

In the preface to his Nodes Atticae, Gellius explains his choice of title:

quoniam longinquis per hiemem noctibus in agro, sicuti dixi, terrae Atticae commentationes hasce ludere ac facere exorsi sumus, idcirco eas inscripsimus Noctium esse Atticarum (praef. 4)

He then proceeds to enumerate other titles used for miscellaneous works similar to his own, both Greek and Latin, which, he claims, are far more refined and witty than his title (§§4–9). Attractive as Gellius' explanation may be, it raises some serious difficulties2 and should not be taken at face value, especially since it seems to establish a novel type of relation between title and work. None of the titles in Gellius' list seems to have been based on the circumstances of the inception of the work, nor indeed does any other extant title prior to the publication of the Nodes Atticae. There is no reason to deny Gellius the credit for inventing a novel principle of titling, yet titles based on the circumstances of composition rather than on the content of the work fail to perform a primary function of titles, namely an initial direction of the expectations of prospective readers.

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Type
Research Article
Information
The Classical Quarterly , Volume 43 , Issue 1 , May 1993, pp. 298 - 301
Copyright
Copyright © The Classical Association 1993

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References

1 From the words ‘sicuti dixi’ it seems quite certain that the explanation Gellius offers for his title in the lost section at the beginning of the preface was not substantially different from the one quoted here from praef. 4 and repeated in praef. 10.

2 I shall not deal here with the apparent ‘historical’ difficulty caused by the fact that some of the ‘notes’ included in Gellius' book are explicitly said to have been taken in periods prior to his stay in Athens (esp. 20.6.1, with 15). This has been answered by R. Marache's distinction between commentationes or commentarii, which denote composed short pieces, and annotationes, the rudimentary notes taken while compiling material to be included in the book; see his edition, vol. i (Paris, 1967), p. 2 n. 2, andHolford-Strevens, L., Aulus Gellius (London, 1988), p. 24–5Google Scholar.

3 For similar criticism of titles by later grammarians, seeJordan, H. (ed.), M. Catonis praeter librum de Re Rustica quae exstant (Leipzig, 1860), p. xxiGoogle Scholar.

4 On the history of titles and their functions see:Daly, L. W., ‘The Entitulature of Pre-Ciceronian Writings’, Classical Studies in Honor of W. A. Oldfather (Urbana, 1943), pp. 21–3Google Scholar;Schmalzriedt, E., Περ⋯ ϕύσεως: zur Frühgeschichte der Buchtitel (Munich, 1970), pp. 20–50Google Scholar;Horsfall, N., ‘Some Problems of Titulature in Roman Literary History’, BICS 28 (1981), 103–4Google Scholar; and beyond classical antiquity:Kellman, S. G., ‘Dropping Names: The Poetics of Titles’, Criticism 17 (1975), 152–67Google Scholar;Levin, H., ‘The Title as Literary Genre’, MLR 72 (1977), xxiii–xxxviCrossRefGoogle Scholar;Fowler, A., Kinds of Literature: Introduction to the Theory of Genres and Modes (Cambridge, Mass., 1982), pp. 92–8Google Scholar. Titles which function as authorial commentary or guides to understanding the work (La vida es sueno, Ulysses) seem not to have been employed in the ancient world.

5 For identification of the works referred to in Gellius' list, seeFaider, P., ‘Auli Gellii Noctium Atticarum Praefatio’, Musée Beige 31 (1927), 203–8 and the bibliography cited there, pp. 189–90Google Scholar. Ancient titles are conveniently collected and classified inZilliacus, H., ‘Boktiteln i antik litteratur’, Eranos 36 (1938), 1–41Google Scholar.

6 The term Miscellanea seems to have been first used as a title by Politian in the fifteenth century; seePfeiffer, R., History of Classical Scholarship: From 1300 to 1850 (Oxford, 1976), p. 45Google Scholar.

7 This is how Clement explains his own choice of title (Strom. 4.4.1; cf. 6.2.1), although he later adds the notions of rarity and value (4.6.2); seeMéhat, A., Étude sur les ‘Stromates’ de Clément d'Alexandrie (Paris, 1966), pp. 96–104Google Scholar; for Apuleius' title, seeHelm's, R. note in his edition of the Florida (Leipzig, 1959), pp. xviii–xixGoogle Scholar; other examples are brought byZilliacus, , Eranos 36 (1938), 25–30Google Scholar.

