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Romano Guardini and the Liturgy

Published online by Cambridge University Press:  01 January 2024

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‘The Catholic liturgy is the supreme example of an objectively established rule of spiritual life.’ ‘The liturgy is the lex orandi'. These were the principles of Romano Guardini’s liturgical writings, both theological and pastoral. He sought to bring the liturgy into the centre of the Christian’s life, at the heart of the many other, more private, expressions of prayer and reverence. He offers an overview of Christian public prayer:

Prayer must be simple, wholesome and powerful. It must be closely related to actuality and not afraid to call things by their names. In prayer we must find our entire life over again. On the other hand, it must be rich in ideas and powerful images, and speak a developed but restrained language; its construction must be clear and obvious to the simple man, stimulating and refreshing to the man of culture. It must be intimately blended with an erudition which is in nowise obtrusive, but which is rooted in breadth of spiritual outlook and in inward restraint of thought, volition and emotion. And that is precisely the way in which the prayer of the liturgy has been formed.

According to Aidan Nichols, if the principles of Romano Guardini on liturgy had been consistently applied to contemporary sensibility in the 1960s and 1970s, his influence might have stopped the post-conciliar liturgical reform from backing modernity as a winning ticket, just at the point when it became converted into postmodernism. This short sketch points to some of Guardini’s insights in the liturgical area, especially on questions which have recently been taken up anew by liturgical thinkers.

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Research Article
Copyright
Copyright © 1998 Provincial Council of the English Province of the Order of Preachers