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Understudies: Miming the Human

Published online by Cambridge University Press:  23 October 2020

Susan M. Griffin
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The title of understudies, Mary Wilkins Freeman's 1901 short story collection, situates us in the realm of theater, of performance—the space where actors and their seconds together learn the grammars of verbal and visual representation.1 On the cover of Understudies, cameo portraits linked by garlands mimic the arrangement of actors' head shots on a playbill (fig. 1). But the profiles are those of a horse, a dog, a parrot, a monkey, a squirrel, and a cat. Freeman's book displays on its face the art of representing animals and humans—and animals as humans. And her title articulates a distinctly turn-of-the-century (if still unresolved) question: who are the understudies and who are the leads—animals or humans?

Information

Type
Theories and Methodologies
Information
PMLA , Volume 124 , Issue 2 , March 2009 , pp. 511 - 519
Copyright
Copyright © Modern Language Association of America, 2009

References

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