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Interpreting Betti

Published online by Cambridge University Press:  23 November 2021

Extract

The more influential (though not necessarily the more perceptive) of English and American dieatre reviewers have consistently withheld their approval to the work of Ugo Betti, a writer who in Italy is acknowledged by all save a handful of critics on the extreme left to be the only major Italian dramatist of the post-Pirandello period. Many regard him as the equal in stature of his more widely known predecessor. Yet the two Betti plays that reached Broadway (The Gambler and Island of Goats) survived for only a matter of days, whilst the English productions of The Queen and the Rebels, The Burnt Flower-Bed, and Summertime (original title: II paese delle vacanze), staged in the West End in 1955-56, each ran for a relatively short period. To a student and admirer of Betti's drama, this record is disappointing, and also a little bewildering.

Information

Type
Research Article
Copyright
Copyright © The Tulane Drama Review 1960

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