Journal titles are abbreviated as in L'Année philologique.

• Alden, M. J. 2000. Homer beside Himself. Para-narratives in the Iliad. Oxford, Oxford University Press.

• Allen, T. W. 1912. Homeri Opera, vol. 5. Oxford, Clarendon Press.

• Allen, T. W. 1917–19. Homeri Opera. Second edition, vols. 3–4, Oxford, Clarendon Press; first published 1908.

• Aloni, A. 1980. ‘ Prooimia, Hymnoi, Elio Aristide e i cugini bastardi’, QUCC 4: 23–40.

• Andersen, L. 1987. Studies in Oracular Verses. Concordance to Delphic Responses in Hexameter. Copenhagen, Scientiarum Danica Regia Academia.

• Andersen, Ø. and Haug, D. (eds.) 2011. Relative Chronology in Early Greek Poetry. Cambridge, Cambridge University Press.

• Andrews, A. D. 2005. ‘Homeric Recitation, with Input from Phonology and Philology’, Antichthon 39: 1–28.

• Arend, W. 1933. Die typischen Scenen bei Homer. Berlin, Weidmann.

• Auerbach, E. 2003. Mimesis. The Representation of Reality in Western Literature. Translated by Trask, W. R.. Princeton, NJ, Princeton University Press. First published in German, Bern 1946.

• Austin, N. 1991. ‘The Wedding Text in Homer's Odyssey ’, Arion 1: 227–43.

• Barker, A. 2007. The Science of Harmonics in Classical Greece. Cambridge, Cambridge University Press.

• Barnes, H. R. 1986. ‘The Colometric Structure of Homeric Hexameter’, GRBS 27: 125–50.

• Bassett, S. E. 1934. ‘The Inductions of the Iliad, the Odyssey, and the Aeneid ’, CW 27: 105–10, 113–18.

• Beall, E. F. 2004. ‘The Plow that Broke the Plain Epic Tradition: Hesiod Works and Days, vv. 414–503’, ClAnt 23: 1–32.

• Becker, A. S. 1992. ‘Reading Greek Poetry through a Distant Lens: Ecphrasis, Ancient Greek Rhetoricians, and the Pseudo-Hesiodic Shield of Herakles ’, AJPh 113: 5–24.

• Beecroft, A. 2010. Authorship and Cultural Identity in Early Greece and China. Patterns of Literary Circulation. Cambridge, Cambridge University Press.

• Bernabé, A. 1996. Poetarum Epicorum Graecorum Testimonia et Fragmenta. Pars 1. Second edition, Stuttgart, Teubner; first published 1987.

• Bernabé, A. 2004–7. Poetae Epici Graeci. Testimonia et Fragmenta. Pars 2. 3 vols. Munich, Saur, and Berlin, De Gruyter.

• Bernabé, A. 2007. ‘The Derveni Theogony: Many Questions and Some Answers’, HSPh 103: 99–133.

• Bethe, E. 1887. Quaestiones Diodoreae mythographae. Göttingen (dissertation).

• Bethe, E. 1929. Homer. Dichtung und Sage. Band 2. Second edition, Leipzig, Teubner; first published 1922.

• Boedeker, D. and Sider, D. (eds.) 2001. The New Simonides. Contexts of Praise and Desire. Oxford, Oxford University Press.

• Bowden, H. 2005. Classical Athens and the Delphic Oracle. Divination and Democracy. Cambridge, Cambridge University Press.

• Bundrick, S. D. 2005. Music and Image in Classical Athens. Cambridge, Cambridge University Press.

• Burgess, J. 1996. ‘The Non-Homeric Cypria ’, TAPhA 126: 77–99.

• Burgess, J. 2001. The Tradition of the Trojan War in Homer and the Epic Cycle. Baltimore, MD, Johns Hopkins University Press.

• Burgess, J. 2002. ‘Kyprias, the Kypria, and Multiformity’, Phoenix 56: 234–45.

• Burgess, J. 2004. ‘Performance and the Epic Cycle’, CJ 100: 1–23.

• Burgess, J. 2006. ‘Neoanalysis, Orality, and Intertextuality: An Examination of Homeric Motif Transference’, Oral Tradition 21: 148–89.

• Burgess, J. 2009. The Death and Afterlife of Achilles. Baltimore, MD, Johns Hopkins University Press.

