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“Vote for your Bread and Butter”: Economic Intimidation of Voters in the Gilded Age

Published online by Cambridge University Press:  02 November 2021

Gideon Cohn-Postar*
Affiliation:
University of Pennsylvania, Philadelphia, PA, USA
*
*Corresponding author. E-mail: gideoncohnpostar2020@u.northwestern.edu
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Abstract

The extent and intensity of electoral and voter fraud that took place during the U.S. Gilded Age is properly infamous. This paper explores a form of voter intimidation that has garnered comparatively little scholarly attention: economic coercion. Absent secrecy at the polls and security at work, bosses forced workingmen to choose between their job or their vote. Economic voter intimidation provoked both a real and rhetorical crisis in the 1870s and 1880s. In real terms, it disrupted hundreds of elections and damaged thousands of workers’ livelihoods. It became a nationwide crisis after 1873, however, because for the first time, employers were coercing white workingmen on a widespread basis. Reports of employers coercing their employees at the polls throughout the nation confirmed the worst fears of many labor leaders and politicians: white wage-workers were insecure possessors of the franchise whose precariousness might threaten democracy itself. Mining previously overlooked accounts of economic voter intimidation in contested congressional election case records, congressional investigations, corporate records, and newspapers, this article argues that employers’ politicized layoff threats and observation of workers at the polls undermined the political equality of even those men whose whiteness had seemingly secured their privilege.

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Type
Article
Copyright
© The Author(s), 2021. Published by Cambridge University Press on behalf of the Society for Historians of the Gilded Age and Progressive Era (SHGAPE)
Figure 0

Figure 1:An example of a typical ballot of the era for a midterm election in 1878. Note the prominent placement of the word “Regular” at the top of the ticket, emphasizing that these are the official candidates of the party. Factions often split off during this era and printed their own tickets, going by names such as “State Democracy” or “Independent Republicans.” 1878 Massachusetts Democratic Ballot, Collection of Election Ballots: 1827–1889, American Antiquarian Society, Box 2, Folder 2.

Figure 1

Figure 2:One vignette from Harper’s Weekly’s 1888 “Scenes and Incidents of Election Day in New York.” The magazine published a similar illustration after each presidential election. In this case the drawing shows a Republican ticket pusher handing a ballot to a well-dressed man of color while a heavyset and somewhat rumpled white man looks on. The absolute lack of privacy depicted in this scene is entirely typical of the process of selecting a ballot before the introduction of the secret ballot. W.A. Rogers, “Scenes and Incidents of Election Day in New York,” Harper’s Weekly, November 17, 1888, 876.

Figure 2

Figure 3:A copy of a “political pay envelope” allegedly given to the Waterbury Evening Democrat by an employee of the Farrell Foundry and Machine company during the 1888 presidential election. “Protection Envelopes,” Waterbury Evening Democrat (Waterbury, CT), October 4, 1888.

Figure 3

Figure 4:This balloting scene from the 1880 version of the Harper’s Weekly election day illustration depicts a Chinese man in line to cast a ballot. Though the illustrator was interested in the ethnic identity of the voter, this depiction of the polling place is typical of the lack of privacy for voters while casting a ballot. Standing just to the left of the polling window is a well-dressed man in a top hat seemingly watching each ballot as it goes in the box. S.G. McCutcheon, “Scenes and Incidents of Election Day in New York,” Harper’s Weekly, November 13, 1880, 728.

Figure 4

Figure 5:This Harper’s Weekly cartoon from 1888 depicts ticket pushers in New York City. It is a highly stylized image: the candidates themselves are handing out ballots from booths emblazoned with derogatory and embarrassing banners while a parade of “Independent Voters of New York” representing men of all classes confidently wave off their entreaties. Exaggerations aside, the cartoon shows in broad terms what ticket pushing outside the polls looked like. William Allen Rogers, “The Irrepressible Independent,” Harper’s Weekly, October 20, 1888, 803.