One very obvious feature of the current theological scene is a divorce between—in Pascal’s celebrated distinction—the God of the Philosophers and the God of Abraham, Isaac and Jacob. That is to say, the people most interested in religion, mostly members of the ‘counter-culture’, are generally hostile to the intellectual exploration of religion and religious language. Their religion centres on ‘love and consolation’, to use Pascal’s phrase, not upon rational argument or analysis. Another way of putting this is to say that the God of Religion is naturally spoken of in metaphorical language, while the God of the Philosophers can only be spoken of in analogical language. I am concerned to argue that, despite the anti-intellectualism of the ‘counter-culture’, it is still necessary to have a philosophical foundation for religion, and that this involves accepting the validity of analogical language, even if the most significant religious language we have today is to be found in the metaphorical speech of singers, poets and story-tellers. It is important, therefore, to establish the right relationship between analogical and metaphorical language. The following analysis of a sonnet by Hopkins is offered as a brief preface to a discussion of the two-dimensional structure of any language that purports to discuss God.