^{page 176 note 1} The remainder, except a pyxis similar to this, are of the so-called Phaleron type; if the provenance could be relied upon, the series would be of great importance to our knowledge of this class, but unfortunately, evidence on this point is rarely trustworthy.

^{page 177 note 1} Such repetitions would not appear strange to those accustomed to the early relief vases where the impression from one cylinder is repeated ad libitum.

^{page 177 note 2} See Furtwängler, , in Arch. Zeit., 1883, p. 153.Google Scholar

^{page 177 note 3} See Löschcke, , in Arch. Zeit. 1881, p. 34.Google Scholar

^{page 179 note 1} Mon. Ined. v. 25. Annali, 51, 42.

^{page 180 note 1} Arch. Zeit. 1883, p. 162.

^{page 180 note 2} Ausgrabungen, iv. xx. A.

^{page 181 note 1} Euphronios, p. 30.

^{page 181 note 2} Cf. the Cyprus statue Cesnola, , Cyprus, p. 156.Google Scholar

^{page 182 note 1} Heydemann, , in his description of this scene (Annali 1869, p. 247)Google Scholar, finds a difficulty in explaining the curved parallel lines beside the figure of Athene. They are not, as he conjectures, part of a circle, nor part of a badly drawn shield; but belong to the outline of the colossal eye which has formed the left hand boundary of this group.

^{page 183 note 1} The dog is surely a late introduction of Greek art into this myth. May it have come in perhaps through the medium of some scene like this, where one of the conventional lions might easily he mistaken for a dog?