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The Banquet Scene in Paradise Regained

Published online by Cambridge University Press:  02 December 2020

Theodore H. Banks
Theodore H. Banks*
Affiliation:
Wesleyan University
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Extract

The banquet scene in Paradise Regained has given trouble to the critics. Long considered an inartistic repetition of the first temptation, it was interpreted by Gilbert and by Hanford as the first step in the second temptation, the most obvious and materialistic aspect of the kingdoms of the world offered by Satan; it was the appeal of luxury, embodied in the æsthetic as well as physical appeal of a sumptuous feast.

Information

Type
Research Article
Information
PMLA , Volume 55 , Issue 3 , September 1940, pp. 773 - 776
Copyright
Copyright © Modern Language Association of America, 1940

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References

1 A. H. Gilbert, The Temptation in “Paradise Regained,” JEGP, xv (1916), 603–605. His arguments may be summarized as follows: 1. Milton has already given the first temptation in Biblical language and elucidated it. 2. The two scenes are separated by an interval of time, as are the second and third temptations. 3. The transitional lines 2. 404–405 indicate “direct continuance of action in hand rather than … change to another.” 4. Unlike the first temptation, which instigates Christ to action, the banquet is a gift of Satan like the other gifts that follow in the second temptation, and its splendor is in keeping with the later offerings.

2 J. H. Hanford, The Temptation Motive in Milton, SP, xv (1918), 182–183. He approves Gilbert's arguments and comments.

3 I accept Gilbert's arguments for the break between this scene and the first temptation, and for the continuity of action here. But if Satan's campaign continues, his objective and plan of attack here change. This point will be developed later.

4 There are two further incidental allusions to Christ's hunger: one by Christ (4. 120–121), and one by Milton (4. 403).

5 2. 152 ff.

6 A somewhat similar argument is put into the mouth of Comus (706–736), when he says that the profuse offerings of nature should not be refused.

7 Two passages in Bk. IV strengthen the argument of this article.

(1) 109–121. This passage demonstrates that the vision of the Roman empire (including a feast) symbolizes “grandeur” “luxury” or “magnificence.”

(2) 368–372. The words “Wealth, nor honour, arms nor arts” clearly summarize what Satan regards as the second temptation and do not include the banquet scene preceding the offer of wealth.