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Wordsworth's “Minuteness And Fidelity”

Published online by Cambridge University Press:  02 December 2020

John E. Jordan*
Affiliation:
University of California, Berkeley 4

Extract

When coleridge, in the famous Chapter xxii of his Biographia Literaria, used the “uncouth and new-coined word” matter-of-faclness to describe one of Wordsworth's “defects,” he was accurately putting his finger on a strain of prosaic prolixity that is all too evident in Wordsworth's poetry. But when he went on to find the principal cause of this matter-of-factness in “a laborious minuteness and fidelity in the representation of objects, and their positions, as they appeared to the poet himself,” was he equally accurate? There is no question that Wordsworth, for all that the earth could be to him “an unsubstantial faery place,” was a hardheaded hillsman with an eye to a shilling and a fact; Raymond D. Havens well pointed out that “it was in the man as well as in the poetry that Coleridge lamented a deficiency.” Coleridge's complaint of “minuteness and fidelity” amounts, however, almost to a charge of unselective, photographic detail, of scrupulous concern for factual accuracy for its own sake. And this charge has been and is still being echoed: Emile Legouis writes of “Wordsworth's veneration for accurate facts and minute details” and John Jones, of Wordsworth's “delusion that he had done what was required of him if he stuck closely to the facts.”

Information

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 1957

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