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Faulkner and the Power of Sound

Published online by Cambridge University Press:  23 October 2020

Karl F. Zender
Karl F. Zender*
Affiliation:
University of California, Davis
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Abstract

Changes in Faulkner's depictions of sound during the course of his career reflect changes in his understanding of his relation to the world and of himself as an artist. In his early work, he uses images of sound to express a highly romanticized yearning for reconciliation with the world. As his career advances, regret over the passing of the world of his youth and distaste for the modern world replacing it lead him to emphasize the idea of sound as a hostile force, intent on invading the mind. In the postwar period, as he senses that his creative power is declining, he comes to envision himself and the world as engaged in a struggle for dominance, and he devises a variety of ingenious fictional stratagems with which to annul the world's sounds and to reaffirm his belief in the power of his artistic voice.

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Type
Research Article
Information
PMLA , Volume 99 , Issue 1 , January 1984, pp. 89 - 108
Copyright
Copyright © Modern Language Association of America, 1984

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