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Chance and the Patterns of Drift: A Natural Experiment

Published online by Cambridge University Press:  01 January 2022

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Abstract

Evolutionary models can explain the dynamics of populations, how genetic, genotypic, or phenotypic frequencies change with time. Models incorporating chance, or drift, predict specific patterns of change. These are illustrated using classic work on blood types by Cavalli-Sforza and his collaborators in the Parma Valley of Italy, in which the theoretically predicted patterns are exhibited in human populations. These data and the models display properties of ensembles of populations. The explanatory problem needs to be understood in terms of how likely an observed change, in either a population or an ensemble, would be under drift alone; this is fundamentally a matter of chance. Understood in this way, issues of drift and chance undercut most recent philosophical, but not biological, discussions of the role of “genetic drift.”

Information

Type
Case Studies on Chance in Evolution
Copyright
Copyright © The Philosophy of Science Association
Figure 0

Table 1.Allelic Frequencies in Various Regions, Relevant to Blood Group Type.

Figure 1

Table 2.Allelic Frequencies in Italian Parishes in the Parma River Valley.

Figure 2

Figure 1.Variance among villages as a function of population density. What is shown is the variation among villages including three blood group types (ABO, MN, and Rh). The y-axis values are variances within a commune (i.e., a group of parishes), which are then grouped by altitude. The altitudinal variation is an empirical surrogate for degree of isolation and so is a predictor of inbreeding coefficients and drift (see Cavalli-Sforza 1966). The figure is redrawn from Cavalli-Sforza (1969).

Figure 3

Figure 2.Frequency of consanguineous marriages as a function of distance. This illustrates the effect of isolation on the frequency of consanguineous marriages. Distance is an imperfect metric of isolation. Simulations of actual populations confirmed the general pattern. The figure is redrawn from Cavalli-Sforza (1969).