¹ Busoni, Ferrucio, ‘Giovanni Sgambati. Eine Studie zur Beleuchtung der heutigen Musikzustände in Italien’, Neue Zeitschrift für Musik 58/25 (23 Jun 1887),Google Scholar reprinted in Busoni, , Lo Sguardo Lieto: tutti gli scritti sulla musica e le arti, ed. D'Amico, Fedele (Milan: Il Saggiatore, 1977),Google Scholar www.rodoni.ch/martucci/busonisusgambati.html (accessed 7 January 2010).

² For example, Respighi, Malipiero, Casella, Alfano, Pizzetti.

³ Terenzio, Vincenzo, La Musica Italiana nell'Ottocento (Milan: Bramante, 1976).Google Scholar

⁴ Rostagno, Antonio, La Musica Italiana per Orchestra nell'Ottocento (Florence: Olschki, 2003).Google Scholar

⁵ Cominetti, Ennio, Marco Enrico Bossi (Mantua: Gioiosa, 1999).Google Scholar

⁶ Perrino, Folco, Giuseppe Martucci (Novara: Centro Studi Martucciani 1992– ).Google Scholar

⁷ For example, The Complete Piano Trios: Piano Trio no.1 in C major, Op.59, Piano Trio no. 2 Op.62. Trio Mezzena-Bonucci, Dynamic CDS132; Complete Works for ‘Cello and Piano: Cello Sonata in F Sharp Minor. Op.69, Tre Pezzi, Op.69, Due Romanze, Op.72. Duo Pepicelli, Dynamic CDS182; Martucci: Piano Quintet, Op.45, Respighi: Wind Quintet in G minor, P.21, Piano Quintet in F minor, P.35. Ex Novo Ensemble di Venezia, Aldo Orvieto, Dynamic CDS099.

⁸ Martucci: The Complete Orchestral Works. Philharmonia, Francesco d'Avalos cond, ASV CD DCS 408.

⁹ Giuseppe Martucci: Symphonies Nos. 1 & 2. Malaysian Philharmonic, Kees Bakels cond, BIS-CD-1255.

¹⁰ For example, Naxos.

¹¹ Early piano pieces include some paraphrases on themes from Italian Opera.