Armstrong, Mary A. Reading a Head: Jane Eyre, Phrenology, and the Homoerotics of Legibility, 107

Blair, Emily. “The Wrong Side of the Tapestry”: Elizabeth Gaskell's Wives and Daughters, 585

Blake, Kathleen. Between Economies in The Mill on the Floss: Loans versus Gifts, or Auditing Mr. Tulliver's Accounts, 219

Boiko, Karen. Reading and (Re)Writing Class: Elizabeth Gaskell's Wives and Daughters, 85

Colligan, Colette. The Man Who Wrote a New Woman Novel: Grant Allen's The Woman Who Did and the Gendering of New Woman Authorship, 21

Everett, Glenn. Electronic Resources for Victorian Researchers–2005 and Beyond, 601

Faubert, Michelle. Cure, Classification, and John Clare, 269

Giorgio, Grace A. Vampiric Affinities: Mina Harker and the Paradox of Femininity in Bram Stoker's Dracula, 487

Gladden, Samuel Lyndon. Spectacular Deceptions: Closets, Secrets, and Identity in Wilkie Collins's Poor Miss Finch, 467

Grant, Robert. “The Fit and Unfit”: Suitable Settlers for Britain's Mid-Nineteenth-Century Colonial Possessions, 169

Heckenberg, Kerry. Thomas Mitchell and the Wellington Caves: The Relationship among Science, Religion, and Aesthetics in Early-Nineteenth-Century Australia, 203

Kaufman, Heidi. King Solomon's Mines?: African Jewry, British Imperialism, and H. Rider Haggard's Diamonds, 517

Malton, Sara A. Illicit Inscriptions: Reframing Forgery in Elizabeth Gaskell's Ruth, 187

Marshik, Celia. The Case of “Jenny”: Dante Gabriel Rossetti and the Censorship Dialectic, 557

McBratney, John. Racial and Criminal Types: Indian Ethnography and Sir Arthur Conan Doyle's The Sign of Four, 149

Meir, Natalie Kapetanios. “A Fashionable Dinner is Arranged as Follows”: Victorian Dining Taxonomies, 133

Meyer, Susan. Antisemitism and Social Critique in Dickens's Oliver Twist, 239

Miller, Elizabeth Carolyn. Trouble with She-Dicks: Private Eyes and Public Women in The Adventures of Loveday Brooke, Lady Detective, 47

Milligan, Barry. Morphine-Addicted Doctors, the English Opium-Eater, and Embattled Medical Authority, 541

Mitchell, Sally. Reading Class, 329

Niles, Lisa. Malthusian Menopause: Aging and Sexuality in Elizabeth Gaskell's Cranford, 293

Norcia, Megan. The Imperial Food Chain: Eating as an Interface of Power in Women Writers' Geography Primers, 253

Ohi, Kevin. Autobiography and David Copperfield's Temporalities of Loss, 435

Pike, David L. “The Greatest Wonder of the World”: Brunel's Tunnel and the Meanings of Underground London, 341

Prescott, Charles E. Vampiric Affinities: Mina Harker and the Paradox of Femininity in Bram Stoker's Dracula, 487

Quamen, Harvey N. Unnatural Interbreeding: H. G. Wells's A Modern Utopia as Species and Genre, 67

Rotunno, Laura. The Long History of “In Short”: Mr. Micawber, Letter-Writers, and Literary Men, 415

Siegel, Daniel. The Failure of Condescension, 395

Stauffer, Andrew M. Dante Gabriel Rossetti and the Burdens of Nineveh, 369

Sussman, Herbert. Victorians Live, 313

Thomas, Deborah A. Thackeray, Capital Punishment, and the Demise of Jos Sedley, 1

Warne, Vanessa. The Man Who Wrote a New Woman Novel: Grant Allen's The Woman Who Did and the Gendering of New Woman Authorship, 21

Young-Zook, Monica M. Sons and Lovers: Tennyson's Fraternal Paternity, 451