ALDAMA, ARTURO J., SANDOVAL, CHELA and GARCÍA, PETER, eds., Performing the US Latino and Latina Borderlands. Bloomington, IN: Indiana University Press, 2012. Pp. 522. £56/$90 Hb; £22/$35 Pb.

BANHAM, MARTIN, GIBBS, JAMES and OSOFISAN, FEMI, eds., African Theatre: Shakespeare in and out of Africa. Vol. 12. Woodbridge: Boydell & Brewer/James Currey, 2013. Pp. 208. £19.99 Pb.

BARRANGER, MILLY, Audrey Wood and the Playwrights. Basingstoke: Palgrave Macmillan, 2012. £53/$85 Hb; £17.45/$28 Pb.

BECKER, FLORIAN NIKOLAS, HERNANDEZ, PAOLA and WERTH, BRENDA, eds., Imagining Human Rights in Twenty-First Century Theater: Global Perspectives. Basingstoke: Palgrave Macmillan, 2013. Pp. 326. £53/$85 Hb.

BERWALD, OLAF, ed., A Companion to the Works of Max Frisch. Woodbridge: Boydell & Brewer, 2013. Pp. 256. £60 Hb.

BILLINGS, JOSHUA, BUDELMANN, FELIX and MACINTOSH, FIONA, eds., Choruses Ancient and Modern. Oxford: Oxford University Press, 2013. Pp. 448. £90 Hb.

BLAU, HERBERT, Programming Theatre History: The Actor's Workshop of San Francisco. Oxford and New York: Routedge, 2013. Pp. 224. £80/$130 Hb; £24.99/$41.95 Pb.

BLOOM, ARTHUR W., Edwin Booth: A Biography and Performance History. New York: McFarland, 2013. Pp. 360. £35/$55 Hb.

CANTRELL, TOM, Acting in Documentary Theatre. Basingstoke: Palgrave, 2013. Pp. 208. £53/$85 Hb; £19.95/$32 Pb.

CLAYTON, J. DOUGLAS and MEERZON, YANA, eds., Adapting Chekhov: The Text and Its Mutations. New York: Routledge, 2013. Pp. 316. £90/$130 Hb.

COLLARD, CHRISTOPHE, Artist on the Make: David Mamet's Work across Media and Genres. Nancy: PUN – Editions Universitaires de Lorraine, 2012. Pp. 366. £19.66 Pb.

COOK, NICHOLAS and PETTENGILL, RICHARD, eds., Taking It to the Bridge: Music as Performance. Ann Arbor: University of Michigan Press, 2013. Pp. 400. £59/$95Hb; £22/$35 Pb.

COUSIN, GERALDINE, Playing for Time: Stories of Lost Children, Ghosts and the Endangered Present in Contemporary Theatre. Manchester: Manchester University Press, 2013. Pp. 192. £15.04/$24.95 Pb.

CULL, LAURA and DADDARIO, WILL, eds., Manifesto Now! Instructions for Performance, Philosophy, Politics. Chicago and Bristol: Intellect, 2013. Pp. 230. £40 Hb.

DAVISON, JON, Clown: Readings in Theatre Practice. Basingstoke: Palgrave Macmillan, 2013. Pp. 344. £60/$96Hb; £24.99/$40 Pb.

DOLAN, JILL. The Feminist Spectator in Action: Feminist Criticism for the Stage and Screen. Basingstoke: Palgrave, 2013. Pp. 248. £50/$80 Hb; £16/$26 Pb.

ECKERSALL, PETER and GREHAN, HELENA, eds., ‘We’re People Who Do Shows’. Back to Back Theatre: Performance Politics Visibility. Aberystwyth: Performance Research Books, 2013. Pp. 282. £33.50/$75 Pb.

FOTHERINGHAM, RICHARD and SMITH, JAMES, eds., Catching Australian Theatre in the 2000s. Amsterdam and New York: Rodopi, 2013. Pp. 220 €47/$66 Pb.

HARVEY, JEN, Fair Play: Art, Performance, Neoliberalism. Basingstoke: Palgrave Macmillan, 2013. Pp. 256. £18.99 Pb.

HAYTER-MENZIES, GRANT, Shadow Woman: The Extraordinary Career of Pauline Benton. Montreal: McGill-Queen's University Press, 2013. Pp. 268. £18/$29 Hb.

HINDSON, CATHERINE, Female Performance Practice on the Fin-de-Siècle Popular Stages of London and Paris: Experiment and Advertisement. Manchester: Manchester University Press, 2013. Pp. 240. £14.99/$24 Pb.

HOLMES, SEAN P., Weavers of Dreams, Unite! Actors’ Unionism in Early Twentieth-Century America. Urbana-Champaign, IL: University of Illinois Press, 2013. Pp. 240. £37.40/$60 Hb.

HUTCHISON, YVETTE, South African Performance and Archives of Memory. Manchester: Manchester University Press, 2013. Pp. 256. £65/$104 Hb.

JACKSON, ANTHONY and VINE, CHRIS, eds., Learning through Theatre: The Changing Face of Theatre in Education. Third edition. New York: Routledge, 2013 (first published 1993). Pp. 338. £81/$130 Hb; £20/$32.95 Pb.

