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Heinse, America, And Utopianism

Published online by Cambridge University Press:  02 December 2020

Harold Von Hope*
Affiliation:
University of Southern California Los Angeles 7

Extract

While older literary historians dismissed Wilhelm Heinse as the author of the frivolous novel Ardinghello, in recent decades critics and scholars have noted his significance. Through the research of Walther Brecht, Walther Rehm, Oskar Weibel, Albert Zippel, and Richard Benz we now know Heinse not only as a novelist but also as a gifted interpreter of classical antiquity and of the Renaissance, as an art critic who defended Rubens against neoclassical criticism, as a forerunner of Romanticism, as an early advocate of the rehabilitation of the flesh and of a Nietzschean affirmation of life. In the recently published Annalen der deutschen Literatur (Stuttgart, 1952) p. 465, Wolfdietrich Rasch singled out Heinse's Ardinghello along with Goethe's Iphigenie, Kant's Kritik der reinen Vernunft, and Mozart's Don Juan, to exemplify the extent and diversity of German cultural life at the end of the eighteenth century.

Information

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 1957

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