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New Light on Zola and Physiognomy

Published online by Cambridge University Press:  02 December 2020

E. Paul Gauthier*
Affiliation:
Marquette University, Milwaukee 3, Wis.

Extract

The great importance which Emile Zola gave to physical appearance in character portrayal is well known. It seems to have escaped notice, however, that as a source of material Zola evidently tapped a curious body of pseudo-scientific theories even before he undertook the composition of the Rougon-Macquart series. These theories concern physiognomy, the recognition of character through a study of the permanent form of the human features. Exploitation of a striking corollary to this same study, evident in almost all of the Rougon-Macquart novels, is especially noted in La Fortune des Rougon and in La Bête humaine. Zola applied to creative literature the most fantastic theory of certain physiognomists: the claim that human resemblances to various animals are highly significant indices to the recognition of character.

Information

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 1960

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