JOHNSON, STEPHEN, ed., Burnt Cork: Traditions and Legacies of Blackface Minstrelsy. Amherst: University of Massachusetts Press, 2012. Pp. 266. £50/$80 Hb; £18/$28.95 Pb.

KUPPERS, PETRA, Disability Culture and Community Performance: Find a Strange and Twisted Shape. Basingstoke: Palgrave, 2013. Pp. 296. £56/$90 Hb; £18/$29 Pb.

LAVERY, CARL, The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester: Manchester University Press, 2010. Pp. 272. £56/$90 Hb.

MACHON, JOSEPHINE. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013. Pp. 344. £53/$85 Hb; £18.70/$30 Pb.

MAE SAN PABLO BURNS, LUCY, Puro Arte: Filipinos on the Stages of Empire. New York: NYU Press, 2013. Pp. 205. £15.99 Pb.

MAGNAT, VIRGINIE, Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women. New York: Routledge, 2014. Pp. 244. £78/$125 Hb.

MANGAN, MICHAEL, The Drama, Theatre, and Performance Companion. Palgrave Student Companion Series. Basingstoke: Palgrave, 2013. Pp. 376. £19.95/$32 Pb.

MAUNDER, PAUL, Rebellious Mirrors: Community Based Theatre in Aotearoa/New Zealand. Christchurch, NZ: Canterbury University Press, 2013. Pp. 272. NZ$45 Pb.

NEVITT, LUCY, Theatre and Violence. Basingstoke: Palgrave, 2013. Pp. 96. £6.25/$10 Pb.

OVADIJA, MLADEN, Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre. Montreal: McGill-Queen's University Press, 2013. Pp. 264. £64 Hb.

PEARSON, MIKE, Marking Time: Performance, Archaeology and the City. Exeter: University of Exeter Press, 2013. Pp. 288. £22 Pb.

PREST, JULIA, Theatre under Louis XIV: Cross-casting and the Performance of Gender in Drama, Ballet, and Opera. Basingstoke: Palgrave, 2013. Pp. 195. £16.85/$27 Pb.

PROUDFIT, SCOTT and SYSSOYEVA, KATHRYN MEDEROS, eds., A History of Collective Creation. Basingstoke: Palgrave, 2013. Pp. 276. £53/$85 Hb.

RADOSAVLJEVIĆ, DUŠKA, ed., The Contemporary Ensemble: Interviews with Theatre-Makers. London: Routledge, 2013. Pp. 284. £74.80/$120 Hb; £22.40/$36 Pb.

RADOSAVLJEVIĆ, DUŠKA, Theatre-Making: Interplay between Text and Performance in the 21st Century. Basingstoke: Palgrave, 2013. Pp. 288. £53/$85 Hb; £17.45/$28 Pb.

REILLY, KARA, ed., Theatre, Performance and Analogue Technology: Historical Interfaces and Intermedialities. Basingstoke: Palgrave Macmillan, 2013. Pp. 288. £55 Hb.

RIVERA-SERVERA, RAMÓN, Performing Queer Latinidad: Dance, Sexuality, Politics. Ann Arbor: University of Michigan Press, 2012. Pp. 272. £46.75/$75 Hb; £20.25/$32.50 Pb.

ROYSTER, FRANCESCA, Sounding Like a No-No: Queer Sounds and Eccentric Acts in the Post-soul Era. Ann Arbor: University of Michigan Press, 2013. Pp. 256. £53/$85 Hb; £20.25/$32.50 Pb.

SELL, MIKE, The Avant-Garde: Race, Religion, War. Chicago: Seagull Books, 2012. Pp. 355. £15.60/$25 Pb.

SHEPHERD, SIMON, Direction: Readings in Theatre Practice. Basingstoke: Palgrave, 2012. Pp. 248. £60/$96.25 Hb; £22.99/$36.88 Pb.

SNYDER-YOUNG, DANI, Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change. Basingstoke: Palgrave Macmillan, 2013. Pp. 176. £50 Hb.

SOLGA, KIM, Violence against Women in Early Modern Performance: Invisible Acts. Basingstoke: Palgrave Macmillan, 2013 (first published 2009). Pp. 232. £60/$95 Hb; £18/$29 Pb.

THORNBURY, BARBARA E., America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952–2011. Ann Arbor: University of Michigan Press, 2013. Pp. 280. £43.60/$70 Hb.

TIAN, MIN, Mei Lanfang and the Twentieth-Century International Stage: Chinese Theatre Placed and Displaced. Basingstoke: Palgrave, 2012. Pp. 320. £62.30/$100 Hb.

TUCKER, DAVID, A Dream and Its Legacies: The Samuel Beckett Theatre Project. Oxford 1967–76. Gerrards Cross: Colin Smythe Ltd Publishers, 2013. Pp. £16.99 Pb.

VAZQUEZ, ALEXANDRA T., Listening in Detail: Performances of Cuban Music. Durham, NC: Duke University Press, 2013. Pp. 352. £56/$89.95 Hb; £15.55/$24.95 Pb.

WITHAM, BARRY, A Sustainable Theatre: Jasper Deeter at Hedgerow. Basingstoke: Palgrave, 2013. Pp. 204. £50/$80 Hb.

YOUNG, HARVEY, Theatre and Race. Basingstoke: Palgrave, 2013. Pp. 88. £6.25/$10 Pb.