• Burkert, W. 1972. Lore and Science in Ancient Pythagoreanism. Cambridge, MA, Harvard University Press.

• Burkert, W. 1979. ‘Kynaithos, Polycrates, and the Homeric Hymn to Apollo’, in Bowersock, G. W., Burkert, W., and Putnam, M. (eds.), Arktouros. Hellenic Studies Presented to Bernard M. W. Knox. Berlin, De Gruyter: 53–62.

• Cameron, A. 2004. Greek Mythography in the Roman World. Oxford, Oxford University Press.

• Campbell, D. A. 1988. Greek Lyric 2. Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman. Loeb Classical Library. Cambridge, MA, Harvard University Press.

• Canevaro, L. G. 2013. ‘The Clash of the Sexes in Hesiod's Works & Days ’, G&R 60: 185–202.

• Canevaro, L. G. 2015. Hesiod's Works and Days. How to Teach Self-sufficiency. Oxford, Oxford University Press.

• Cassanmagnago, C. 2009. Esiodo. Tutte le opere e i frammenti con la prima traduzione degli scolii. Milan, Bompiani.

• Càssola, F. 1986. Inni omerici. Milan, Mondadori.

• Chappell, 2011. ‘The Homeric Hymn to Apollo: The Question of Unity’, in Faulkner 2011a: 59–81.

• Cingano, E. 2005. ‘A Catalogue within a Catalogue: Helen's Suitors in the Hesiodic Catalogue of Women (frr. 196–204)’, in Hunter 2005: 118–52.

• Cingano, E. 2009. ‘The Hesiodic Corpus’, in Montanari, , Rengakos, , and Tsagalis, 2009: 91–130.

• Clark, M. E. 1986. ‘Neoanalysis: A Bibliographical Review’, CW 79: 379–94.

• Clay, J. S. 1989. The Politics of Olympus. Form and Meaning in the Major Homeric Hymns. Princeton, NJ, Princeton University Press.

• Clay, J. S. 1997. ‘The Homeric Hymns’, in Morris, and Powell, 1997: 489–507.

• Clay, J. S. 2003. Hesiod's Cosmos. Cambridge, Cambridge University Press.

• Clay, J. S. 2009. ‘Works and Days: Tracing the Path to Arete’, in Montanari, , Rengakos, , and Tsagalis, 2009: 71–90.

• Clay, J. S. 2011. ‘The Homeric Hymns as Genre’, in Faulkner, 2011a: 232–53.

• Coxon, A. H. 2009. The Fragments of Parmenides. Second edition, Las Vegas, NV, Parmenides Publishing; first published Assen, 1986.

• Currie, B. 2006. ‘Homer and the Early Epic Tradition’, in Clarke, M. J., Currie, B. G. F., and Lyne, R. O. A. M. (eds.), Epic Interactions. Perspectives on Homer, Virgil, and the Epic Tradition Presented to Jasper Griffin. Oxford, Oxford University Press: 1–45.

• Daitz, S. G. 1991. ‘On Reading Homer Aloud: To Pause or Not to Pause’, AJPh 112: 149–60.

• D'Alessio, G. B. 2005. ‘The Megalai Ehoiai: A Survey of the Fragments’, in Hunter, 2005: 176–216.

• Danek, G. 1998. Epos und Zitat. Studien zu den Quellen der Odyssee. Vienna, Österreichische Akademie der Wissenschaften.

• Danek, G. and Hagel, S. 1995. ‘Homer-Singen’, WHB 37: 5–20.

• Davies, M. 1986. ‘Prolegomena and Paralegomena to a New Edition (with Commentary) of the Fragments of Early Greek Epic’, Nachrichten der Akademie des Wissenschaften in Göttingen. I Philologisch-historische Klasse 1986.2: 91–111.

• Davies, M. 1988. Epicorum graecorum fragmenta. Göttingen, Vandenhoeck & Ruprecht.

• Davies, M. 2001. The Epic Cycle. Second edition, Bristol, Bristol Classical Press; first published 1989.

• Davies, M. 2014. The Theban Epics. Cambridge, MA, Harvard University Press.

• Davies, M. and Finglass, P. 2015. Stesichorus. The Poems. Cambridge, Cambridge University Press.