8 Regenbogen, O., RE XX, p. 1412, s.v. ‘Pinax’Google Scholar; but seeHenriksson, K.-E., Griechische BOchertitel in der romischen Literatur (Helsinki, 1956), pp. 117–18Google Scholar.

9 On Ἐγχειίδιον/a in antiquity, see:Broccia, G., Enchiridion: per la storia di una denominazione libraria (Rome, 1979), pp. 11–44Google Scholar.

10 SoHenriksson, , op. cit., pp. 122–5 on the basis of Quint., Inst. 10.3.17Google Scholar; but seeColeman, K. M. in her edition of Statius' Silvae iv (Oxford, 1988), pp. xxii–xxivGoogle Scholar.

11 For Satura and similar titles seeCoffey, M., Roman Satire (London, 1976), pp. 11–18Google Scholar.

12 Some other works of peripatetic provenance were similarly titled, such as the Μεγαρικός of Theophrastus (D.L. 5.44) and the χαλκιδικός of Demetr. Phaler. (ibid., 5.81), but these titles do not necessarily refer to the dramatic setting of a Dialogue, as is clearly the case of Dio's Εὐβοικός and Ἀττικ⋯ν Δεῖπνον mentioned by Athenaeus (4.134–7, if it is a title); seeHirzel, R., Der Dialog: ein literarhistorischer Versuch (Leipzig, 1895), vol. i, pp. 311–12 n. 2; p. 319 n. 1Google Scholar. For similar titles in the ‘Greek Novel’ see:Miiller, C. W., ‘Der griechische Roman’, in Vogt, E. (ed.), Griechische Literatur (Wiesbaden, 1981), pp. 391–2Google Scholar.

13 At least as early as Democritus 68.B.182 D-K. On the litterarum radices amarae, see A. Otto, Die Sprichwörter und sprichwörtlichen Redensarten der Römer (Leipzig, 1890; repr. Hildesheim, 1965), p. 195, ‘litterae’, 1; and for ancient adaptations of Verg. G. 1.145 to suit a similar idea, seeMynors's, R. A. B. commentary on the Georgics (Oxford, 1990), p. 30Google Scholar.

14 SeeMarache, , op. cit., pp. xii–xiiiGoogle Scholar. For a history of this metonymy and its uses in prefaces seeJanson, T., Latin Prose Prefaces: Studies in Literary Conventions (Stockholm, 1964), pp. 97–8, 147–8Google Scholar; cf. Fro. M.Caes. 1.4.1 (pp. 5.22–6.2 v.d. Hout2), Apul. Apol. 5 for further uses in the second century.

15 On the erotic Milesiaka, seeWalsh, P. G., The Roman Novel (Cambridge, 1970), pp. 10–17Google Scholar. ‘Night Words’ is the title given by G. Steinerto his article on pornographic literature; see hisLanguage and Silence (London, 1958), pp. 89ff.Google Scholar; for similar uses of Nox in Latin, see OLD s.v. ‘Nox’ 3.c.

16 Perhaps to be identified with the class of ‘public moyen’ characterized byGuillemin, A.-M., Le Public et la vie litteraire a Rome (Paris, 1937), pp. 18–22, 82–6Google Scholar. See further:Beall, S. M., Civilis Eruditio: Style and Content in the ‘Attic Nights’ of Aulus Gellius (Diss., Univ. of California at Berkeley, 1988), 3–4, 35–6Google Scholar.

17 Clarke, M. L., Higher Education in the Ancient World (London, 1971), pp. 6–7, 80Google Scholar. On Gellius' education, seeHolford-Strevens, , op. cit., pp. 12–13, 61–71Google Scholar.

18 As suggested byMaselli, G., Lingua e scuola in Gellio grammatico (Lecce, 1979), p. 53Google Scholar. Whereas Atheniensis is used exclusively for persons or for the city itself, Atticus is quite commonly employed for language, rhetorical styles and philosophy; cf. TLL II.5 s.v. ‘Atheniensis’, pp. 1029–30; s.v. ‘Atticus’ II.A, p. 1134.

19 Some such title are enumerated byHolford-Strevens, , op. cit., p. 21 n. 7Google Scholar.