In her landmark book, The History of the Greek and Roman Theater, the great historian Margarete Bieber stated simply and elegantly, ‘The development of the theater building always follows the development of dramatic literature.’ While historians, of course, have always attempted to explain the drama in terms of known architectural, scenographic, and technological practices, the effect of one upon the other has been less fully or successfully explored. Why, for instance, is the reverse of Bieber's statement not true? And in the rapidly changing technology of the contemporary world, is it possible that technology has become a causal factor in the development of drama?