• Debiasi, A. 2012. ‘Homer ἀγωνιστής in Chalcis’, in Montanari, , Rengakos, , and Tsagalis, 2012: 471–500.

• De Jong, I. J. F. 1987. Narrators and Focalizers. The Presentation of the Story in the Iliad. Amsterdam, B. R. Grüner Pub. Co.

• De Jong, I. J. F. 2001. A Narratological Commentary on the Odyssey. Cambridge, Cambridge University Press.

• De Jong, I. J. F. 2006. ‘The Homeric Narrator and His Own Kleos ’, Mnemosyne 59: 188–207.

• De Jong, I. J. F. 2012. Homer. Iliad Book XXII. Cambridge, Cambridge University Press.

• Diels, H. and Kranz, W. (eds.) 1952. Die Fragmente der Vorsokratiker. Band 1. Sixth edition, Berlin, Weidmann; first published 1903.

• Dindorf, W. 1855. Scholia graeca in Homeri Odysseam. Vol. 1, Oxford, E Typographeo Academico.

• Dowden, K. 1996. ‘Homer's Sense of Text’, JHS 116: 47–61.

• Dräger, P. 1997. Untersuchungen zu den Frauenkatalogen Hesiods. Stuttgart, F. Steiner.

• Eder, M. 2007. ‘How Rhythmical is Hexameter: A Statistical Approach to Ancient Greek Poetry’, in Digital Humanities 2007 conference abstracts, <http://www.digitalhumanities.org/dh2007/dh2007.abstracts.pdf>, retrieved 23 April 2015: 50–2.

• Edmonds, R. G. 2011. ‘Orphic Mythology’, in Dowden, K. and Livingstone, N. (eds.), A Companion to Greek Mythology. Oxford, Wiley-Blackwell: 73–106.

• Edwards, M. W. 1980. ‘The Structure of Homeric Catalogues’, TAPhA 110: 81–105.

• Edwards, M. W. 1986. ‘Homer and Oral Tradition: The Formula, Part I’, Oral Tradition 1/2: 171–230.

• Edwards, M. W. 1992. ‘Homer and Oral Tradition: The Type-scene’, Oral Tradition 7: 284–330.

• Effe, B. 1988. ‘Die Aristie des Herakles. Zur Homerrezeption der “Aspis”’, Hermes 116: 156–68.

• Eisenhut, W. 1973. Dictys Cretensis. Second edition, Leipzig, Teubner; first published 1958.

• Erbse, H. 1997. ‘The Ending of the Odyssey: Linguistic Problems’, in Wright, G. M. and Jones, P. V. (eds.), Homer. German Scholarship in Translation. Oxford, Clarendon Press: 263–320. First published in German, 1972.

• Ercolani, A. 2010. Esiodo. Opere e giorni. Rome, Carocci.

• Evelyn-White, H. G. 1914. Hesiod, the Homeric Hymns, and Homerica. Loeb Classical Library. London, Heinemann.

• Fantuzzi, M. and Papanghelis, T. (eds.) 2006. Brill's Companion to Greek and Latin Pastoral. Leiden, Brill.

• Fantuzzi, M. and Tsagalis, C. (eds.) 2015a. The Greek Epic Cycle and Its Ancient Reception. A Companion. Cambridge, Cambridge University Press.

• Fantuzzi, M. and Tsagalis, C. 2015b. ‘Introduction: Kyklos, the Epic Cycle and Cyclic Poetry’, in Fantuzzi and Tsagalis 2015a: 1–40.

• Faulkner, A. 2008. The Homeric Hymn to Aphrodite. Oxford, Oxford University Press.

• Faulkner, A. (ed.) 2011a. The Homeric Hymns. Interpretative Essays. Oxford, Oxford University Press.

• Faulkner, A. 2011b. ‘Introduction’, in Faulkner 2011a: 2–25.

• Finkelberg, M. 2000. ‘The Cypria, the Iliad, and the Problem of Multiformity in Oral and Written Tradition’, CPh 95: 1–11.

• Finkelberg, M. 2004. ‘The End of the Heroic Age in Homer, Hesiod and the Cycle’, Ordia Prima 3: 11–24.

• Finkelberg, M. 2007. ‘More on κλέος ἄφθιτον’, CQ 57: 341–50.

• Finkelberg, M. 2011a. ‘Homer and His Peers: Neoanalysis, Oral Theory, and the Status of Homer’, Trends in Classics 3: 197–208.

