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It is no criticism to note that Rita Felski's provocative, Frank, and spirited book The Limits of Critique is itself a work of critique, and a rhetorically powerful and persuasive one at that. While the hermeneutics of suspicion comes under considerable analytic pressure in the book, Felski does not hesitate to read for hidden meanings, tease out internal contradictions, or cast a skeptical eye on skepticism. Rather, she effectively engages in critique, without apology or embarrassment.
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