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Catullus X: A Rambling Commentary

Published online by Cambridge University Press:  05 January 2009

Extract

This has always been one of my favourite poems, but if I were asked why, I should be hard put to it for an answer. I suppose it is because it seems to me the most perfect example of urbanitas in Latin poetry. Others will prefer Horace—those who prefer curiosa felicitas, and I admit at once there is nothing here to match such an exquisite felicity as ‘tange Chloen semel arrogantem’ (o si sic omnia!). But even in Horace such apparently effortless grace is rare; usually we find as much curiositas as felicitas: we marvel at the art, but I for one feel uneasily conscious of the tour de force. In other words, I feel the effects are calculated, whereas I always feel that Catullus dashed down his shorter poems, at least, in a few minutes—as we know Schubert did many of his songs: even Mozart composed in his head, though without the necessity of writing. Of the labor limae the outstanding examples are Horace and Beethoven. For Horace we have his own word: in the case of Beethoven no one would suspect to what an extent he carried it, if his note-books had not been preserved.

However de gustibus non disputandum: it is the old controversy between Munro, who favoured Catullus and Lucretius, and Conington, who preferred Horace and Virgil. (Those who have access to Conington's Miscellaneous Writings will find there a most interesting statement of his views: Munro's reply will be found in Criticisms and Elucidations of Catullus.)

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Type
Research Article
Copyright
Copyright © The Classical Association 1947

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