• Finkelberg, M. (ed.) 2011b. The Homer Encyclopedia. 3 vols. Oxford, Wiley-Blackwell.

• Fontenrose, J. 1978. The Delphic Oracle. Its Responses and Operations with a Catalogue of Responses. Berkeley, CA, University of California Press.

• Ford, A. 1992. Homer. The Poetry of the Past. Ithaca, NY, Cornell University Press.

• Ford, A. 1997. ‘Epic as Genre’, in Morris, and Powell, 1997: 396–414.

• Fränkel, H. 1975. Early Greek Poetry and Philosophy. A History of Greek Epic, Lyric, and Prose to the Middle of the Fifth Century. Translated by Hadas, M. and Willis, J.. New York, Harcourt Brace Jovanovich. First published in German, New York, 1951.

• Francis, J. A. 2009. ‘Metal Maidens, Achilles' Shield, and Pandora: The Beginnings of “Ekphrasis”’, AJPh 130: 1–23.

• Fraser, L.-G. 2011. ‘A Woman of Consequence: Pandora in Hesiod's Works and Days ’, Cambridge Classical Journal 57: 9–28.

• Friedländer, P. 1948. Epigrammata. Greek Inscriptions in Verse from the Beginnings to the Persian Wars. Berkeley, CA, University of California Press.

• Friedrich, R. 2007. Formular Economy in Homer. The Poetics of the Breaches. Hermes Einzelschriften 100. Stuttgart, Franz Steiner Verlag.

• Friis Johansen, K. 1967. The Iliad in Early Greek Art. Copenhagen, Munksgaard.

• Gainsford, P. 2012a. ‘The Deaths of Beowulf and Odysseus: Narrative Time and Mythological Tale-types’, C&M 63: 247–78.

• Gainsford, P. 2012b. ‘Diktys of Crete’, Cambridge Classical Journal 58: 58–87.

• Gallop, D. 1984. Parmenides of Elea. Fragments. Toronto, University of Toronto Press.

• Gantz, T. 1993. Early Greek Myth. A Guide to Literary and Artistic Sources. Baltimore, MD, Johns Hopkins University Press.

• González, J. M. 2010. ‘The Catalogue of Women and the End of the Heroic Age (Hesiod fr. 204.94–103 M–W)’, TAPhA 140: 375–422.

• Graziosi, B. 2002. Inventing Homer. The Early Reception of Epic. Cambridge, Cambridge University Press.

• Graziosi, B. 2013. ‘The Poet in the Iliad ’, in Marmodoro, A. and Hill, J. (eds.), The Author's Voice in Classical and Late Antiquity. Oxford, Oxford University Press: 9–38.

• Graziosi, B. and Haubold, J. 2005. Homer. The Resonance of Epic. London, Duckworth.

• Grieve, J. 2007. ‘Quantitative Authorship Attribution: An Evaluation of Techniques’, Literary and Linguistic Computing 22: 251–70.

• Griffin, J. 1977. ‘The Epic Cycle and the Uniqueness of Homer’, JHS 97: 39–53.

• Griffin, J. 1980. Homer on Life and Death. Oxford, Oxford University Press.

• Guillon, P. 1963. Le Bouclier d'Héraclès et l'histoire de la Grèce centrale dans la période de la première guerre sacrée. Aix-en-Provence, Éditions Ophrys.

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• Hagel, S. 2009. Ancient Greek Music. A New Technical History. Cambridge, Cambridge University Press.

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• Hainsworth, J. B. 1991. The Idea of Epic. Berkeley, CA, University of California Press.

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• Hansen, P. A. 1983. Carmina Epigraphica Graeca, saec. VIII–V a.Chr.n. Berlin, De Gruyter.

• Harden, S. and Kelly, A. 2013. ‘Proemic Convention and Character Construction in Early Greek Epic’, HSPh 107: 1–34.

• Hartmann, A. 1917. Untersuchungen über die Sagen vom Tod des Odysseus. Munich, C. H. Beck.

• Haug, D. 2002. Les Phases de l’évolution de la langue épique. Göttingen, Vandenhoeck & Ruprecht.

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• Irwin, E. 2005b. Solon and Early Greek Poetry. The Politics of Exhortation. Cambridge, Cambridge University Press.

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