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Syncopation in rock: a perceptual perspective

Published online by Cambridge University Press:  17 November 2008

David Temperley
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Extract

While study of the social and cultural aspects of popular music has been flourishing for some time, it is only in the last few years that serious efforts have been made to analyse the music itself: what Allan Moore has called ‘the primary text’ (1993, p. 1). These efforts include general studies of styles and genres (Moore, 1993; Bowman, 1995); studies of specific aspects of popular styles such as harmony and improvisation (Winkler 1978; Moore 1992, 1995; Walser 1992), as well as more intensive analyses of individual songs (Tagg 1982; Hawkins 1992). In this paper I will investigate syncopation, a phenomenon of great importance in many genres of popular music and particularly in rock.

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Articles
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Popular Music , Volume 18 , Issue 1 , January 1999, pp. 19 - 40
Copyright
Copyright © Cambridge University Press 1999

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